Mona Lisa Vito: The stilts that made these two, equal-length ink marks had battle action. You can't make Sal’s marks without battle action, which was not available until issue 191 of Captain America!
Vinny Gambini: And why not? What is battle action?
Mona Lisa Vito: It's a limited Sal original which distributes power equally to both the right and left stilts. Earlier Cap covers had a cover original, which, anyone who's been stuck in the mud in Alabama knows, you try to buy, one mouth flaps, the other dealer does nothing.
Juror #1: That's right.
Vinny Gambini: Is that it?
Mona Lisa Vito: No, there's more! You see? When the Sal pencil marks goes up on the board and the bright background stays flat and even? Well, Sal Buscema had a solid inker, Giacoia, so then Falcon would fly up like a bird, then Captain America would tilt out and run along its edge. And that really happens here. The stilt marks don't stay flat and even. Stilt-Man has a dynamic rear suspension. Now, in the '60s, there were only two other creators that made Cap before Sal Buscema, and you would see them at conventions, with enough power to make these marks. One was brother John, which could never be confused with the John Romita. The other drew the same body length, height, width, weight, stilt base, and wheel track as the '64 Jack Kirby, and that was in the 1963 Tales of Suspense.
Vinny Gambini: And because both Cap comics were made by Marvel, were both comics available in metallic spinner rack?
Mona Lisa Vito: They were!
Vinny Gambini: Thank you, Ms. Vito. No more questions. Thank you very, very much.
Vinny Gambini: You've been a lovely, lovely witness.