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Carl Elvis UNITED STATES
Member Since November 2006
36 Artworks | Watched by 4

Samurai #1 page 17 - Aircel Comics 1986

Location: Samurai - Aircel Comics, 1986
Artists: Patrick McEown (Penciller) ,  Guang Yap (Penciller) ,  Barry Blair (All) ,  Eiwin Mark (Letterer) ,  Bruce Blair (Writer)

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Location: Samurai - Aircel Comics, 1986
Title: Samurai #1 page 17 - Aircel Comics 1986*
Artist:  Patrick McEown (Penciller) ,  Guang Yap (Penciller) ,  Barry Blair (All) ,  Eiwin Mark (Letterer) ,  Bruce Blair (Writer)
Media Type: Pen and Ink
Art Type: Interior Page
For Sale Status: NFS
Views: 54
Likes on CAF: 2
Comments: 1
Added to Site: 3/13/2026

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Description
Script by Barry Blair and Bruce Blair, pencils by Patrick McEown and Guang Yap, inks by Barry Blair and Guang Yap.

Samurai #1 — Aircel Comics, 1985

One of the inaugural titles from Aircel Comics, a small Canadian publisher that emerged when Barry Blair convinced his employer — an insulation company that had lost its government contract — to reinvent itself as a comic book publisher. Samurai was among Aircel’s first three series, alongside Elflord and Dragonring, and was notable for its manga-influenced art style at a time when Japanese comics were virtually unknown in North America.

Set in a near-future world of international espionage and martial arts, the series follows Toshiro Kimura, a skilled samurai warrior recruited by Commander Velvet Black of the Naganata — a top-secret United Nations space battleship — to combat global terrorism. In this debut issue, Toshiro is enlisted to investigate the disappearance of Professor Stringfellow, believed to be held captive on a remote island. The story blends science fiction, Cold War-era intrigue, and classic action-adventure with a distinctly independent comics sensibility.

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Member Since: November 2006
Last Login: July 2026
Country: UNITED STATES
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Marcus Wai Member Since 2005
1    
Posted On 3/14/2026

It's beauty from that b&w era of indie books!  Blair puts in great detail, but doesn't try to overwhelm like other titles of the era.  It allows for nice story flow without crowding the artwork.