Artwork Details
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DescriptionBoyette -- a triple-threat baller -- handled all the art, all the writing and often the hand-lettering on his independent-comics assignments. Here is such a turnkey job, in a sequence of consummate weirdness. (Larger corporate publishers confined him to illustrating the words of other scribes; but Boyette preferred the greater creative freedom of the indie sector.) This title-page sequence, from a harrowing tale of the French Revolution, features a perfectly on-model Vampirella and a wealth of ghoulishly pen-stippled detail.Social/Sharing |
About the Owner
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John C
Member Since 2014
Posted on 1/1/2025
Ohhhh. Two-for-one. I get it now. Sadly I was hoping for left over pizza.
Amra The Lion
Member Since 2008
Posted on 1/1/2025
Gorgeous page. Love the different ink techniques in the panels.
Marcus Wai
Member Since 2005
Posted on 1/2/2025
What a great opening framing panel of Vampirella! She seems so at ease as a host to bring us another tale of tense horror and irony. The little bat in the story panel is supposed to be her or us as we follow the story along.
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Irv Novick and Frank McLaughlin The Flash #255 Sto |
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RON FRENZ AND BRETT BREEDING AMAZING SPIDER-MAN #252 PAGE 8 (1984, HISTORIC 1ST APPEARANCE OF BLACK SUIT! 6TH PANEL IS 1ST TIME SUIT REACTS TO SPIDEY'S THOUGHTS, GIVING 1ST CLUE IT'S A SYMBIOTE!) |
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Jim Starlin - Warlock #13, Page 7 |
SUB-MARINER #11 COMIC BOOK COVER ORIGINAL ART BY GENE COLAN. |
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