Artwork Details
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DescriptionA mesmerizing exercise in sequential graphic storytelling from the hand of James Harren. Zooming in past our fainted protagonist, the camera pulls us down through a rusty, pitted storm grate and focuses on a patch of moonlight reflected in the waters below… just in time to see that pool of light broken by Rathraq’s old body, pushed through the swirling eddies of water and light by a congregation of (gorgeously stylized) alligators. Next the camera pans up to reveal a beautiful Harren setting; its fog, rust, and decay achieved through multiple layers of ink, paint, and zipatone. Just… wow.I feel very fortunate to add it here, and have to give a big, wet, sloppy shout out J H for the heads up. Thanks, sir, and THANK YOU, Felix! Social/Sharing |
About the Owner
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Doctor Fantastic
Member Since 2007
2 - Posted on 9/20/2022
I've never said this before, but WOW what a beautiful sewer!
Chris Snorek
Member Since 2009
1 - Posted on 9/20/2022
Conceptualizing this sequence is a feat unto itself. Actually executing on it is what makes Harren a master.
Nathan Hartz
Member Since 2006
1 - Posted on 9/20/2022
He is so good! Such a great page! Thanks for sharing!
Tyler T
Member Since 2020
1 - Posted on 9/20/2022
Rumble gators are the worst type of gators! Nice page Jason!
Tim J
Member Since 2021
1 - Posted on 9/20/2022
Great pickup! I had my eye on this piece for a while but just never got around to pulling the trigger, lol. I mean, sewer gators! Come on!
artless artmore
Member Since 2013
1 - Posted on 9/21/2022
Yes, great storytelling and design! Beautiful
Marcus Wai
Member Since 2005
2 - Posted on 9/21/2022
The surface above street looks in so much worse shape than the underground. You can see by the outer ink marks which panels needed the extra precise lines as he needed to prep the brush just right with a practice stroke.
Jason Hussa
Member Since 2017
1 - Posted on 9/21/2022
Marcus Wai wrote:
The surface above street looks in so much worse shape than the underground. You can see by the outer ink marks which panels needed the extra precise lines as he needed to prep the brush just right with a practice stroke.
That is SO well put, Marcus. You are exactly right, and I wouldn't have thought of that in those specific terms without your comment (I just liked the "warm up lines" :) ). Thank you, Marcus (and all!) for your comments!
Yo Kuri
Member Since 2019
1 - Posted on 9/22/2022
The camera zoom from panels 1-3 is awesome. Great backgrounds on Rumble! Love that last panel.
Michael McIsaac
Member Since 2020
1 - Posted on 9/24/2022
The whole page is a testament to the artist's talent, but that bottom panel is just incredible. I keep looking back at it.
Ruben DaCollector
Member Since 2008
1 - Posted on 9/27/2022
I love all the brush work, of course, but that last panel as a whole is so masterfully illustrated!
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