Thursday, March 16, 2017

Dear Comic Art Fan,

Did you catch Logan in the theater yet? For Hugh Jackman's final run as Wolverine they pulled out all the stops and made it a hard-R, bloodfest with some of the most violent scenes a superhero movie has ever shown. In honor of the occasion, this month's Sketchbook theme is dedicated to Wolverine in any incarnation from Weapon X to Old Man Logan. See what's been added at the link...

Colin Solan
CAF Editor

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Heritage Auctions (HA.com) - Sub-Mariner 2, Flash Gordon Strip & Wonder Woman 290 in this Sunday’s Auction

A Few Sample Lots:

John Buscema and Frank Giacoia - Sub-Mariner #2 Story Page 17 Triton Original Art (Marvel, 1968)

Dan Barry - Flash Gordon Daily Comic Strip Original Art 12-29-51 (King Features Syndicate, 1951)

Gene Colan and Romeo Tanghal - Wonder Woman #290 Splash Page 1 Original Art (DC, 1982)

Also check out the latest in the Comic Market at Heritage here...


Covers
Splashes
Splashes
David Finch - EVE Protomecha #1 Var Cvr
Ends: 3/19/2017 1:59:00 AM PDT
Gene Colan - Tales To Astonish #84 p4
Ends: 3/18/2017 8:00:00 PM PDT
Bob Brown - Avengers #114 p2
Ends: 3/18/2017 8:09:00 PM PDT
Drawings
Paintings
Other
George Perez - Teen Titans Pinup
Ends: 3/19/2017 10:00:00 PM PDT
Andy Walker - Dr. Who #5 Cvr
Ends: 3/19/2017 4:44:00 PM PDT
David Finch - Aphrodite IX Cvr
Ends: 3/19/2017 2:18:00 AM PDT
View More »

Announcements

ComicConnect’s Original Art Auction ends Monday March 20

ComicConnect’s Event Auction XXX concludes next week with final bids scheduled Monday through Friday at 7PM EDT while Original Art ends on Monday, March 20.

The auction end-dates are as follows:
Session 1 (Original Art, Action - Amazing Spider-Man #44) March 20, 2017 at 7PM EDT
Session 2 (Amazing Spider-Man #45 - Daredevil #30) March 21, 2017 at 7PM EDT
Session 3 (Daredevil #31 - Incredible Hulk #181) March 22, 2017 at 7PM EDT
Session 4 (Incredible Hulk #271 - Strange Tales #77) March 23, 2017 at 7PM EDT
Session 5 (Strange Tales #81 - Zip Comics #38) March 24, 2017 at 7PM EDT

“The complete “Hang the Batman” story from DC Special Series #15 has drawn incredible interest; the thirty-one lots include the cover and all thirty interior pages by Mike Nasser and Joe Rubinstein,” explained Vincent Zurzolo, co-founder of ComicConnect, the Guinness World Record auction house. “Collectors and investors have over 150 lots from which to choose and nearly 99% of the auction is selling at no reserve!”

Highlights include:

  • Marvel Team-Up #99 cover by Frank Miller
  • Star Wars #35 cover by Carmine Infantino and Bob Wiacek
  • Amazing Spider-Man #99 page by Gil Kane and Frank Giacoia
  • Avengers #28 page by Don Heck and Frank Giacoia
  • Kingdom Come and Uncle Sam pages by Alex Ross
  • Avengers #12 page by Don Heck and Dick Ayers 
  • Amazing Spider-Man #57 page by John Romita, Don Heck, and Mike Esposito
  • Avengers #184 page by John Byrne

Click here to view and bid on the original art auction.

The Original Art Session ends March 20, 2017 from 7:00 pm – 8:30 pm EDT.

ComicConnect is the only major auction house that does not charge buyer's premiums. Simply pay the winning bid plus shipping (sales tax NY residents only). Contact them at support@comicconnect.com or call (Toll Free) 888-779-7377 to consign to their next record-setting auction.


