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Conan the barbarian annual 7 page 31 by John Buscema and Armando Gil

Artists: John Buscema (Penciller) ,  Armando Gil (Inker)

12 Comments  -   482 Views  -   11 Likes


Conan the barbarian annual 7 page 31 by John Buscema and Armando Gil Comic Art
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Artwork Details

Title: Conan the barbarian annual 7 page 31 by John Buscema and Armando Gil
Artist: John Buscema (Penciller)
Artist: Armando Gil (Inker)
Media Type: Pen and Ink
Art Type: Interior Page
For Sale Status: NFS
Views: 482
Likes on CAF:
Comments: 12
Added to Site: 6/3/2023
Comic Art Archive:

Description

Incredibly enough, this is my very first acquisition of a piece of art by the Michelangelo of Comics.

To my defense, Conan never held much interest to me in my younger years. The suspension of disbelief requested to accept an over bulky barbarian in an era when food and proper training were not an easy access was out of my reach. Plus, the stories were seemingly an endless loopish repeat of Conan fighting evil sorcerers, giant spiders, reptiles, volatiles and undersea monsters while defending semi naked women. A bit dull compared to his much more colorful super underpants’ cousins.

And outside BWS’ run and the occasional brilliance of Ploog, Kane, Gammill, Nino or Plunkett, the art did not hold much interest, enhanced by the fact that Buscema seemed attached to the property forever, which reinforced the dull vision I had of it.

So, yes, I was dumb (or not mature enough?).

To learn that the level of brilliance Buscema achieved while working on superheroes which were just a job to him and a subject he truly disliked whereas he never got tired of Conan should lead anyone to study his barbaric production.

Now on to the page at hand.

Four panels, giving quite the splashy feel to the page (pun intended) that offers a nice underwater scene of a quite angry Conan (isn’t he always though?) fighting a kraken.

To dissipate any doubt as to who inked the page, the comic lists Bulanadi, Ricardo Villamonte, and Armando Gil as inkers. Since we can not expect the auction houses to either know their subject (experts, right?) and/or do proper research, they did not 😊.

If you know/study his work as a penciler and inker, there is no doubt in my mind that this page was inked by Armando Gil. The confidence in the lush brushstrokes is completely consistent with his organic style (with similarities to Wrightson, Schultz and their artistic ancestors’ inking styles, especially on the monster and the way the page is lit).

The first panel offers a superb close-up on the quite mad Conan. I absolutely love the inking on his wavering hair underwater. With them, even without the obvious air bubbles going up, you can tell he is underwater. His face, shoulder and neck are also dramatically lit. Then is expression is of course superbly intense. The absence of any background really help focusing on him. Lastly I love that it you can clearly tell it’s a typical Buscema face despite the overpowering nature of the inks.

The second panel offers great establishing shot of the underwater scene after the initial character close-up. As well as a lighter approach to the inks and the typical strong figure work by Buscema as Conan dives towards the beast. Its bleeding eye is particularly creepy I find.

Then in the third, Conan is grimly going at the monster. Again, we have super strong Buscema figure work, dramatically lit scene and the lush organic inking. Take notice of the kraken’s eye a the bottom of the panel…

…because it’s horribly gone in the last and fourth one as we pull back as Conan irremediably maim (kill?) the poor undemanding monster who would have been content with just consuming some preys and left alone to digest them. The sense of motion as it trashes in pain is fantastic and as we get to see its full body, it offers quite the typical Buscema monster character design, complete with improbable grimacing mouth full of sharp teeth.

Let me conclude by saying that you will also notice the great use of verticality, giving an overall sense of gravity to the whole page with the air bubbles, the flowing blood and tentacles going upward, many elements to help the reader situate the scene.

Now to be honest, I certainly would not mind adding a Buscema inked Conan page to the collection and/or a nicely inked superhero example of his work but I certainly consider this a Vaillant first entry.

Publication trivia: it seems that this particular issue was deemed a noticeable effort as it was later reprinted in the Conan of the isles GN, at a time when reprinting was not as common as it is today.

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Comments on this Artwork

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Mark Howland 
Member Since 2004

1 - Posted on 6/3/2023

Pop the champagne!  Bubbled greatness.

