Hole, pg 129

I have a strange respect for artists depicting large or detailed shots through a chainlink fence.  I imagine it's frustrating for them to compose the background of the piece and then have to put in all the links, both obscuring their background and spending all thst tedious time illustrsting every link.

This really is a striking page.  I would honestly have assumed it was a cover, if you hadn't noted otherwise.  

Thanks! Yeah, you really have to admire Risso's choice on this page. The perspective he chose is the most time consuming option he could have selected for the scene.