Artist: jesus redondo (All)
2 Comments - 1,094 Views - 0 Like
Artwork Details
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DescriptionSome spoilers below…Back when I was 10, when I first read it, this story scared the bejesus out of me. It was Tom Baker Dr Who-type terror – you could of course stop watching and do something else but the storytelling kept you coming back for more. Space pirates, zombies, prophecies, mad scientists, “hero’s journey”, gods meddling in the affairs of mere mortals, Genesis meets Revelation with a dash of the Bhagavad-Gita, slave uprisings, robot uprisings, Hollywood one-liners, larger-than-life villains, a plague of locusts, boy meets girl, boy beheads girl, girl returns favour--no trope was left unturned by the late Malcolm Shaw; cliff-hanger chased cliff-hanger, the story moved relentlessly and thrillingly on. The story was commissioned by Steve MacManus, who didn’t seem that pleased with the end result: “It didn’t work; pitched just slightly off. The artwork didn’t help*.” The 10-year-old me couldn’t have disagreed more – the writing was wonderful, Mr. Redondo’s art was perfect. I don’t mean that in a passive-aggressive way – if its editor considered it a failure, then it was, to me at least, a glorious failure. Re-reading it now, 30 years later, it still shines. The plot moves so fast you get whiplash – the first episode starts with a spaceship colliding with a dimensional rift, introduces a quarter of the main cast, and then ends, five pages after it started, with the discovery of a devil. Shaw acknowledges that the story doesn’t make complete sense until you get to the big reveal near the end – "I could find no logical explanation [for the occassional lurching madness of the plot]," says someone in a closing chapter, almost winking to the reader directly. The story benefits from an immediate cover-to-cover re-read -- characters’ odd behaviour and out-of-nowhere crazy notions suddenly make perfect sense. The writing is wonderfully full-on and full of tongue-in-cheek B-movie greatness: “Both sides of the Earth are in perpetual darkness. The only light’s coming from burning corpses.” “First come, first severed.” “Where did you learn to handle a sword like that?” “Hate is a great teacher.” “The scum! They’ve tasted their last human. Now they must taste some ice-cold steel.” The main artist’s work is some of the finest to grace 2000ad – you can feel the hatred and rage seething off the page when the Destroyer shouts, “Fool! He shall know what it is to a suffer,” before transforming his better half into a “freak that can’t die". The zombies and the winged or horned beasties are gruesome. The art seems to effortlessly keep up with the pace of the writing. Gore--Falcon Eddy’s smashed skull and Eve’s beheading, say--is mostly off-screen and all the more effective for it. Nobody draws shadows like Mr. Redondo - or cheekbones on a heroine. I’m not sure how much of my love of this story is down to nostalgia – I have fond memories of discussing the plot with my late older brother – and it is probably best enjoyed as a weekly serial rather than all in one go, but Return to Armageddon is well worth checking out now it is back in print. * http://viciousimagery.blogspot.co.uk/2007/02/28-days-of-2000-ad-7-steve-macmanus-pt.html Social/Sharing |
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dale jackson
Member Since 2007
Posted on 10/8/2014
Lovely cover , also great to read your reasons for liking his art .
Greg Meldrum
Member Since 2010
Posted on 10/9/2014
Yeah, great cover and a really great write-up on both it and the charm of the series in general.
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