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Fantastic Four #130, Page #14 (Buscema/Sinnott) (1973) Appearance: Frightful Four (Thundra, Sandman, Wizard, Trapster) (2nd Appearance: THUNDA)

Artists: John Buscema (Penciller) ,  Joe Sinnott (Inker)

13 Comments  -   605 Views  -   7 Likes


Fantastic Four #130, Page #14 (Buscema/Sinnott) (1973) Appearance: Frightful Four (Thundra, Sandman, Wizard, Trapster) (2nd Appearance: THUNDA) Comic Art

 

   

Artwork Details

Title: Fantastic Four #130, Page #14 (Buscema/Sinnott) (1973) Appearance: Frightful Four (Thundra, Sandman, Wizard, Trapster) (2nd Appearance: THUNDA)
Artist: John Buscema (Penciller)
Artist: Joe Sinnott (Inker)
Media Type: Pen and Ink
Art Type: Interior Page
For Sale Status: NFS
Views: 605
Likes on CAF:
Comments: 13
Added to Site: 2/1/2022
Comic Art Archive:

Description

January 1973, Fantastic Four #130, Page #14, John Buscema pencils/Joe Sinnott inks, “Battleground: The Baxter Building”,
Appearance: Frightful Four (Thundra, Sandman, Wizard, Trapster), Appearance: Medusa of the Inhumans.
This issue is the 2nd Appearance of THUNDRA!

This was the sixth issue of Fantastic Four I ever read off the stand back in 1973. It was an incredible storyline written by Roy Thomas, with the Frightful Four, led by Thundra, fighting the Fantastic Four. The Inhumans guest star in this issue. Sue Storm quits the Fantastic Four team in this issue. Pure Nostalgia.

The Frightful Four have just defeated the Thing and Medusa with the help of their newest member Thundra. As the male members gloat over their victory, Thunda begins to feel pity for the Thing. This irks the Sandman, who recalls this sort of sympathy from Medusa before she betrayed their team, and he tries to toss the Thing high in the air so he suffers a fatal fall. Not wishing to see her foe killed, Thundra leaps in and saves Ben's life, then violently jostles the Sandman, warning him from using lethal force against a "defenseless man" again. The Wizard takes control of the situation, reminding them that they need to focus their attention on the Baxter Building and the downfall of the rest of the Fantastic Four.

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Nick Katradis ( 1 )
Joined: January 2005
Last Login: September 2025
Ebay Id: nickkat
Website: http://www.nickkatradis.com
Country: UNITED STATES
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Comments on this Artwork

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Jason Versaggi 
Member Since 2005

Posted on 2/1/2022

Another classic page with nice big meaty panels loaded with action. The inks here are especially standout. Bravo!

Jimmy Cawley 
Member Since 2015

Posted on 2/1/2022

You never forget your 6th. Beautiful FF page, hitting all the right notes.

Eelco V 
Member Since 2004

Posted on 2/1/2022

Great and beautiful page!

West Stephan 
Member Since 2007

Posted on 2/1/2022

Fantastic page with lots of villainy!

Michael Weigant 
Member Since 2009

Posted on 2/1/2022

Beautiful page here Nick,Congrats !

Mark Howland 
Member Since 2004

Posted on 2/1/2022

Such a great artistic pair!

Ian Saint 
Member Since 2021

Posted on 2/1/2022

Awesome page. Love all that hair.

Marcus Wai 
Member Since 2005

Posted on 2/2/2022

Filled with the colorful personalities you'd expect out of this classic Marvel era.  Even the bad guys act differently from each other and have their own motivations.  John Buscema is showing us a great range of these personalities through body language and different perspectives.  With so many characters, he keeps them fully engaging to the audience.  Sinnott adds the refined emphasis that kept the FF such a strong classic through the years.

Sam 06 
Member Since 2011

Posted on 2/2/2022

A great Buscema-Sinnott page! Congratulations 

Tony  B. 
Member Since 2020

Posted on 2/2/2022

Nice page! For a non-FF in action page, it really is an action packed page. I like how Thundra's size is depicted in the final panel too. 

Jean Andre Macchini 
Member Since 2006

Posted on 2/4/2022

Awesome page ! Congrats !

MARK McDERMOTT 
Member Since 2005

Posted on 2/4/2022

Tremendous page!

Paul Roach 
Member Since 2014

Posted on 7/26/2022

Fabulous - a thing of real beauty! A page with the Frightful Four on is always going to be special, but the opening panel is just so full of movement and drama that this page really shines.

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