Deadly Class #47, pg. 21

A nice little action sequence to wrap up this issue, which is nice. While I like the quiet moments, I won't say no to some dancing.

I absolutely love the panel break with the corkscrew and the last panel is an interesting example of the colorist, letterer, and artist all working well together. Earlier I noticed that there were some sound effects that Wes Craig had been inking in directly, but here we have the 'SLAM' in the last panel that I think was added by the colorist.

What's waiting on the other side of that door?