Daredevil #10, page 1 (Title Page by Wally Wood)
Artists: Bob Powell (Layouts) , Wally Wood (Finisher)
53 Comments - 560 Views - 19 Likes
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Daredevil #10, page 1 Prelim
Artwork Details
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DescriptionThis is the most I have ever spent on a single piece of original artwork but the raw amount is, admittedly, due to the fact that prices of original comic artwork have, as we all know, skyrocketed during recent times (in other words, this piece would have cost much, much less, say, two decades ago). Still, what made me take the plunge on this particular piece at this particular time (and leaving very little, if anything, for future art purchases the following year)?I hope that you will bear with me but let me summarize for those who don’t want to read a long story – nostalgia and availability. Nostalgia – I grew up with Wood Daredevil. Unfortunately, as most of us know, Wood didn’t stay long on the title. That goes to the issue of availability which I will elaborate upon in a moment. Despite my young age then, I was quite fascinated by Wood’s artwork – little did I know what a tortured genius he in fact was. It is very sad and unfortunate that he left us so early. But I loved his run on Daredevil – as well as everything else his inks touched on the other Marvel titles as well. He was an inker par excellence and could turn virtually anybody else’s pencils into a Wally Wood product – often beautifying the work in the process. So that is why I have a lot of Wood artwork in my CAF Gallery. Availability – although I have a fair amount of Wood DD artwork, I never had a title splash (I had long given up on the idea of owing a Wood DD cover as that was a bridge too far even decades ago and is, of course, an impossibility now). Most of us have a fair idea of where the known covers are and, unsurprisingly, they are with the biggest collectors in the hobby. Furthermore, this title splash has, to the best of my knowledge, never been on the market till now – almost six decades have passed since the issue itself was published. Of the title splashes available, there are only seven simply because there were only seven issues of Wood Daredevil. Two are of DD in yellow costume and have large images of the hero – which, given the twice-up format, are really impressive. One of them – from the first issue that Wood pencilled and inked – was sold fairly recently for a six figure sum at ComicLink (having been sold prior to that on Heritage for a sum just under six figures). Of the remaining five, ironically, the iconic issue seven has (only?) the Submariner in the title splash while issue nine only has DD’s back to the reader (I found the next page much more interesting and not just because I happen to have it). Issues eight and eleven have DD in red costume in the title splash (the latter is on a prominent collector’s CAF Gallery). And that left the present piece of artwork. However, it has no DD on it – well, it does, but in the form of a shadow cast over the villains. The villains themselves are rather off-beat – this is in fact the very first appearance of Wood’s Ani-Men. Then there is of course their leader, the Organizer (who is simply a hooded villain). So, nostalgia aside, this is not one the most impressive of title splashes based on the content alone. Also, it is not pure Wood (although it is the first issue where Wood is credited with the writing (note, though, the instruction “Extra Set of Stats for Stan” in the margin of the piece, together with a staple which presumably held that extra set of stats; this was for Stan Lee who is credited as the Editor)). Indeed, these were reasons that I had proffered to myself in order to justify NOT bidding for it. But our hobby is a rather strange one – often, I believe that the heart rules over the head but it would be financially disastrous (if nothing else) if one actually lost one’s head! Nevertheless, with the quite heavy pull of nostalgia and the fact that the Wood finishes/inks on this particular piece of artwork (over Bob Powell layouts) are really quite lush and splendid (even the high-resolution scan I borrowed from Heritage here doesn’t do it full justice), I finally took the plunge and almost didn’t obtain it as the final hammer price did (coincidentally) hit the maximum that I was personally prepared to bid on it. Nostalgia aside, the inks on this piece actually seem more impressive (and, if that is possible, sophisticated) than even Wood’s inks on Wood in his earliest issue (with the Matador); the brush strokes and use of blacks are even more amazing, especially given that this is a title splash with really large images. Artistically speaking, this is classic Wood and has to be viewed in person in order to truly appreciate it. To take just one example, even the ostensibly straightforward image of the Organizer is so striking: just look at his eyes and the folds on his hood. The overall design and presentation of the page is also fantastic. Even the shadow and silhouette of Daredevil, simple as it is, adds to the overall dramatic effect. Social/Sharing |
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Comments on this Artwork
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John Voytek 
Member Since 2008
1 - Posted on 12/30/2023
I love Wood's take on DD! Congratulations on a stellar and historic splash!
