Artist: Germano Bonazzi (All)
6 Comments - 101 Views - 3 Likes
Artwork Details
|
DescriptionBefore reading this page’s description, I recommend you read this summary description for this issue. As with many Bonelli publications, page 5 begins the story. Here's the dialogue on pages 5 through 9, in which the fat cat Andrew Bacon and his robot servitor pay a visit to a recluse who owns valuable land, including a coveted water source. “With all due respect, sir, it may not have been wise to leave the bodyguards at the helicopter.” “There is no danger. This place has been deserted for centuries.” “Deserted, certainly. But then, perhaps the information about the hermit is bogus.” “It's not bogus. Shut up and walk. Over there. What was I telling you? Here's where he lives.” “Again, respectfully, sir, about that business of the bodyguards...” “I said, shut up!” (They arrive at the hermit, who speaks.) “You are not welcome here.” “I can change all this. I can give you a comfortable place to live. Fresh food every day. And women... as many as you want.” “You have all that, and yet you seek more. I have nothing, and I seek nothing. I repeat: You are not welcome here.” “I suppose you know what I am looking for, don't you?” “You seek the mother of all springs, but it is well hidden from those with eyes like yours. Instead, it will show itself to one who looks at the world with a respectful soul, so that he can make good use of it.” (Bacon points a gun at the hermit.) “So much chatter. You bore me. I will ask you only one more time. Tell me where that damned spring is.” “For you, it does not exist.” (Bacon shoots the hermit in the head.) (The robot, as they leave.) “Who knows what he meant by, 'To him who looks at the world with a respectful soul, it will show itself, so that he can make good use of it'?” “The question is not 'What did he mean?' but to whom he was referring. And I know.” Pages 10-14 show the consequences when Bacon gains control over the hermit's land: He ruins a farming community by building a dam which steals its water supply. The farmers are forced to move away. On pages 15-23, an engineer named Max Powell rides in a robotaxi to his job at the new dam. His daughter Carolyn, a young adult, sends a voice mail that she's leaving home because her dad has failed to protect her from molestation by his boss, Andrew Bacon. On pages 24-40, Carolyn is now part of a team of environmental activists who are sabotaging the dam with explosives. The dam's security chief, Larry Frost, prevents the sabotage from doing much damage. He seems ready to execute the saboteurs on the spot, but another bomb provides both destruction and distraction that allows the saboteurs to escape. Special Agent Nathan Never and his Mutate partner Branko are on the scene as well. Nathan finds Frost overbearing and trigger-happy, and tells him so. On pages 41-44, over dinner, Nathan's boss Solomon Darver informs politician Elania Elmore about Nathan's concerns with Frost and the water project, but she dismisses them, saying that the dam is important for the greater good. On pages 45-49, Darver assigns Nathan and Branko to keep tabs on Frost. An even larger dam project is in the works, with Max Powell again supervising construction. Nathan and Branko privately complain about their boss and discuss their family lives. What will happen next?? Social/Sharing |
About the Owner
|
![]() |
Contact the OwnerUse can use a contact form to send an email to this gallery owner,
|
You must be logged in to make comments.
Kavi H
Member Since 2018
1 - Posted on 8/20/2025
Bonazzi's art sort of reminds of Sean Phillips a bit. Nice chopper scenes in the first 2 panels. Stories about fights over water rights are only going to get more and more relevant.
R Berman
Member Since 2018
1 - Posted on 8/20/2025
Kavi H wrote:
Bonazzi's art sort of reminds of Sean Phillips a bit. Nice chopper scenes in the first 2 panels. Stories about fights over water rights are only going to get more and more relevant.
Bonazzi has an energetic but less refined style than many of the other Italians. He has illustrated 44 Nathan Never stories between issues #2 (1991) and #393 (2024).
Marcus Wai
Member Since 2005
1 - Posted on 8/20/2025
You see, if you build that dam, we can finally start that Dracula Park project.
R Berman
Member Since 2018
1 - Posted on 8/21/2025
Marcus Wai wrote:
You see, if you build that dam, we can finally start that Dracula Park project.
It seems to me that Europeans are more likely to have a mindset of "cherishing the past" while Americans put a premium on "building the future." We see similar "environment first" and "history first" themes in Leg's Weaver's stories "Tsunami!" (in which corner-cutting on a new hotel's construction threatens aquatic life) and "Demons of the North" (in which Mother Nature appears as a character) as well as in Dampyr's "Dracula Park" story (in which Draka claims dominion and responsibility for preserving Romania's natural beauty).
Marcus Wai
Member Since 2005
1 - Posted on 8/21/2025
R Berman wrote:
It seems to me that Europeans are more likely to have a mindset of "cherishing the past" while Americans put a premium on "building the future." We see similar "environment first" and "history first" themes in Leg's Weaver's stories "Tsunami!" (in which corner-cutting on a new hotel's construction threatens aquatic life) and "Demons of the North" (in which Mother Nature appears as a character) as well as in Dampyr's "Dracula Park" story (in which Draka claims dominion and responsibility for preserving Romania's natural beauty).
I suppose that has to do with being such a vast country and never having a neighbor bring war to our front door like European countries have had.
R Berman
Member Since 2018
1 - Posted on 8/21/2025
Marcus Wai wrote:
I suppose that has to do with being such a vast country and never having a neighbor bring war to our front door like European countries have had.
Plus Europe has been heavily settled for millennia by a literate society which retained documentation of what previously happened on pretty much every acre of the continent since Roman times. (I exaggerate, but not much.) Everywhere they dig to build something new, they find protected ruins. They have much more of a cross-generational sense of being custodians of a societal heritage rather than full "owners" of anything. If you want to remodel your house in England, you have to get the changes approved not just for safety but for historical faithfulness.
It's a very different mindset from Americans, who consider homes from the 1950s "historic," while the "New College" at Oxford was founded in 1379. I was amused to learn that when William the Conqueror claimed the throne of England during the Norman Conquest of 1066, he asked to be crowned at Westminster Abbey because even then, a thousand years ago, it was a historic site.
All |
|
![]() |
|
![]() |
|
![]() |
|
![]() |
|
![]() |
|
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
Sal Buscema Thor #368 Story Page 15 Original Art ( |
![]() |
JOHN ROMITA AMAZING SPIDER-MAN #71 COVER (SOLD FOR $220K!) |
![]() |
Dave Cockrum - X-Men #150 Cover |
SUPERMAN VOL. 2 #65 COMIC BOOK COVER ORIGINAL ART BY DAN JURGENS. |
Classified Updates |
|
Monty B9/5/2025 3:53:00 PM |
|
Saxa Luna Galianan9/5/2025 1:01:00 PM |
|
Will Gabri-El9/5/2025 12:25:00 PM |
|
Michele M9/5/2025 12:05:00 PM |
|
Keith Veronese9/5/2025 11:09:00 AM |
|
Aron Wiesenfeld9/5/2025 10:39:00 AM |
|
Dealer Updates |
|
Coollines Artwork9/5/2025 9:24:00 PM |
|
Koch Comic Art9/5/2025 7:54:00 PM |
|
Anthony's Comicbook Art9/5/2025 6:43:00 PM |
|
Will's Comic Art Page9/5/2025 12:25:00 PM |
|
Essential Sequential9/5/2025 12:15:00 PM |
|
Achetez de l'Art9/5/2025 12:15:00 PM |
|
|