Location: GRUMMETT TOM
Artist:
Tom Grummett
(All)
1019 Views - 6 Comments - 4 Likes
Login or register for an account to email the owner of this artwork.
I completely understand your point here. Interactions with our favorite artists can't always be a winner, as you know, which can most definitely have an impact on the final piece. That's the game with commissions. I understand what you'd have preferred as far as the two characters poses (especially Deathstroke's) are concerned since your description is quite clear, and I have to admit that you're right. Your visual would have made for a more dynamic and organic result. Not to mention that you waited a long time - I know that some fans wait longer than that in some instances - which comes into play as you were in your own right to expect an awesome result in the end. I'm not saying it isn't, but I understand your being a tad disappointed of not getting the image you first envisioned coming from an artist you know is capable of delivering it and much more. Hope my comment won't make you feel worse about all this experience. ;-)
Thanks for the constructive comment, Nick. To rebound on that I will add that at some point, I will confess the experience made me hesitate not to co-finance Tom’s second kickstarter. I still did and Mr Kesel just informed his backers that it will be quite late due in part to the fact that Tom has been suffering from an artist’s block. This probably played into my commission experience as well. I also struggled to go and meet Tom in person when he was invited to a convention in France 30 minutes from my home. I sadly choose not to as I felt I could not distanciate myself from my frustration and I didn’t want to make him feel bad in front of other fans. I could have gone still, not say anything and give him more money for another piece but, you know…
As you say, both are characters that Tom draws really well, and I LOVE Deathstroke, so I think it's a great piece!
First, it came out really nice. Some really clean lines throughout and I ike the spot blacks are reserved more for Deathstroke and his part of the background - I think it adds to the "this side vs. that side" dynamic. I actually think Sketch 1 could have been pretty cool, too - generally I'm a fan of that downward or upward perspective shot with certain multi character images as it can add to the dramatic effect. But again, I think the final result worked! As for your experience...2 years is a long time. I defintely would have felt that way, been frustrated (not sure if any kind of timeframe war provided prior?), BUT glad that I wasn't being ghosted. Which happens to a lot of folks with commission requests these days. At minimum, if a commission is taking longer than planned, communication has to be happening. Lastly, I get that as time went on you felt better about giving your creative 2 cents, but I do try (try being the operative word there) to let the artist GO after my must haves are noted! Overall, rough experience there and probably why I partially don't do commissions as often these days :) Glad you got your piece!
A man after my own taste. :-) I share your view about sketch 1.
I've experienced being able to provide lots of direction in certain cases versus other scenarios, where 'art director' was not the role the artist and rep wanted the commissioner to have. In some cases, you know that going in up front, and can make your decision accordingly. I do enjoy seeing my ideas or concepts executed by a favorite artist, so I can understand how if your vision wasn't fully realized that it can be disappointing. However, there can also be 'happy accidents' where things come out better than you imagine, or at least just as great (even if it wasn't exactly as you envisioned).