Comicart Boston
Member Since 2010
1 - Posted on 12/30/2023
John Voytek wrote:
I love Wood's take on DD! Congratulations on a stellar and historic splash!
Many thanks, John! Sharp as the Heritage scan is, it has really to be seen in person to truly appreciate what an impressive piece of artwork it is.
Comicart Boston
Member Since 2010
Posted on 12/30/2023
JN 80 wrote:
Captivating title page...Beautiful work by Wally.
Many thanks! Although unusual, I think that they would have made your Rogues Gallery!
Duke Fleed aka #1 Groo Fan
Member Since 2013
1 - Posted on 12/30/2023
If Daredevil were an EC comic. Makes sense with Wood at the helm!
Comicart Boston
Member Since 2010
Posted on 12/30/2023
Duke Fleed aka #1 Groo Fan wrote:
If Daredevil were an EC comic. Makes sense with Wood at the helm!
Actually, Duke, Wood adapted strikingly well to superheroes after leaving EC and his style seemed to become simpler. Some who are unkind thought that he was not as diligent but one look at the art and, in particular, the inking here blows a big hole through such a criticism.
Duke Fleed aka #1 Groo Fan
Member Since 2013
1 - Posted on 12/30/2023
took another look. Dumbest villain name ever? Or greatest villain name ever? The organizer - why isn't there a movie?!! Marie Kondo would be proud!
Comicart Boston
Member Since 2010
Posted on 12/30/2023
Duke Fleed aka #1 Groo Fan wrote:
took another look. Dumbest villain name ever? Or greatest villain name ever? The organizer - why isn't there a movie?!! Marie Kondo would be proud!
LOL! Perhaps Wood wasn't as gifted a writer as Stan? And, hey, the names of the other villains are also rather obvious and ordinary as well.
Comicart Boston
Member Since 2010
Posted on 12/30/2023
Ron S wrote:
Great pick up - and in the perfect collection!!
Many thanks, Ron, for your very kind words - although it doesn't really come close to your excellent collection.
Brian Norton
Member Since 2006
1 - Posted on 12/30/2023
I was watching this when it was up for auction. great wally title page,I also love the ani[men.
Comicart Boston
Member Since 2010
Posted on 12/30/2023
Brian Norton wrote:
I was watching this when it was up for auction. great wally title page,I also love the ani[men.
Dear Brian, you don't know how it gladdens my heart to know that someone loves the Ani-Men! They are certainly not your usual villain. But, come to think of it, villains such as the Vulture and the Scorpion were not that different either. Just a thought.
M L
Member Since 2015
1 - Posted on 12/30/2023
While CAF sleeps, CAB posts! Great piece and lovely description. Congrats!
Comicart Boston
Member Since 2010
Posted on 12/30/2023
M L wrote:
While CAF sleeps, CAB posts! Great piece and lovely description. Congrats!
Many thanks, Mikail. As mentioned, I thought very long and very hard before committing my funds to this piece of artwork but, now that it is actually in hand, I am really glad that I went for it. PS: the rest of the description is in my response to Rubén.
Ruben DaCollector
Member Since 2008
1 - Posted on 12/30/2023
Firstly, I'd like to offer you my heartiest congratulations on this acquisition, CAB. While I find it somewhat sad that you feel the need to speak about it in a defensive manner due to knowing exactly what many people are thinking when it comes to the "content quality", I've always wished and hoped (sadly to no avail) that the people who make up the hobby would WANT to learn more about art in general, in order to better understand why some of the basics, such as composition for instance, are EVERYTHING when it comes to art. But I realized a long time ago that those hopes and wishes were always idealistic and unrealistic. Because what truly separates this type of illustration from fine art is the fact that it was created in pieces (meaning, roughly 22 pieces to make up a complete story) and each page is only representative of a tiny fraction of the whole, so something like composition which is EVERYTHING in fine art, isn't quite as important in comics simply because each individual page has to focus more on the STORYTELLING, to lead the reader from one page to the next in a smooth, even keeled manner. So it's understandable that any given story page picked blindly from a group will not necessarily stand out as having immaculate composition, since the page only serves to further a story and is NOT a single page drawn for the sole purpose of creating a single pretty image.
