F M BELGIUM
Member Since May 2005
2902 Artworks | Watched by 147

Clone Conspiracy Omega 1 page 1 by Stuart Immonen and John Delll

Location: IMMONEN STUART
Artists: Stuart Immonen (Penciller) ,  John Dell (Inker)

781  Views  -  10  Comments  -  7  Likes

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Artwork Details
Location: IMMONEN STUART
Title: Clone Conspiracy Omega 1 page 1 by Stuart Immonen and John Delll
Artist:  Stuart Immonen (Penciller) ,  John Dell (Inker)
Media Type: Pen and Ink
Art Type: Interior Page
For Sale Status: NFS
Views: 781
Likes on CAF: 7
Comments: 10
Added to Site: 5/15/2022

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Description
This is the first page of Dan Slott and Stuart Immonen segment in Clone Conspiracy Omega, King's favor, where Spidey goes to the Kingpin about Osborn.

I love that in the establishing first panel, we immediately get a sense that we are in some sort of Chinatown. Note how Stuart tilted the street here which is a simple way to make the panel look more interesting. That establishing shot really grounds the scene perfectly.

Then in the course of the last 3 panels, the bad guys, henchmen really, get dealt with by Spidey. I must confess that for once, I question Stuart's storytelling choice here in the sense that if Spidey is trying to get in to meet with Kingpin, wouldn't it be more logical if the henchmen were standing outside preventing anyone from entering the restaurant. But he clearly thought that having them inside, could mean they would get thrown through an exploding window and lead to a great shot of Spidey in the last panel. Both solutions work obviously, I’m just not 100% convinced by his choice. But that's nitpicking.

So in the second panel, Stuart expertly leads the reader's eye to the right with the debris of the window and the henchmen being thrown out of it. I love the various body positions and the fact that there are fewer debris flying around when you come to the far right of the panel (Stephen Platt would likely have drawn debris to cover all the possible blank areas ;)

In the third, however small the figures are, their impact in the truck feels enormous. Again, the slightly tilted truck and the moving light effects coming from the car lights help in telling us that.

Then the splashy money shot with Spidey in a kung fu fightin' stance. Which I love since the guy was trained by Shang-Chi during Spider-Island, a story point that I really liked. I love how Stuart framed Spidey with what's left of the window and repeated the location with the flying banners. You can also tell from the position of his eyes and the heavy use of shadows, that he is pissed off as all hell here.

Another GREAT storytelling exercise from a (true) modern master (despite my reservations).

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F M
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Member Since: May 2005
Last Login: April 2026
Country: BELGIUM
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Ruben DaCollector Member Since 2008
3    
Posted On 5/15/2022

As ever, you are one of the very few collectors capable of spotting technical aspects in the art that could've been done better and are willing to openly speak about it. Everyone could and should take the time to read and absorb the mini art lesson you've given here in order to help themselves become more informed collectors. Your critique is spot on, bravo. Thank Immonen for that money shot! Dell did a fine job inking the pencils, too. A shame we don't see Kingpin here, because this is one of those stories where he is drawn absolutely IMMENSE and always makes for exciting visuals when he's standing next to Spidey, as he dwarfs him and makes him appear positively tiny! But maybe you have one of those pages?

André . Member Since 2015
1    
Posted On 5/15/2022

Man, every panel is a treat here. Thanks for sharing. 

K Gearon Member Since 2011
1    
Posted On 5/15/2022

Nice top to bottom scene in one page.  Like how there's panel breaks in the first establishing shot, then POW!  That final Spidey panel is money, and I too was a big fan of Spider-Fu being created during the Slott run :)  Congrats!

Marcus Wai Member Since 2005
1    
Posted On 5/15/2022

Instead of a traditional title splash, Immonen opens up the story with an action sequence that is a just as visually thrilling!  It has the signature artistry and storytelling that he's refined to an illustrative quality. 

Wolvie Fan Member Since 2020
1    
Posted On 5/15/2022

That last panelof Spidey is out of this world, congrats!

Kin W Member Since 2007
2    
Posted On 5/15/2022

To echo Ruben, nice to see the nitpicking, but this is still a great example of Immonen storytelling/artwork.  Thanks for sharing!

Michael  McIsaac Member Since 2020
1    
Posted On 5/17/2022

Great storytelling by Immonen, great inking by Dell.  Excellent page throughout!

J H Member Since 2019
1    
Posted On 5/17/2022

Sometimes the cinematic choice overrules the logical, better choice. I agree with the nitpick. It might make for a better fight scene, but your choice works better for the story. Still, awesome page. I do love following the baddies right into the truck, with Spidey looking tough, though. And excellent work from Immonen, as he does. Congrats!

Jason Hussa Member Since 2017
2    
Posted On 5/29/2022

Late to the party again (sorry!), but John Dell inking Stuart Immonen...?  It's like a comic art Reese's Peanut Butter Cup, right?  Two great tastes that taste great together!  Beauty of a page, F M, and your points are well taken.  My first thought when I got to panel two, though (after delighting in the wall texture of the restaurant in panel one - man, those are some fine and subtle inks!), was of the Miller / Janson 'Daredevil' issues, and the classic "thugs through the window" shots found therein - the panel composition and inking style/shades there really feel like they were pulled from those books to me.  I'm wondering now if the writing on the banners in that SUBLIME bottom panel spell out "Josie's Bar"...? :)

Your critique is well-founded and well-thought out (as always), but I don't have a problem with the storytelling choices here.  Being page one of the book, I'd put forward a counter-position that this is actually a BETTER storytelling choice, as it is a more dramatic way to start the story - serene street scene and then BOOM - thugs fly out a window (and, man - that intense impact into the truck really makes me wince - ouch)!   In "story logic", Spidey may have gone in the back door or through a skylight to dodge the outer perimeter of security (and so had to deal with the goons from the inside out), etc., etc...?  Or maybe Slott and Immonen were riffing on an aforementioned Miller DD moment?  Dunno, but I'm good with it (and it is VERY easy to be so, given how incredibly the page looks and flows - I know: a real departure for Immonen :) ).

Fantastic page and observations on it, F M.  As always, your awesome collection (and your thoughts on it) are a high point of my CAF experience. :)  Mega congrats on this beauty!

Bill J Member Since 2009
1    
Posted On 6/1/2022

Outstanding page by Stuart Immonen! Love the cinematic flow of the panels! John Dell's inks are spot on as well. And that last panel with Spidey is stunning!

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