62 Results ( 1 through 50 shown)
Boy, I HATE the logo that covers up ALL of that lush background! "AvsX"? Really? Worse than "Who do you trust?". It's WHOM! WHOM! ... I'm okay now.
When it comes to that, desperately and fruitlessly seeking public facilities while touring New York gave my wife and me our first inking as to why New Yorkers are like they are.
Oh, NICE. I really like the juxtaposition of Scott's right hand and the left hand of the frieze's central draped figure.
I dunno. The drapery folds look so angular and sharp-edged they lose the character of cloth, seeming more like elaborately carved wood. Is the bedpost, which we know to be wood--right?--supposed to offer the contrast which helps the drapery feel like cloth? I'm trying to see it that way. I'm gona get out my Wrightson illo'ed Frankenstein and my Franklin Booth 100 Drawings and see what they did in similar circumstances. I also miss seeing some indication of the woman's body under the drapery. It'd give the area greater spacial clarity. I'm still in awe of your draughtsmanship and compositional sense. Great Gothic mood over all.
Did you happen to save a scan of the original pecils, or have Story ink it on a lightbox?
Flat-out gorgeous! thought I detected Jones influence before reading your comment. And I do love your Mars stuff, right up there with Frazetta, Williamson, and Krenkel!
Um, this was drawn by...me.
Robert, have you seen Burton Silverman's painting from this era? It looks very much like this. I recently acquired his "how-to" painting book from the mid-70's, entitled PAINTING PEOPLE--and it's much more than just another how-to art book--and there were a number of pieces in the book where I found myself thinking, "Jeez, that looks like Jones!"
I've always loved this one, beautiful, kinetic marks! Congratulations!
Cooke's take is the best, and you've got a great example! I wish his successors on the character took pains to render the "Emma Peel crinkly leather" look. I am so over even Adam Hughes' painted-on latex look!
I love the technique, an first glance I couldn't decide if it was Maroto or Nino, happy to find it's an artist new to me. And I LOVE the subject matter!
Well, Logan's right hand is pretty wonky, but I agree with Bair, nice Dru--uh, Wanda!
Love it! It's Justin's skill with traditional media like oil and watercolor that makes him one of the better digital painters.
Beautiful, your LOTR sketch cards are easily the best of the lot! This Ian/Gandalf marker sketch for instance compares favorably with Alan Lee's watercolors!
I love it, Gerry, really lush inks. Makes me think you should try inking over some of Gene Colan's pencils, or Colan inked by Tom Palmer.
Oh, oh my...that is GORGEOUS. I love the delicate tones. And the butt. My,my...
Great page, Michael, design, figures, stroytelling, rendering, it's all here!
Just not on tv, think of the childen! But that is one gorgeos, jazzy pic, Dezuniga just gets more ammazing!
For rendering Vampi, body and spirit, there's only SanJulian---and you!
Congrats, Ted, this is abolutely lovely, rich, beautiful colors! Thanks for sharing!
Aboslutely stunning drawings, but yikes! Such a clothes-horse, this woman!
I love Jason's drawings and paintings. I'm in my 3rd year of study of painting and drawing the figure and portraiture, and seeing his work here has been really inspiring! But, um, is he doing anything else BESIDES Padme?
Michael's absolutely right about you, Ted. So give this drop-dead gorgeous study to me!
Wow! Thiis piece and your Unca Scrooge are the best color pencil on color paper style work I've ever seen!
Nice execution, but I hope you're not looking for a lot of applause on your, er,"restraint"...
Ha! I was right, LOVELY ! Thanks for the fix, Gerry! I also really like the page of Phantom Lady figure studies!
Fantastic, thanks for sharing this. I'm trying to re-discover my way with a crowquill--it's been years--and this early stage really helped.
Lovely work, you captured the grace and elegance of Raymond's figures very well. And Hey Tony--good call on Gilbert!
um, it seems like it might be a lovely piece, but really, you need a more subtle water-mark, or a less subtle drawing.
gorgeous, I love the mood of this piece. With this you have Allison's best so far! Thanks for posting!
Great page. Palmer inking Colan was the best, especially when it came to Natasha, as that upper right panel shows!
oh, CONGRATULATIONS, I love Maroto, and this page is actually my single favorite of his!
what th..20 years collecting, and you never had ANY interest in BWS' work?!?!? Beautiful pic, by the way...
Y'mean Adam INFLICTS his sensahumor on folks? I assumed fans wanted and requested his stale breast jokes...not that I understood it...
I just finished reading the whole story here, Michael, really lovely, inspiring work. If you don't mind such comparisons, it was like reading a collaboration of some of my very favorites in the medium, Adams, Ditko, Wrightson and Golden. thanks for posting!
great page,love Saudelli's pretty-girl work, and his black and white design, but really, Mike, "a hint of bondage"? LOL Your page is the only one I think I 've seen by him that didn't "hint" at bondage, like, every other panel!
this is gorgeous, I love the energy of prelims like this, thanks for posting!
lovely. I think Windsor-Smith is the only Kirby-emulator--from early in his career, when he was Barry Withouthehyphen-Smith--who saw past the POWER of Kirby's figures to appreciate their balletic grace, and incorporate that sensibility into his own work. He certainly brings out that grace in his inking here!
STUNNING! One of my favorite chatacters by one of my favorite artists! Thanks for sharing!
Wonderful whirling weightless Ditko-style weirdness--with a touch of Wrightson--and Strange's hands in the are great! Thanks so much for posting this work, really inspiring!
