63 Results ( 1 through 50 shown)
I remember when I was editor of the Swedish Lucky Luke editions and the joy I felt when I first read this story; it felt like a return to the roots of Lucky Luke and it's still my favorite post-Morris LL album.
Such a nice page. I was browsing the Cosey Angoulême catalogue over christmas and was – as always – stunned by the vísual impact of his b&w artwork and originals. Great artist!
An epic moment in an epic series! Congrats!
Terry and Echo are amazing and this has to be one of the cooler and most dramatic cover/poster/print pieces I've seen by him. Congrats!
Yes, he is indeed refering to himself in third person. I assume it reflects his commitment to duty and thoughts on being a small part of something larger than himself.
Baker's clever dialogue at its best. Great page.
There's at least one Lance Sunday owned by European collector and devoted Tufts fan. As for dailies, I have gotten the impression that ten days or even a two-week sequence from June 1957 exists.
Very nice! Certainlý shows that Olesen indeed did a good jobb with the strip.
Oh, it will be. There were more than one reason I scanned this today.
You have such a stunning selection of Cosey pages; these perspectives and atmosphere is pure genius. I really love his work in black and white.
Oh my, what a wonderful example from this great series. Those shadows and cool page layout. Love it!
This page has everything you'd want in an Eisner Spirit! Congrats!
In my world, this is a legendary cover. Beautiful and I'm happy just to see it!
Roy Crane’s heroes, Elder’s art and humor in a panicky vein - what’s not to love? Gorgeous piece!
A great example! All of Hamlin’s attitude, humor and obsession with history, on one daily.
This is adorable; beautifully staged layout and warm, timeless humor.
Oh my, this would be a grail of Italian comic art. LOVE IT!!!
Oh, what a nice piece! I remember this story well from the Swedish publication in 1970.
A great page for so many reasons - the short story, action, humor, facial expressions, the unconventional dramatic bottom row etc. I had it for several years, so I'm happy it's in an appreciating home.
I rarely compare Barks and Rosa, as they differ too much in basically all aspects - art style, approach to the characters and realism, the structure of plots and humor etc. However, I do find Barks' Goldie as sexy as Rosa's, very consciously using her sensuality to achieve her goals. But, well, there aren't too many Barks sequences to judge her character by.
Oh, that's one beautiful page, with so many classic "Elder type" gags! and from a spoof of a classic character. Congrats!
Very very very(!) nice piece and I was happily surprised when I received the CR issue. Lynde was a master of "pleasant storytelling", an art not mastered by many, and I still pick up his work when I feel extra joyful and relaxed (it sort of fits that mood).
Such a nice piece, and Crane did allow himself far ore wild and crazy plots in the Sundays than in the dailies during this period – for better and worse, but the artwork is super-stupendous!
The Windy and Paddles part of the strip's run is, imoho, quite overlooked and far better than its obscurity indicates. It has less of an adventure feel than the previous Jim Hardy years, but features more intrigue and more intricate character portraits. A rare example!!!
Really nice piece(!!!), though I an also see an editor (or Barks himself) preferring a cover with the ducks' faces shown more prominently.
Really cool theme for a gallery and collection, really wonderful drawing!
Oh, this is one of the nicer Barks JW prelims I've seen. Great page!
le me be as sophisticated I'm able to when looking t this: love it, love it, LOVE it. Beautiful stuff!
Wow, this is strong stuff and subtle storytelling, at the same time. Beautiful!
Such a wonderful strip, great fluent artwork from a classic storyline. It's fascinating, the harsh reality, brutality and even corrupt politicians Disney allowed in these early stories.
Wow! It's not often I burst out laughing at CAF, but this one got me by surprise! I just looked so nice that I had to enlarge and read it. And voilà - it was hilarious too. Great example, Rob!
If I write: Not Bad, Not Bad at All... it will be a sure understatement! Congrats!
Beautiful, actually one of my favorite Rosa covers; a classic scene from a grand Barks story, deviating slightly from the storyline to make it Rosa's own, the detailed interpretation of Tralla La, Scrooge's facial expression as the bottle cap leaves his hands, as if he realizes the events to come in the story.
Yes, this is a nice one! I use to lean back and look at strips from a distance, to see how the panels work separately and together when I can't read the text, and this one's impressive with the darkness and light, shadows and the white roads in the dark forest. Very nice!. And I'd say the mid-60s are my favorite graphical period of the strip - you can tell Starr was having fun with all the details.
Beautiful and haunting! And it has found its home! Congrats, George!
Just soooo nice, Jyrki! And I can't think of a better and more deserving home! Congratulations! Big Time!
Scarbo's scripts have always seemed quite amateurish to me, but I can't help loving his artwork – and his ideas were often better than their execution. Hey, that rear gunner kangaroo ... how wonderfully silly isn't that? I'd love to know more about Scarbo's work, but not much info seems to be available.
