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Rider in Solitude: Plains Echo in Editorial Ink

Artist: UNKNOWN  (Penciller)

2 Comments  -   56 Views  -   0 Like


Rider in Solitude: Plains Echo in Editorial Ink Comic Art
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Rider in Solitude (letter reverse side)

 

   

Artwork Details

Title: Rider in Solitude: Plains Echo in Editorial Ink
Artist: UNKNOWN  (Penciller)
Media Type: Pen and Ink
Art Type: Sketch Card
For Sale Status: NFS
Views: 56
Likes on CAF:
0
Comments: 2
Added to Site: 7/21/2025
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Description

This anonymous western rider illustration, tentatively titled “Rider in Solitude: Plains Echo in Editorial Ink,” is executed in ink on illustration board and dates to circa 1945–1955. The composition features a solitary rider mounted on a compact, muscular horse whose physical traits suggest a Quarter Horse lineage, while its posture and emotional resonance evoke Mustang iconography. Mid-step and gently angled in the frame, the horse’s neutral head position conveys quiet momentum rather than dramatic action, aligning the piece with Tribal/Historical pulp genres such as Frontier Stories and Zane Grey’s Western Magazine.

The rider wears editorially restrained Plains attire — a simplified buckskin-style shirt, soft-soled moccasins, and a vertically feathered headdress — rendered with silhouette clarity rather than decorative embellishment. Additional visual details include a minimalist bridle consistent with Native construction methods, a plain saddle paired with a muted striped blanket reminiscent of Navajo simplicity, and a short Plains-style bow with uniformly fletched arrows housed in a cylindrical back quiver. These elements signal preparedness and solitude, underscoring the emotional restraint and cultural dignity favored in mid-century freelance submissions.

The illustration is accompanied by a typewritten submission letter, typed in a monospaced serif font (likely Elite or Courier) via manual typewriter, further anchoring its creation in the 1940s–1950s. The letter’s tone is modest yet sincere, with phrases such as “I was wondering if…” and “western and detective themes,” suggesting a speculative pitch to genre publishers. Its formatting — single-spaced lines, traditional salutation (“Gentlemen”), and lack of return address — reinforces the freelance intent and rural authorship. These clues, taken together, confirm the illustration’s identity not as published work, but as the quiet voice of editorial ambition.

Seller credentials: The illustration was acquired in 2025 from a Michigan estate sale. The seller, daughter of two longtime bottle collectors and club contributors, recalled the artwork leaning for decades against the wall of her parents’ bottle room — propped up by an antique flower frog and surrounded by shelves of 19th-century whiskey bottles, many unearthed by the family during summer digs across Cheboygan and Mackinaw. Though no formal attribution or publication record was provided, the seller’s detailed account adds regional specificity and emotional resonance. Her recollection of the piece as a constant fixture among antique Americana and pulp-era ephemera reinforces its provenance as a surviving artifact of freelance storytelling and quiet cultural stewardship.

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Alan E
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Joined: May 2025
Last Login: September 2025
Country: UNITED STATES
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Marcus Wai 
Member Since 2005

Posted on 7/21/2025

Classic western trope with an overlook view of the plains and the horizon in the back.

Alan E 
Member Since 2025

Posted on 7/21/2025

Marcus Wai wrote:

Classic western trope with an overlook view of the plains and the horizon in the back.

Nice essay — now here's my sentence that says the same thing.:)

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