Max Comic Box, 2006 :: +++ ARGENTINA

Victor Hugo Arias

2 Comments - 111 Views - 0 Like

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Artwork Details

Title:	Victor Hugo Arias
Artist:	Victor Hugo Arias (All)
Media Type:	Pen and Ink
Art Type:	Interior Page
For Sale Status:	NFS
Views:	111
Likes on CAF:	0 1
Comments:	2
Added to Site:	9/13/2023
Comic Art Archive:

Description

Victor Hugo Arias - 1928, Argentina

Nato a Rio Quarto, Victor Hugo Arias pubblic� la sua prima striscia all'inizio degli anni '50 su Panch Negro: 'Polo Aster', di cui scrisse anche la sceneggiatura. Ha lavorato su Rayo Rojo, Hora Cero, Frontera e Misterix e si � specializzato in strisce d'avventura. Dai primi anni Sessanta fino alla met� degli anni Settanta collabora a numerosi progetti per diversi editori europei, in particolare per Fleetway e DCThompson nel Regno Unito. In Italia ha collaborato con il Corriere dei Piccoli e in Spagna con l'editore Turai di Barcellona. Divenne direttore artistico della grande casa editrice britannica DCThompson nel 1967. Ritorn� in Argentina nel 1974, dove entr� alla Ediciones Record. L� cre� diverse serie di avventure come "I Cavaliera del Mare" e "Tanganika" (1979), pubblicate su Skorpio.

https://www.lambiek.net/artists/a/arias_victor-hugo.htm

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About the Owner

	Max Comic Box .
Joined:	August 2006
Last Login:	September 2025
Country:	ITALY
On CAF:	Artworks Commented On Liked Art Site Activity on CAF

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Marcus Wai
Member Since 2005

1 - Posted on 9/13/2023

The slow and plodding rainy parts of war has a heavy and depressing atmosphere and makes it even more difficult just to survive the elements much less attack the enemy.

Max Comic Box .
Member Since 2006

1 - Posted on 9/15/2023

Marcus Wai wrote:

The slow and plodding rainy parts�of war�has a heavy and depressing atmosphere and makes it even more difficult just to survive the elements much less attack the enemy.�

yes I also really like the way each inker synthesizes the sign of the rain, from the sharp, sharp lines of Frank Miller, to other styles such as barely noticeable dots and contrasting lines in the darkness, etc. Here Arias uses a softer, veiled style, almost giving the idea of snow or sleet, which is then rebalanced, though, by the beautiful, strong chiaroscuros of the truck and the road with the mud.

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