Gallery Comments by Alessio Bottrighi

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also the cat is curious 

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it's an amazing panel 

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It's simple, but it's very effective. This is the gift of artists, to create beauty even in a very simple way.

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The visual effect is quite impressive and the painter stressed a dramatic (and heroic)  view of Corto

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It's a very beautiful recreation of the iconic image created by one of Dylan Dog's fathers

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he is known for his erotic production, but this artwork is exciting even if we can see a different type of illustration

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Esmeralda is probably the sexiest woman, who Corto meets on his travels.

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I'm biased because I love Corto Maltese, but I highly recommend it ;-)

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He stressed them to create a darker characterisation of Corto. The result is exciting.

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The final result is impressive: the artist used only a red pen, but he used it very well.

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The background seems very easy, but the result is very terrific 

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I think that Giuseppe Candida is able to fully capture the soul that hovers in the Diabolik universe and adds the right amount of elegance that Eva Kant must have

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I think that the cover describe very well the soul 

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Corto is a timeless hero. Here, Sergio Algozzino captures his romantic soul, a fidget traveller

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The illustration has been done by a young Tanino Liberatore (i.e. it dates back to the early 80s) and shows his amazing abilities and his great  potential 

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Marco Bianchini did amazing work also considering the limitations for the composition given by the room available    

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Giuseppe Candida masterfully captures the perfect balance between the sensual charm and the adventurous spirit of Diabolik and Eva.

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Gio Scarp

Eccezionale!!!

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the scene remembers an iconic one drawn by Hugo Pratt.

It has been drawn with a (apparently simple and) essential style that emphasizes the mood 

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I am not a big fan of Nick Raider (i.e. I have read few albos), but I like this kind of composition  

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In this commission, I love the work of Paolo Massagli, since he had to go out of his comfort room. He is more focused on horror comics and to satisfy me he had to study the iconography of Corto Maltese (it was his first time) 

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This piece comes from the archive of EDICIONES RECORD S.C.A. Carlos Pellegrini. It was created as a drawing for the cover of Argentinian magazine Corto Maltés but was neither drawn nor signed by Hugo Pratt. I have seen similar covers for Corto Maltés from 1974, all with the same dimensions.

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the photo doesn't do justice to how amazing it is. I love it a lot!!!