However, that leads us to splash pages in comics, which, due to their intent to "make a splash" with the reader and grab their attention quickly, DO tend to have been illustrated with overall composition in mind. Yet while most collectors (including the both of us), are attracted to the characters first and foremost and desire and value splashes with a large, clear view of the main character(s) over and above a splash with a lesser quality image of the main character but stronger in composition, there is still something to be said and to highly appreciate about splashes like this one which most consider as having "low quality content". Because while there is no sense in anyone pretending that this is a "top quality" Wood DD splash in terms of character content and image, the reality is that this one IS in fact far more interesting from a basic contructive and compositional point of view than the ones with large "pinup" images of Daredevil. What this one lacks in that department, more than makes up for in terms of layout, composition and even storytelling. The idea to have only Daredevil's shadow on the floor juxtaposed against the stark lighting of the open door, telling us that he's standing at the open doorway as the Ani-Men cower in fear, forcing the viewer to pose certain questions. It has an air of mystery about it that makes you wonder why they're cowering in fear. Is that NOT Daredevil standing there? How does the Organizer, fresh off a shift having cleaned up my office, fit into the picture? So the layout idea is great and both Powell and Wood executed it wonderfully. The balancing of blacks were executed with deft precision and they help to balance out the entire composition itself. Finally, because this isn't one of those "pinup" style splashes, even in today's market it allows certain collectors the ability to afford it specifically BECAUSE collectors value characters above "art for art's sake".
So with that being said, you should be thrilled and proud to own this piece, as it is a magnificent example of comic book illustration as well as a memorable part of Marvel's own Golden Age. Enjoy it!
Comicart Boston
Member Since 2010
1 - Posted on 12/30/2023
Ruben DaCollector wrote:
Firstly, I'd like to offer you my heartiest congratulations on this acquisition, CAB. While I find it somewhat sad that you feel the need to speak about it in a defensive manner due to knowing exactly what many people are thinking when it comes to the "content quality", I've always wished and hoped (sadly to no avail) that the people who make up the hobby would WANT to learn more about art in general, in order to better understand why some of the basics, such as composition for instance, are EVERYTHING when it comes to art. But I realized a long time ago that those hopes and wishes were always idealistic and unrealistic. Because what truly separates this type of illustration from fine art is the fact that it was created in pieces (meaning, roughly 22 pieces to make up a complete story) and each page is only representative of a tiny fraction of the whole, so something like composition which is EVERYTHING in fine art, isn't quite as important in comics simply because each individual page has to focus more on the STORYTELLING, to lead the reader from one page to the next in a smooth, even keeled manner. So it's understandable that any given story page picked blindly from a group will not necessarily stand out as having immaculate composition, since the page only serves to further a story and is NOT a single page drawn for the sole purpose of creating a single pretty image.
However, that leads us to splash pages in comics, which, due to their intent to "make a splash" with the reader and grab their attention quickly, DO tend to have been illustrated with overall composition in mind. Yet while most collectors (including the both of us), are attracted to the characters first and foremost and desire and value splashes with a large, clear view of the main character(s) over and above a splash with a lesser quality image of the main character but stronger in composition, there is still something to be said and to highly appreciate about splashes like this one which most consider as having "low quality content". Because while there is no sense in anyone pretending that this is a "top quality" Wood DD splash in terms of character content and image, the reality is that this one IS in fact far more interesting from a basic contructive and compositional point of view than the ones with large "pinup" images of Daredevil. What this one lacks in that department, more than makes up for in terms of layout, composition and even storytelling. The idea to have only Daredevil's shadow on the floor juxtaposed against the stark lighting of the open door, telling us that he's standing at the open doorway as the Ani-Men cower in fear, forcing the viewer to pose certain questions. It has an air of mystery about it that makes you wonder why they're cowering in fear. Is that NOT Daredevil standing there? How does the Organizer, fresh off a shift having cleaned up my office, fit into the picture? So the layout idea is great and both Powell and Wood executed it wonderfully. The balancing of blacks were executed with deft precision and they help to balance out the entire composition itself. Finally, because this isn't one of those "pinup" style splashes, even in today's market it allows certain collectors the ability to afford it specifically BECAUSE collectors value characters above "art for art's sake".
