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Uncle Scrooge McDuck 292 King of the Klondike chapter 8 Life and Times page 18

Artist: Don Rosa (All)

6 Comments  -   711 Views  -   4 Likes


Uncle Scrooge McDuck 292 King of the Klondike chapter 8 Life and Times page 18 Comic Art

 

   

Artwork Details

Title: Uncle Scrooge McDuck 292 King of the Klondike chapter 8 Life and Times page 18
Artist: Don Rosa (All)
Media Type: Pen and Ink
Art Type: Interior Page
For Sale Status: Nope not ever!
Views: 711
Likes on CAF:
Comments: 6
Added to Site: 12/10/2022
Comic Art Archive:

Description

I never thought I would own a page from Life and Times of Scrooge McDuck Chapter 8 the King of the Klondike! I can now say that my decades long dream has come to reality. This page has 13 images of Scrooge and so much lush detail that I still can't believe my eyes! In my opinion, artistic wise, there is not a better Scrooge McDuck page out there! The time spent saving and selling to get at least one page from this chapter has paid off in not only one page but two. The other page from this tale that I picked up is my personal grail! A special thanks to a close friend that helped in so many ways make this dream come true!

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About the Owner

D C ( 1 )
Joined: September 2005
Last Login: September 2025
Country: UNITED STATES
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Comments on this Artwork

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Monty B 
Member Since 2006

1 - Posted on 12/10/2022

Fabulous page!!! Glad it ended up with you...Go Team!!! 😁👍

Rabid Ferret 
Member Since 2005

1 - Posted on 12/10/2022

This is sneakily one of the best artistic pages in the whole chapter. Just so much detail and thought put into every panel!! Congrats!! A+!

Marcus Wai 
Member Since 2005

1 - Posted on 12/10/2022

That last sequence is awesome!  If I had this page, I'd be knocked out as well!

Thomas Laine 
Member Since 2019

1 - Posted on 12/27/2022

Congratulations again. This was the page I would have attempted to obtain if I hadn't managed to purchase page 14. Goldie, Soapy, Dawson, great humor and drama...

I'm wondering if you (or anyone else) have had any thoughts about trying to peel those tapes on the sides off at a paper conservationist? There may be a way to peel them off without leaving any marks. This might also preserve the page longer from being damaged by the tapes. On the other hand, I don't mind the tapes too much since you can still see through them and they sort of fit the rugged aesthetic of the Klondike story. And they are still a part of the history of the page.

To anyone wondering where the tapes are from, here is Don Rosa's response regarding them (https://www.facebook.com/photo/?fbid=10222180880813761&set=pcb.1836749206676220):

Why would I tape over my own coloring and lettering instructions?

One of the IDIOTIC rules in those days in the Egmont assembly-line method of producing comics for kiddies is that the first thing that my art went through is the hands of a functionary whose assigned job was to white-out or tape-over ANY lettering that was on my art. This included ALL of my coloring, lettering and sound effect instructions so as to make sure that NO LIVING BEING would ever be aware of them. This person also whited out any "?", "!", "Z", etc., that I wrote into tiny bubbles that I decided to add as I drew, these bubbles NOT having been included in my previous scripts, bubbles which I never dreamt would be deleted from my original art for no purpose whatsoever other than to screw up the presentation. As a result, later on a letterer, confronted with a bubble NOT in the script, would, for example, add a "!" where there was supposed to be a "Z" over an obviously sleeping form.

These changes were NEVER done on copies, but senselessly done directly onto my original art, which was MY property, no one else's. This is how they operated in those days, as if the art was community property that anyone had the right to change. When my art was returned to me, damaged, I needed to scrape off the white-out and add the correct contents back to those small bubbles, or draw $crooge's eyes BACK into his eyeglasses. Y'see, those same functionaries were ordered to delete all such eyes because $crooge's eyeglasses were "officially" supposed to be OPAQUE (???!!!) So, sometimes my $crooge heads looked as if he was blind, having no eyes. (See original 1990 publications of "Treasure Under Glass".)

Is there ever any doubt in anyone's mind as to WHY I quit 15 years ago? I just couldn't take it any longer. I preferred to be unemployed, mowing grass and growing chiles.

D C 
Member Since 2005

1 - Posted on 12/27/2022

Thomas Laine wrote:

Congratulations again. This was the page I would have attempted to obtain if I hadn't managed to purchase page 14. Goldie, Soapy, Dawson, great humor and drama...

I'm wondering if you (or anyone else) have had any thoughts about trying to peel those tapes on the sides off at a paper conservationist? There may be a way to peel them off without leaving any marks. This might also preserve the page longer from being damaged by the tapes. On the other hand, I don't mind the tapes too much since you can still see through them and they sort of fit the rugged aesthetic of the Klondike story. And they are still a part of the history of the page.

To anyone wondering where the tapes are from, here is Don Rosa's response regarding them (https://www.facebook.com/photo/?fbid=10222180880813761&set=pcb.1836749206676220):

Why would I tape over my own coloring and lettering instructions?

One of the IDIOTIC rules in those days in the Egmont assembly-line method of producing comics for kiddies is that the first thing that my art went through is the hands of a functionary whose assigned job was to white-out or tape-over ANY lettering that was on my art. This included ALL of my coloring, lettering and sound effect instructions so as to make sure that NO LIVING BEING would ever be aware of them. This person also whited out any "?", "!", "Z", etc., that I wrote into tiny bubbles that I decided to add as I drew, these bubbles NOT having been included in my previous scripts, bubbles which I never dreamt would be deleted from my original art for no purpose whatsoever other than to screw up the presentation. As a result, later on a letterer, confronted with a bubble NOT in the script, would, for example, add a "!" where there was supposed to be a "Z" over an obviously sleeping form.

These changes were NEVER done on copies, but senselessly done directly onto my original art, which was MY property, no one else's. This is how they operated in those days, as if the art was community property that anyone had the right to change. When my art was returned to me, damaged, I needed to scrape off the white-out and add the correct contents back to those small bubbles, or draw $crooge's eyes BACK into his eyeglasses. Y'see, those same functionaries were ordered to delete all such eyes because $crooge's eyeglasses were "officially" supposed to be OPAQUE (???!!!) So, sometimes my $crooge heads looked as if he was blind, having no eyes. (See original 1990 publications of "Treasure Under Glass".)

Is there ever any doubt in anyone's mind as to WHY I quit 15 years ago? I just couldn't take it any longer. I preferred to be unemployed, mowing grass and growing chiles.

Thanks for the nice comments!  I have considered having the pieces of tape removed but have decided to leave them since they were a part of the publishing process.  I am sure over time they will fall off only to leave behind the glue stain.  

Thomas Laine 
Member Since 2019

1 - Posted on 12/28/2022

D C wrote:

Thanks for the nice comments!  I have considered having the pieces of tape removed but have decided to leave them since they were a part of the publishing process.  I am sure over time they will fall off only to leave behind the glue stain.  

Thanks, I'm inclined to go with the same decision. Didn't consider the possibility of the tapes falling off over time, however. But it's not 100% guaranteed that a conservationist will be able to peel the tapes off without leaving a stain either. So maybe just safest to let them remain.

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