Member Since October 2012
167 Artworks | Watched by 8

Exquisite Corpse 3: Wally Wood's 22 Panels That Always Work, pg. 2

Location: Jam Pieces
Artists: Bob McLeod (All) , Klaus Janson (All) , Ryan Browne (All) , Mike Hawthorne (All) , Darick Robertson (All) , Ron Salas (All) , Howard Chaykin (All) , Chris Bachalo (All) , John Bivens (All) , Zander Cannon (All) , Hilary Barta (All)

3030 Views - 2 Comments - 1 Likes

Location: Jam Pieces
Title: Exquisite Corpse 3: Wally Wood's 22 Panels That Always Work, pg. 2
Artist: Bob McLeod (All) , Klaus Janson (All) , Ryan Browne (All) , Mike Hawthorne (All) , Darick Robertson (All) , Ron Salas (All) , Howard Chaykin (All) , Chris Bachalo (All) , John Bivens (All) , Zander Cannon (All) , Hilary Barta (All)
Media Type: Pen and Ink
Art Type: Commission
For Sale Status: NFS
Views: 3030
Likes on CAF: 1
Comments: 2
Added to Site: 6/23/2015

This is page 2 of a 2 pg sequential jam piece where each artist selects one of Wally Wood's "22 panels that always work" to tell the next panel of the story.

Panel 12: Bob McLeod "Down Shot, Cast Shadows"

Panel 13: Klaus Jason "Depth"

Panel 14: Ryan Browne "Full Figure, Open Border"

Panel 15: Chris Bachalo "Small Figure"

Panel 16: Mike Hawthorne "Contrast"

Panel 17: Darick Robertson "Reverse Silhouette - Black or Ben Day"

Panel 18: Ron Salas "White Ben Day Background & Silhouette"

Panel 19: Howard Chaykin "Profile, no background"

Panel 20: John Bivens "Open Panel, Complete object - Car, Plane"

Panel 21: Zander Cannon "Newspaper"
Panel 22: Hilary Barta "Diagr. Eye Level"

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Member Since: October 2012
Last Login: April 2026
Ebay Id: readfreak
Website: https://twitter.com/Gerry_McDade
Country: UNITED STATES
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Hilary Barta Member Since 2021

Posted On 2/5/2026

I wish more con sketch requests were as interesting as this!

Gerry McDade Member Since 2012

Posted On 2/5/2026

Hilary Barta wrote:

" I wish more con sketch requests were as interesting as this!
"

I wish our paths crossed more often!

Exquisite Corpse 3: Wally Wood's 22 Panels That Always Work, pg. 2

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