Rick W 
Member Since 2017

1 - Posted on 6/3/2023

Big John would bring it, month after month! Great underwater example! 

Ruben DaCollector 
Member Since 2008

1 - Posted on 6/3/2023

You couldn't suspend your disbelief that a barbarian could be bulky and muscular as he is, because he lived in an era when food and proper training were not easily accessible and out of reach?  Oh, but people with the exact same physique PLUS extraordinary powers that can destroy entire worlds, all while wearing costumes that look like body paint with the females' tits flapping in the wind and asses freely jiggling in plain sight, THAT you could easily believe?!?

"...the stories were seemingly an endless loopish repeat of Conan fighting evil sorcerers, giant spiders, reptiles, volatiles and undersea monsters while defending semi naked women."

It's FANTASY! He fought a constant loop of evil sorcerers, giant spiders, reptiles, volatiles and undersea monsters while defending semi naked women because his stories take place within a genre known as SWORD & SORCERY"!!!

Okay, that's it. You do not deserve to own a page of Buscema Conan art! But since I can't take it away from you, I will at least revel in the fact that your page comes from an issue inked by one of least complimentary inkers to ever work over Big John's pencils.

"So, yes, I was dumb (or not mature enough?)"

BOTH!

Anyway, so, yeah....are we still on for a web chat later this week?



 

F M 
Member Since 2005

2 - Posted on 6/4/2023

Ruben DaCollector wrote:

You couldn't suspend your disbelief that a barbarian could be bulky and muscular as he is, because he lived in an era when food and proper training were not easily accessible and out of reach?  Oh, but people with the exact same physique PLUS extraordinary powers that can destroy entire worlds, all while wearing costumes that look like body paint with the females' tits flapping in the wind and asses freely jiggling in plain sight, THAT you could easily believe?!?

"...the stories were seemingly an endless loopish repeat of Conan fighting evil sorcerers, giant spiders, reptiles, volatiles and undersea monsters while defending semi naked women."

It's FANTASY! He fought a constant loop of evil sorcerers, giant spiders, reptiles, volatiles and undersea monsters while defending semi naked women because his stories take place within a genre known as SWORD & SORCERY"!!!

Okay, that's it. You do not deserve to own a page of Buscema Conan art! But since I can't take it away from you, I will at least revel in the fact that your page comes from an issue inked by one of least complimentary inkers to ever work over Big John's pencils.

"So, yes, I was dumb (or not mature enough?)"

BOTH!

Anyway, so, yeah....are we still on for a web chat later this week?



 

Mmm ok, Ruben, I clearly have assaulted your years long repressed man crush love for the Cimmerian for which I sincerely apologize.

(and if you ever feel the need to talk about it, I’m here for you, bro’ ;).

Yes, Conan’s roids induced physique always bothered me (because not enough food, no real training and no ‘roids in Hyperborea?). At least the super pants could and did train (which made for great sequences we all remember). I preferred BWS’ slimer approach for one which made more sense.

I know about Fantasy and S&S and let assure you, it can produce GREAT stories and continuity (LOTR, Berserk and Übel Blatt come to mind). It does not need to be monster/sorcerer/damsel in distress/village to rescue of the week all the time like it seemed at the time.

Knowing your tastes, I’m sure you are referring to the Filipino crew inking Big John. While all of them were great artists in their own right, and the combination could be stylistically pleasant on the surface, their heavy textured approach resulted in stiffening the art and storytelling of an artist whose work offered a lot of movement. One could even argue it was one of Big John’s main qualities. But everyone loved it because it was so tendance at the time to veer on the illustration world. To be fair, Nebres probably understood him better but Alcala’s inks were so heavy and stiff you could nearly hear the figures stone cracking on the page when they tried to move 😉

That’s it smartass, I’m done. Just because I can take it does not mean that I should…go on pissin ‘ on someone else’s lawn 😉

Jason Hussa 
Member Since 2017

2 - Posted on 6/13/2023

Ruben DaCollector wrote:

You couldn't suspend your disbelief that a barbarian could be bulky and muscular as he is, because he lived in an era when food and proper training were not easily accessible and out of reach?  Oh, but people with the exact same physique PLUS extraordinary powers that can destroy entire worlds, all while wearing costumes that look like body paint with the females' tits flapping in the wind and asses freely jiggling in plain sight, THAT you could easily believe?!?

