Star Wars: Jedi Fallen Order - Dark Temple, Issue 05, Page 16
Artist: Ruairi Coleman (All)
4 Comments - 166 Views - 3 Likes
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DescriptionThis is the May. Day 31. Thirty-One days of Star Wars continues...The fifth and final issue of the comic book miniseries Star Wars: Jedi Fallen Order - Dark Temple, featuring characters from the Fallen Order video game. It was written by Matthew Rosenberg, illustrated by Paolo Villanelli and Ruairķ Coleman, and published in 2019 by Marvel Comics. The issue features the story "The Collapse of All Things," in which the conflict on Ontotho comes to an end. This page by Ruairķ Coleman features Jedi Cere Junda and Jedi Master Eno Cordova using the force to halt a rock from crushing some folks, and then Cere uses her lightsaber to catch a lift with a Republic ship. Social/Sharing |
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Marcus Wai 
Member Since 2005
2 - Posted on 5/31/2022
When it's rock you lift, I'll use the force in good faith
In Order you'll live, Jeff's on a streak that won't break
Ruairi art you can build on
Be there Ontotho, in the Dark Temple
When there's Cere Junda, I swear the Jedi's be strong
Eno Cordova's mine, I'll prove to you we belong
I'll hail the ship that conflicts you
With the light saber wave, to the Neralli shame, yeah!
Let's make it! All Fallen and Order love
Let the art you hold be the art you want, the page you need
'Cause when it's all Coleman, the Order Falls
When there's the force you should know, then just let your feelings flow
And make it all Coleman, the Fall you love
Ruben DaCollector
Member Since 2008
1 - Posted on 6/1/2022
You know, it's very interesting that the original page doesn't have any blacks spotted, no light source at all. But because of computers these days, we have to wonder whether Coleman just chose to finish them digitally or if he didn't spot them at all, leaving the colorist to do it. Hmmm.
Jeffrey Wedding
Member Since 2009
1 - Posted on 6/1/2022
Ruben DaCollector wrote:
You know, it's very interesting that the original page doesn't have any blacks spotted, no light source at all. But because of computers these days, we have to wonder whether Coleman just chose to finish them digitally or if he didn't spot them at all, leaving the colorist to do it. Hmmm.
Art for this issue was split between Paolo Villanelli and Ruairí Coleman, with Arif Prianto providing the digital colors. I haven't spotted any of Paolo's pages in the wild yet from this issue, they may have left a lot for the colorist in order to homogenize the look throughout.
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