Artist: Franklin Booth (All)
16 Comments - 4,030 Views - 1 Like
Artwork Details
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DescriptionAn exquisitely detailed work by the master, Franklin Booth. Booth's work isepitomized by not only precise and intricate linework but striking compositions and perfectly weighted positive/negative space. This piece, rendered for Good Housekeeping is no exception. It portrays the pivotal moment as life transitions to after life. Death emerges from the black abyss to usher in a young woman. His touch brings the end of one form of existence and in so doing, reveals another. The woman's expression is not one of fear nor pain, remorse nor regret, but of simple acceptance. She reaches out to the grandfatherly figure willingly and Booth captures the moment that means everything, the moment they touch. While the angel's side of the chasm that separates worlds is dark, mysterious, the woman's is filled with light and clarity. The foreground however, reveals a hint of what awaits at her journey's end. A staircase leads down into tall grassy fields, mottled with numerous flowers, surely a refuge of peace and contentment. Booth's composition leads the viewer's eye directly to the point of contact, a touch as gentle as it is earth shaking in it's implication. A fitting contrast of heavy linework frames the old figure, swirling in intricate patterns pushing him forward from the background. HIs legs are lost in its vagaries as he emerges. His expression is solemn yet kindly. Although the bulk of the illustration covers the top half of the paper, the bottom is weighted with a perfect counterbalance of of dark textures, particularly in the lower right which ascend back up to the main image. The decorative figures that anchor the text box are not mere afterthoughts, but are sized and composed of just the correct line width to affix the asymmetrical balance. With the final addition of published text, the overall effect Booth sought to portray would be complete. To think Booth created such spectacular works with the speed and regularity required by the publications he worked for, is testament to the mans' professionalism and genius. Thanks to Duke Fuller for unearthing the original title and publication source of this piece, It accompanied "A prayer for the Road's End" by Theodosia Garrison in the November 1917 edition of Good Housekeeping The top portion of this piece was reprinted in The Art of Franklin Booth (1925) and its 1976 resurrection by Nostalgia Press. These books list the title of the piece as "End of the Way", Social/Sharing |
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Suat Tong Ng
Member Since 2009
Posted on 3/5/2011
This is a beauty. Congratulations on picking this up!
A. Hybsier
Member Since 2003
Posted on 3/5/2011
Epic. I dont know what else to say that would come close...
Tom Coker
Member Since 2005
Posted on 3/5/2011
A phenomenal illustration! Thanks for sharing this Tom.
Kirk Dilbeck (3-Wishes and Patron-of-art)
Member Since 2006
Posted on 3/5/2011
An amazing piece of art and history. Congratulations!!
Peter P
Member Since 2009
Posted on 4/3/2011
Seriously jealous of this Tom, such an amazing piece!!! Super congrats! =)
Duke Fuller
Member Since 2008
Posted on 7/19/2011
Amazing! Published in the November 1917 edition of Good Housekeeping. "A prayer for the Road's End" by Theodosia Garrison... (and was also published in other magazines of that time). congrats!!!!! I'd love to it framed and matted!!
Davide G.
Member Since 2009
Posted on 8/23/2011
An amazing example of exquisite artistic mastery! This wonderful piece reminds me of the art of the great illustrator and engraver Gustave Dorč.
George Hagenauer
Member Since 2005
Posted on 1/31/2013
A really nice example of Booth and they are very hard to find
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