Artwork Details
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DescriptionThe design work (i.e. the strip on the left) and everything else screams New Yorker cover where the artist Alan Dun was among the most published cartoonists. I believe this was done for a travelling exhibit of art or cartoon art to promote war bonds - which is too bad as it succinctly delineates the problem the New Yorker faced in terms of changing its style and focus as America entered the war- and their sophisticated readers' boats were swamped by the grim reality of the war against fascismSocial/Sharing |
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jerry McGurf
Member Since 2005
Posted on 7/6/2009
Absolutely fantastic piece. Was this darkly satirical piece one that Alan knew to never bother showing the editors, or could it have actually gotten published? Almost a Nat'l Lampoon item in its mocking effrontery.
George Hagenauer
Member Since 2005
Posted on 1/10/2019
jerry McGurf wrote:
Absolutely fantastic piece. Was this darkly satirical piece one that Alan knew to never bother showing the editors, or could it have actually gotten published? Almost a Nat'l Lampoon item in its mocking effrontery.Oddly I think it was done for a travelling exhibit of cartoon art to rasie money for war bonds! It should ahve been a real cover it is so perfect for the period.
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