So with that being said, you should be thrilled and proud to own this piece, as it is a magnificent example of comic book illustration as well as a memorable part of Marvel's own Golden Age. Enjoy it!
Many thanks, Rubén.
It is ironic - but I think CAF allows more space for comments than the actual description! This was the rest of my description that I was (unfortunately) prevented from posting:
It is such a pity though because, just as Wood was hitting his artistic stride with this title, he left it (and Marvel) so abruptly.
If you have read this far, thank you very much. I hope that this write-up hasn’t turned out to be a massive exercise in pseudo psychological self-assessment as well as rationalization!
A final note: As it turns out, I also happen to own Wood’s prelim to this piece (which I have also uploaded as another image here as well). I recall pulling out all the stops in order to obtain it because I had no idea where this piece was at the time so it is serendipitous to now “unite” both pieces. I am so glad that Wood did not go with the newspaper backdrop in the final version – but that was perhaps because there had to be space for Stan Lee to place his rather lengthy write-up!
I think that the so-called defensive part was also part of my own attempt to revisit my own thought process in trying for this piece. Not being as well-heeled as some in our hobby, you can understand the struggle. But I totally agree with your very insightful observations. The other DD splashes were indeed in reality large pin-ups but this piece just grabs one's attention with its composition and execution.
Comicart Boston
Member Since 2010
Posted on 12/30/2023
Mark Levy wrote:
Yeah - What Ruben said!
Many thanks, Mark! I echo precisely that sentiment in my response to Rubén.
Nick - Barry - Matt - Hal - Namor
Member Since 2015
1 - Posted on 12/30/2023
CAB - I will say, that I thought about this splash and how forrtunate the bidder was to get it, and am I extremely happy to know it was you. Another jewel in your crown of a collection! Congrats!
Comicart Boston
Member Since 2010
Posted on 12/30/2023
Nick - Barry - Matt - Hal - Namor wrote:
CAB - I will say, that I thought about this splash and how forrtunate the bidder was to get it, and am I extremely happy to know it was you. Another jewel in your crown of a collection! Congrats!
Many thanks, Nick! It means, as I observed, much less in the coming year to spend on the hobby. As I mentioned, I struggled long and hard but, at the end of the day, I felt that I would always regret it if I did not try. There is just something about this piece that is so special - quite apart from the extremely strong pull of nostalgia. Thank you once again for always being so positive and supportive.
Bill C
Member Since 2009
1 - Posted on 12/30/2023
Congrats! This is an all time favorite issue of DD from childhood for me, also. Magic.
Comicart Boston
Member Since 2010
1 - Posted on 12/30/2023
Bill C wrote:
Congrats! This is an all time favorite issue of DD from childhood for me, also. Magic.
Many thanks, Bill! Gosh, we are so old (unless, I hope, you read a reprint of the story!). I still recall precisely where I bought this issue - and it was my Mom who provided me with the money because I was just a little (and, understandably, broke) kid.
Comicart Boston
Member Since 2010
Posted on 12/30/2023
Stephen F wrote:
A spectacular splash! Fantastic!
Many thanks, Steve! And wishing you a very Happy New Year.
Marcus Wai
Member Since 2005
1 - Posted on 12/31/2023
Passion rules over logic. The previous owner probably had to make the same decision to part with it for something that is something passion driven.
Comicart Boston
Member Since 2010
1 - Posted on 12/31/2023
Marcus Wai wrote:
Passion rules over logic. The previous owner probably had to make the same decision to part with it for something that is something passion driven.
I agree, Marcus, albeit to a certain extent only. If the basic welfare of the family was involved, then logic and commonsense would need to prevail - unless, as you have mentioned, there was something that could be parted with to fund the purchase.
Marcus Wai
Member Since 2005
1 - Posted on 12/31/2023
Comicart Boston wrote:
I agree, Marcus, albeit to a certain extent only. If the basic welfare of the family was involved, then logic and commonsense would need to prevail - unless, as you have mentioned, there was something that could be parted with to fund the purchase.
Anyone playing in the big leagues with a Wood piece like this already have their family well taken care of.