Premium Member of the Week :: Chris Ryall

1. Please tell us a little about yourself.

I'm the Chief Creative Officer at IDW Publishing, the 4th-largest comic publisher in the US. I've been here for 13 years now, originally starting as the company's EIC before becoming CCO. I originally dabbled in original art with acquiring pieces from comics I've written but, as always seems to happen, have moved on to a bigger and bigger wish list.

2. Which piece in your gallery is your favorite?

This is the prize of my collection. It's a jam piece that was worked on by many of the best artists of the 1980s and took about a decade to complete. It includes many of my all-time favorite artists and characters all in one.

I'd say my favorite vertical piece is this George Perez/Joe Sinnott page from Fantastic Four #164. I adore both artists, the Fantastic Four was the first comic I ever read and FF 164 in particular was one of the very earliest comics I owned, so this page would mean a lot even if it wasn't such a great page. 

But it's hard to pick now, since I finally managed to get a couple beloved Kirby pages; have quite a few Rom pieces, and Rom was always a favorite title as a kid and again now that I'm writing the new comic. Plus many of the pieces have very personal significance, as they always do, so picking a single favorite isn't really totally applicable since I love so many of them for different reasons.

3. How long have you been collecting comic art and what prompted you to start?

I primarily started when I joined IDW and began working with a wide array of talents. I’m sure I had a few small pieces prior but it’s only been in the past 12+ years at IDW that the collection has exploded out in all directions. As a comic collector, you tend to grow from a collector of the comics you buy to more rare or special comics to the ultimate rarities, original art. And even more so when the piece or the artist has special significance. So my collection is pretty much built on either pieces from stories and artists I loved as a kid or pages and covers from artists I’ve personally collaborated with. It really does become a consuming passion, original art, one that requires some restraint. But there’s always that *next* piece you can’t live without or have to hang on your wall, right?

4. How do you display/store your collection at home?

Luckily, I have a large office at IDW with ample wall space so it's just covered with framed art. Art I'm constantly rotating. And again at home, I've got numerous pieces displayed on as many walls and places as my wife will tolerate. It's invigorating to work on comics with the art from so many wonderful talents staring at me and serving as constant inspiration.

5. What are your top five most wanted original pages or commissions?

It always comes down to that arcane combination of artist and issue. So for me, that'd be someday acquiring a Byrne/Austin X-Men page and/or a Byrne FF page. I've got a decent amount of Byrne art from things we've done together but it's those childhood favorites that always loom large. Same with my need for a Frank Miller Daredevil page (I'd settle for a Ronin, too); a Perez Titans page (ideally from issue 39, where he inked himself); and a Paul Smith X-Men page. But, like for so many, the mountaintop page is a Kirby/Sinnott FF page someday. And a Simonson Thor; and Golden Micronauts; Giffen/Mahlstedt-era Legion; a Mort Drucker Mad page (a "Bats-Man" page would be the dream); and so, so many more... that's why I like trading more than outright selling, I love rotating and freshening the collection, even though many of my untouchables seem to be the ones that get the most interest in that regard.

View Chris Ryall's Gallery

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News of the Week
6.27.2017: ComicLink Original Art Auction Session Closes This Week With Over 800 Lots

6.27.2017: Comic Book Original Art & More in Hake’s Auction #221

6.27.2017: Comic Ink King Site Updates

6.27.2017: Alex Ross Liberty and Justice: JLA now available only at Sideshow

6.27.2017: New Art For Sale at AlbertMoy.com

6.27.2017: Eddy Barrows is having a sale on Detective, Suicide Squad and Nightwing pages

6.27.2017: Announcing the Ringo Awards

6.23.2017: Michael Lark Ebay Auction to benefit Planned Parenthood

6.23.2017: New Luis Royo Artwork Available from Laberinto Gris

More News »


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