"...the stories were seemingly an endless loopish repeat of Conan fighting evil sorcerers, giant spiders, reptiles, volatiles and undersea monsters while defending semi naked women."

It's FANTASY! He fought a constant loop of evil sorcerers, giant spiders, reptiles, volatiles and undersea monsters while defending semi naked women because his stories take place within a genre known as SWORD & SORCERY"!!!

Okay, that's it. You do not deserve to own a page of Buscema Conan art! But since I can't take it away from you, I will at least revel in the fact that your page comes from an issue inked by one of least complimentary inkers to ever work over Big John's pencils.

"So, yes, I was dumb (or not mature enough?)"

BOTH!

Anyway, so, yeah....are we still on for a web chat later this week?



 

See, correct me if I'm wrong, but "the stories were seemingly an endless loopish repeat of Conan fighting evil sorcerers, giant spiders, reptiles, volatiles and undersea monsters while defending semi naked women" was the whole reason one would -READ- Conan, right...? 😜

Ruben DaCollector 
Member Since 2008

2 - Posted on 6/13/2023

Jason Hussa wrote:

See, correct me if I'm wrong, but "the stories were seemingly an endless loopish repeat of Conan fighting evil sorcerers, giant spiders, reptiles, volatiles and undersea monsters while defending semi naked women" was the whole reason one would -READ- Conan, right...? 😜

To be perfectly frank, yes, that was what the FUN was all about! By the way, Jason, seeing Golden in the art makes perfect sense, as Gil inked Golden during the early 80's.

Marcus Wai 
Member Since 2005

1 - Posted on 6/3/2023

They weren't flashy as superheroes because they were for the maturing audience of the 70's who read superheroes in the 60's and wanted more mature content.  If you jumped on in the 70's and 80's, you hadn't had your fill of superheroes yet And this had to take a back seat for interest and extra change to buy.  This art has that same kind of hero art in the anatomy, but with more realism and higher stakes of life and death.  Gil does a great job with the JB pencils and the details are fully fleshed out to bring a slick look of superhero art.

Ruben DaCollector 
Member Since 2008

2 - Posted on 6/4/2023

But, by your own methods of comparison, even if we try hard to imagine that no Conan comics ever existed outside of #1 to #24 by Smith (minus the 2 Kane issues), you still shouldn't be able to relate to the character because in an era where food was scarce and gyms and steroids didn't exist, the Smith version of Conan would also not be able to exist....

While I have always been a big fan of the Filipino school of inking, still nothing is as beautiful to me than the few issues, maybe 3 SSoC, Buscema inked himself.

Jason Hussa 
Member Since 2017

1 - Posted on 6/13/2023

Gadzooks!  I clicked on your page, F M, and was drawn to those first 2 panels before even looking at the inker credits... "Man," I thought, "that almost looks like a Michael Golden Conan..." :)  So I second your Armando Gil "assignment"... :)

Lovely inks - really fun to see over Buscema! - that call up different pencillers to mind...  Panel 1, with that angle and lighting, could absolutely be a Wrightson (but, as you say, is unmistakably Big John - love that hair!) and panels 3&4 (with their narrative, as well as the musculature inks) remind me of Frazetta's "Spider Man" / "Night Walk" piece... 

So with this and your awesome Risso Flashpoint Batman page, you have two posts in a row whose first panel features the protagonist underwater and spewing bubbles...  Can't wait to see how long you can keep up that theme, F M! :) Great page! 

Tommy Kohlmaier 
Member Since 2008

1 - Posted on 6/13/2023

Not the best inker ( the faces are hardly recongizable as Buscema art) but sure a great aand unusual ction piece by Big John on his favorite, congrats !

Michael  McIsaac 
Member Since 2020

1 - Posted on 6/23/2023

Love the panel flow here.  Great storytelling by one of the masters.

K Gearon 
Member Since 2011

1 - Posted on 6/29/2023

Man, that's some exquisite storytelling top to bottom.  Also, the Gil inks have a real organic quality, which matches the scene perfectly.  Some deft strokes, no doubt.  Classic JB goodness.  Congrats!

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