Comicart Boston
Member Since 2010
1 - Posted on 12/31/2023
Marcus Wai wrote:
Anyone playing in the big leagues with a Wood piece like this already have their family well taken care of.
That's quite possible, Marcus, but the world is far too complex. Fortunes can be gained and lost in a moment and/or unexpected serious illnesses or other catastrophic events could strike suddenly. One never knows.
alessandro gentili
Member Since 2011
1 - Posted on 12/31/2023
I also think exactly like Ruben and I thank you with all my heart for sharing these authentic pieces of comics history with us. I will probably never have a Wood DD, but I will always be able to admire it your museum gallery!!
Thanks a lot !!
Comicart Boston
Member Since 2010
Posted on 12/31/2023
alessandro gentili wrote:
I also think exactly like Ruben and I thank you with all my heart for sharing these authentic pieces of comics history with us. I will probably never have a Wood DD, but I will always be able to admire it your museum gallery!!
Thanks a lot !!
Many thanks, Alessandro! As I mentioned in my response to Rubén's comments, I totally agree with him. As I think I mentioned before, your collection is so wonderful too - and I am sure that you would be able to obtain a Wood DD if you really wanted it.
Jeff Singh
Member Since 2004
1 - Posted on 12/31/2023
That is a great image and I enjoyed your write up. I believe you actually have DD on the page and not just his shadow. I think it is his silhoutte you are seeing from behind as if it were his shadow it would be cast longer with the perspective of the floor in front. That does beg the question of where and what the light source is. In the prelim it looks more like the intent was to have a door open and hence the lighting coming into the room from behind DD and creating the shadow and light cast as a door on the floor. In the prelim Wood is not dealing with the lighting on the characters in the background. In the final piece i still think if it were a shadow the figure whout taper rapidly as does the shape of the light from the door if this is still a door opening. Also, if the lighting was from the door to create such a dramatic effect the characters would only be lit up by the doors light and not beyond the margins of that. Perhaps not that important and whatever it is works great for the overal composition which is fun. Daredevil was the only Marvel comic I cared about when I was only a comic book collector and this didn't change until I got into original art so DD is one of the few characters I have strong nostalgia for. Along with the romances it was the quirky villains that I loved. You got a really fine page and it is so great that it means so much to you too.
Comicart Boston
Member Since 2010
1 - Posted on 12/31/2023
Jeff Singh wrote:
That is a great image and I enjoyed your write up. I believe you actually have DD on the page and not just his shadow. I think it is his silhoutte you are seeing from behind as if it were his shadow it would be cast longer with the perspective of the floor in front. That does beg the question of where and what the light source is. In the prelim it looks more like the intent was to have a door open and hence the lighting coming into the room from behind DD and creating the shadow and light cast as a door on the floor. In the prelim Wood is not dealing with the lighting on the characters in the background. In the final piece i still think if it were a shadow the figure whout taper rapidly as does the shape of the light from the door if this is still a door opening. Also, if the lighting was from the door to create such a dramatic effect the characters would only be lit up by the doors light and not beyond the margins of that. Perhaps not that important and whatever it is works great for the overal composition which is fun. Daredevil was the only Marvel comic I cared about when I was only a comic book collector and this didn't change until I got into original art so DD is one of the few characters I have strong nostalgia for. Along with the romances it was the quirky villains that I loved. You got a really fine page and it is so great that it means so much to you too.
Many thanks, Jeff! That is a really interesting take on this piece. It is true that the various figures may not be in an integrated image, so to speak (the Organizer certainly isn't). I will certainly be going back to look at the page more closely again. All I do know, after so very many decades, is that I was really blown away by the issue in general and this page in particular as a kid and I am amazed to have the original artwork with me now.
Carlo M
Member Since 2006
1 - Posted on 12/31/2023
Excellent example from a true master. Museum quality !
Comicart Boston
Member Since 2010
Posted on 12/31/2023
Carlo M wrote:
Excellent example from a true master. Museum quality !
Many thanks, Carlo! Wood was truly a master of his craft and, as mentioned, left us far too early.
Comicart Boston
Member Since 2010
Posted on 12/31/2023
Miki Annamanthadoo wrote:
Outstanding! Congrats!
Many thanks, Miki! And wishing you a very Happy New Year in collecting and everything else.
