All-New X-Men #4 p 3
Artists: Stuart Immonen (Penciller) , Wade von Grawbadger (Inker)
4 Comments - 823 Views - 3 Likes
Artwork Details
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DescriptionI have picked up art from a current, on-going series a few times. I definitely wanted some pieces from Immonen, who recalls a time of solid design (lay-out) and lines.Social/Sharing |
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George H 
Member Since 2009
1 - Posted on 3/27/2014
Such a wonderful way to layout a page! Great piece from this series.
Jason Hussa
Member Since 2017
Posted on 9/12/2021
Good heavens! I was swinging by to take another look at this gem and was stunned by the fact that I haven't yet left a comment...! Please pardon my oversight! :) This is such a stellar way to start an issue of this title. It's not only a cool gimmick in and of itself, but as so much of recent X-history has dealt with schisms of some kind (Cyclops and Wolverine, etc.), Bendis's 'Uncanny' and 'All-New' X-Men runs really turned the screws on it by bringing in the past X-Men (intensifying the Beast / Cyclops fallout, as well as the "pure" ideals of the original X-Men vs the modern sensibilities of everyone else) and dealing with the fallout of "broken" powers (Cyclops, Magneto, Emma Frost) after AvX. As such, a "fractured" view of all the faces on the page 1 splash feels simultaneously tension-inducing and par for the course. The identical sizes of all the panels lends a feeling of simultaneity in the moment, that everyone is feeling and thinking the captions at the exact same time, and works to progress and subtly deepen the story from the instant the reader sees page 1. Incredible page, Brian - sincere congrats!
Brian Coppola
Member Since 2009
1 - Posted on 9/12/2021
Jason Hussa wrote:
Good heavens! I was swinging by to take another look at this gem and was stunned by the fact that I haven't yet left a comment...! Please pardon my oversight! :) This is such a stellar way to start an issue of this title. It's not only a cool gimmick in and of itself, but as so much of recent X-history has dealt with schisms of some kind (Cyclops and Wolverine, etc.), Bendis's 'Uncanny' and 'All-New' X-Men runs really turned the screws on it by bringing in the past X-Men (intensifying the Beast / Cyclops fallout, as well as the "pure" ideals of the original X-Men vs the modern sensibilities of everyone else) and dealing with the fallout of "broken" powers (Cyclops, Magneto, Emma Frost) after AvX. As such, a "fractured" view of all the faces on the page 1 splash feels simultaneously tension-inducing and par for the course. The identical sizes of all the panels lends a feeling of simultaneity in the moment, that everyone is feeling and thinking the captions at the exact same time, and works to progress and subtly deepen the story from the instant the reader sees page 1. Incredible page, Brian - sincere congrats!
Ha. You are hitting the highlights, now. This is such a spectacularly designed page. Right down to the fact that the top and bottom edges of the narrow panels were not all lined up and even adds to the disharmony. B.
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