Artwork Details
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DescriptionFrom Wikipedia: Aimé Césaire was born in Basse-Pointe, Martinique. In 1931, he traveled to Paris to attend the Lycée Louis-le-Grand on an educational scholarship. In Paris, Césaire, who in 1935 passed an entrance exam for the École normale supérieure, created, with Léopold Sédar Senghor and Léon Damas, the literary review L'Étudiant Noir (The Black Student) which was a forerunner of the Négritude movement. In 1936, Césaire began work on his book-length poem Cahier d'un retour au pays natal (Notebook of a Return to My Native Land, 1939), a vivid and powerful depiction of the ambiguities of African life and culture in the New World.Césaire married fellow student Martinican Suzanne Roussi in 1937. Together they moved back to Martinique in 1939 with their young son. Césaire became a teacher at the Lycée Schoelcher in Fort-de-France, where he taught Frantz Fanon and served as an inspiration for, but did not teach, Édouard Glissant. He would become a heavy influence for Fanon as both a mentor and a contemporary throughout Fanon's short life. The years of World War II were ones of great intellectual activity for the Césaires. In 1941, Aimé Césaire and Suzanne Roussi founded the literary review Tropiques, with the help of other Martinican intellectuals like René Ménil and Aristide Maugée, in order to challenge the cultural status quo and alienation that then characterized Martinican identity. Many run-ins with censorship did not deter Césaire from being an outspoken defendant of Martinican identity. He also became close to French surrealist poet André Breton, who spent time in Martinique during the war. Breton contributed a laudatory introduction to the 1947 edition of Cahier d'un retour au pays natal, saying that "this poem is nothing less than the greatest lyrical monument of our times." ("ce poème [n'est] rien moins que le plus grand monument lyrique de ce temps"). In 1945, with the support of the French Communist Party, Césaire was elected mayor of Fort-de-France and député to the French National Assembly for Martinique. He was one of the principal drafters of the 1946 law on departmentalizing former colonies, a role for which independentist critics have often criticized him. Like many left intellectuals in France, Césaire looked in the 1930s and 1940s toward the Soviet Union as a source of human progress, virtue, and human rights, but Césaire later grew disillusioned with Communism. In 1956, after the invasion of Hungary by the Soviet Union, Aimé Césaire announced his resignation from the French Communist Party in a text entitled Lettre à Maurice Thorez. In 1958 he founded the Parti Progressiste Martiniquais. In 1960, he published Toussaint-Louverture, on a predecessor in decolonization. He retired from politics in 2001. In 2006, he refused to meet the leader of the Union for a Popular Movement (UMP), Nicolas Sarkozy, a probable contender for the 2007 presidential election, because the UMP had voted for the February 23, 2005 law asking teachers and textbooks to "acknowledge and recognize in particular the positive role of the French presence abroad, especially in North Africa." President Jacques Chirac finally had the controversial law repealed. His writings reflect his passion for civic and social engagement. He is the author of Discours sur le colonialisme (Discourse on Colonialism) (1953), a denunciation of European colonial racism which was published in the French review Présence Africaine. In 1968, he published the first version of Une Tempête, a radical adaptation of Shakespeare's play The Tempest for a black audience. --- Done for a particular project!.. Social/Sharing |
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Stephane Roux
Member Since 2005
Posted on 12/28/2006
What kind of teeth is that? Must be your lightboxing that got Poor Aimé these awkward canines... Black Nosferatu! or Blade's Grandfather. Pick one! lol.
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Steve Rude Nexus: The Newspaper Strips: Battle for |
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JOHN ROMITA JR. UNCANNY X-MEN #200 COVER (1985, "THE TRIAL OF MAGNETO!" ICONIC IMAGE OF THE 'NEW LOOK' MAGNETO IN CHAINS AND THE X-MEN IN BATTLE ON THIS MILESTONE COVER) |
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Tom Lyle - Amazing Spider-Man #431 Cover - Silver Surfer as Cosmic Carnage! |
STAR WARS #4 COMIC BOOK PAGE ORIGINAL ART BY HOWARD CHAYKIN. |
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