Comicart Boston
Member Since 2010
Posted on 12/31/2023
Gabe Carino wrote:
Beautiful - congrats
Many thanks, Gabe! OT, but many congrats on your wonderful Gigantor piece. It brought back memories.
Neon Dragon
Member Since 2017
1 - Posted on 12/31/2023
Congratulations CAB! While I have questioned the price paid on some of my own pieces, it bothers me to no end the ones I never fought harder for. Hold your head high on such a great addition and don't fret. A box of breakfast cereal may cost more than this page, in the coming years.
Comicart Boston
Member Since 2010
1 - Posted on 12/31/2023
Neon Dragon wrote:
Congratulations CAB! While I have questioned the price paid on some of my own pieces, it bothers me to no end the ones I never fought harder for. Hold your head high on such a great addition and don't fret. A box of breakfast cereal may cost more than this page, in the coming years.
Many thanks, John, for your very kind and encouraging words. They mean a lot coming from such an amazing collector such as yourself.
Suat Tong Ng
Member Since 2009
1 - Posted on 12/31/2023
There ain't nothing like a grail. Big congrats on adding this significant piece to your DD collection!
Comicart Boston
Member Since 2010
Posted on 12/31/2023
Suat Tong Ng wrote:
There ain't nothing like a grail. Big congrats on adding this significant piece to your DD collection!
Many thanks. And many congrats on your own wonderful collection.
Comics Superworld
Member Since 2007
1 - Posted on 12/31/2023
This is a fantastic image! Just looking at it fills me with the feeling of the thrill when I finally procured this issue as a young'un.
Comicart Boston
Member Since 2010
Posted on 12/31/2023
Comics Superworld wrote:
This is a fantastic image! Just looking at it fills me with the feeling of the thrill when I finally procured this issue as a young'un.
Many thanks, Ted! And a Happy New Year to you! The only problem, as I mentioned, is that we're both old'uns now!
Comicart Boston
Member Since 2010
Posted on 12/31/2023
Mark Howland wrote:
What everyone said. Amazing acquisition!
Many thanks, Mark! I am really thrilled to be steward of this wonderful piece of art as well as memory of my childhood.
Comicart Boston
Member Since 2010
Posted on 12/31/2023
Anthony T wrote:
Great title page! Congrats on picking this up.
Many thanks, Anthony! And many congrats on an excellent collection of comic art.
Peter Sullivan
Member Since 2006
1 - Posted on 1/6/2024
Thanks for offering to leave it to me in your will.....Was that another dream? Like the ones I have about many pieces of artwork?
Comicart Boston
Member Since 2010
Posted on 1/6/2024
Peter Sullivan wrote:
Thanks for offering to leave it to me in your will.....Was that another dream? Like the ones I have about many pieces of artwork?
Peter, you have such a great sense of humor! If only more collectors were like you - seriously. And while still on a serious note, if only this hobby hadn't gotten so very expensive.
Peter Sullivan
Member Since 2006
2 - Posted on 1/6/2024
Comicart Boston wrote:
Peter, you have such a great sense of humor! If only more collectors were like you - seriously. And while still on a serious note, if only this hobby hadn't gotten so very expensive.
It helps to have a sense of humor. You know it will make me laugh with joy and disbelief when you post over your whole awesome collection to me as a gift. What a generous fellow, fellow collectors will say. Lol. I also hear Wood floats, so if you are pressed for postage set it upon the waves with my address writ large. On a more realistic note comic art is ludicruously expensive at the moment. I have seen what any honest person would describe as mediocre artwork with asking prices of low thousands.
Comicart Boston
Member Since 2010
1 - Posted on 1/6/2024
Peter Sullivan wrote:
It helps to have a sense of humor. You know it will make me laugh with joy and disbelief when you post over your whole awesome collection to me as a gift. What a generous fellow, fellow collectors will say. Lol. I also hear Wood floats, so if you are pressed for postage set it upon the waves with my address writ large. On a more realistic note comic art is ludicruously expensive at the moment. I have seen what any honest person would describe as mediocre artwork with asking prices of low thousands.
I am generous - but not so generous! Wood may float but the paper will sink to the bottom of the ocean! Most prices are pretty ludicrous but from time to time, a reasonably priced piece will (thankfully) be available. And many congrats on a great collection.
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