Peter's Gallery :: Batman and Bat Family Published Art

Scott McDaniel and Karl Story - Nightwing 30, Volume 2, page 12, April 1999

Artists: Scott McDaniel (Penciller) , Karl Story (Penciller) , John Costanza (Letterer) , Chuck Dixon (Writer)

2 Comments - 243 Views - 2 Likes

Scott McDaniel and Karl Story - Nightwing 30, Volume 2, page 12, April 1999 Comic Art

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Previous Item:
Scott McDaniel and Karl Story - Nightwing 26, Volume 2, page 3, December 1998

Next Item:
Scott McDaniel and Karl Story - Nightwing 33, Volume 2, page 7, July 1999

Artwork Details

Title:	Scott McDaniel and Karl Story - Nightwing 30, Volume 2, page 12, April 1999
Artist:	Scott McDaniel (Penciller)
Artist:	Karl Story (Penciller)
Artist:	John Costanza (Letterer)
Artist:	Chuck Dixon (Writer)
Media Type:	Pen and Ink
Art Type:	Interior Page
For Sale Status:	NFS
Views:	243
Likes on CAF:	2 3
Comments:	2
Added to Site:	11/20/2022
Comic Art Archive:	Nightwing Issue: 30 Page: 12 View

Description

"Just Passing Through"

Superman's just passing through...This page has a nice forced perspective panel of Superman and Nightwing dropping down on the crowd. This part of the comic harkens back to the very first Action Comics of Superman sticking up for the common person during the Depression, fighting not only crime but also injustice and corruption.

The published page matches the coloring suggestions in the bottom and right margins of the page, presumably from Scott or Karl. In the forced perspective panel, the tone of everyone's clothing is changed to reflect the diminishing sunlight of dusk approaching.

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About the Owner

	Peter Roe ( 1 ) Premium Gallery Owner
Joined:	February 2009
Last Login:	September 2025
Country:	UNITED STATES
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Marcus Wai
Member Since 2005

1 - Posted on 11/21/2022

It's great that McDaniel frames the last panel with the circular lens like a camera shot. I think the lighting is to reflect the sunset colors to move the story forth into the night time.

Peter Roe
Member Since 2009

1 - Posted on 11/21/2022

Marcus Wai wrote:

It's great that McDaniel frames the last panel with the circular lens like a camera shot.� I think the lighting is to reflect�the sunset colors to move the story forth into the night time.

Good catch Marcus! I should have noticed that. Thank you! I've edited the description to remove the error.

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