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Simon Ma UNITED KINGDOM
Member Since April 2013
135 Artworks | Watched by 17

Hellboy: Double Feature of Evil – Page 8

Location: Comic Art
Artists: Richard Corben (All) ,  Mike  Mignola (Writer)

84  Views  -  10  Comments  -  8  Likes

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Artwork Details
Location: Comic Art
Title: Hellboy: Double Feature of Evil – Page 8*
Artist:  Richard Corben (All) ,  Mike  Mignola (Writer)
Media Type: Pen and Ink
Art Type: Interior Page
For Sale Status: NFS
Views: 84
Likes on CAF: 8
Favorited on CAF: 1
Comments: 10
Added to Site: 6/9/2026

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Description

I was not planning to post this page just yet but because of reports on the news today it seems to be a particularly apt time to upload it. There are spoilers aplenty in the forthcoming description in case you have not read Sullivan’s Reward.

This page comes from the lead story, Sullivan’s Reward, in the Hellboy Double Feature of Evil one-shot which came out in 2010. When this page became available I was in two minds about trying tot get it for a few reasons. 1. I already have a page from this story, 2. I was not sure that I could really afford it, and 3. Hellboy does not even appear on it. But when I had it in my hands I am really glad I nabbed it.

The story concerns someone called Sullivan who outwardly seems to be a respectable sort or guy, respectable enough to convince Hellboy to not only come to visit him in Kansas to investigate paranormal activity in a mansion he has inherited but also to precede him into a room in which Sullivan says the demonic entity is present before slamming and securing the door with Hellboy on the inside and he on the outside. Perhaps part of Sullivan’s ability to persuade Hellboy of his seemingly honest intentions is because he seems to be a man of means but it is revealed that the way that he has come by this wealth is by sacrificing down-and-outs to the entity residing in the property. Sullivan is a sleazy lowlife scumbag who has made his fortune by exploiting the vulnerable and preying on the weak. The sweaty look of orgasmic pleasure on Sullivan’s face as the entity consumes a victim in the last but one panel (before remitting the two gold coins) marks him as truly evil. Every panel is a delight to look at from the distorted perspective in the first panel where Sullivan is suffering the torments of the damned thrashing around in his bed to the look of astonished horror on the face of the latest offering served up to the demon inhabiting the house.

The page is a stark reminder of the dangers of unfettered greed – Sullivan hopes that offering Hellboy up to the entity will result in him being rewarded with the motherlode of gold coins – Sullivan’s actual reward is poetic  justice of the darkest kind. The page for me is a warning and cautionary tale and that is why there will not be any more pages from Sullivan’s Reward finding their way into my collection.

Congratulations to Mike Mignola for his Bram Stoker award for Superior Achievement in a Graphic Novel for Bowling with Corpses and Other Tales from Lands Unknown.

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Simon Ma ( 2 )
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Member Since: April 2013
Last Login: July 2026
Country: UNITED KINGDOM
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Rick W Member Since 2017
Posted On 6/9/2026

A Corben masterwork!

Simon Ma Member Since 2013
1    
Posted On 6/11/2026

Rick W wrote:
" A Corben masterwork! "

Thank you. I am very pleased with it. Richard Corben never cut corners when it came to drawing comics.

Jason K Member Since 2018
Posted On 6/9/2026

What a beautiful example!! 

Simon Ma Member Since 2013
Posted On 6/11/2026

Jason K wrote:
" What a beautiful example!!  "

Cheers. It seems strange to use the word “beautiful” to describe the page but I do agree with you. Thank you.

Paul Roach Member Since 2014
Posted On 6/10/2026

The weird perspective in the opening panel, almost seen through a fish-eye lens, sets up the spooky sequence. It is absolutely horrible. That opening panel and the use of a guiding lantern in the middle tier, lend it some classic gothic horror tropes - while still seeming more modern in the crisp, pared down linework. Let's hope that the 'Sullivan'-linked news to which you allude leads to an equally poetic justice for that wretch too.

Simon Ma Member Since 2013
Posted On 6/11/2026

Paul Roach wrote:
" The weird perspective in the opening panel, almost seen through a fish-eye lens, sets up the spooky sequence. It is absolutely horrible. That opening panel and the use of a guiding lantern in the middle tier, lend it some classic gothic horror tropes - while still seeming more modern in the crisp, pared down linework. Let's hope that the 'Sullivan'-linked news to which you allude leads to an equally poetic justice for that wretch too. "

Thank you again for your thoughtful appreciation. Corben originally had Sullivan’s right arm around the lady in panel four but he pasted on a piece of board with the correction to Sullivan holding the lamp as if to reinforce the gothic horror trope you mention. As far as your last sentence goes – cheers for “picking up what I was laying down” although it might have non-British CAF members scratching their heads as to what you are referring. Let all correct-minded people hope that true justice will be done on someone who has not escaped by dying. I wonder how Morrissey will feel about his West Ham t-shirt now.

David Kwock Member Since 2012
Posted On 6/11/2026

I love Corben's work in this universe; some of my most favorite art in comics!

Simon Ma Member Since 2013
1    
Posted On 6/11/2026

David Kwock wrote:
" I love Corben's work in this universe; some of my most favorite art in comics! "

Late-period Corben when he was working with Azzarello, Ennis and Mignola are comics I have read and reread many times. I can’t speak about his colour and airbrush work but that black and while line art of his in the 21st century was better than it ever was. All the writers were top-notch but they upped their game knowing who they were working with and played to his strengths. Thank you for your comment.

Marcus Wai Member Since 2005
Posted On 6/12/2026

These later collaborations of Corben with Mignola strike the perfect atmosphere of eerie and creepy!  Mignola got the best out of Corben letting the master cut loose in each panel!

Simon Ma Member Since 2013
1    
Posted On 6/25/2026

Marcus Wai wrote:
" These later collaborations of Corben with Mignola strike the perfect atmosphere of eerie and creepy!  Mignola got the best out of Corben letting the master cut loose in each panel! "

“Creepy” and “eerie” – I saw what you did there. I totally agree with your comment. Thank you.

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