Artwork Details
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DescriptionMy first acquisition of 2025.
As for this piece, there’s just so much going on here artistically and creatively. It’s an intriguing study in layout, composition and design, posing and figurework, negative space, lighting and perspective. The exquisite and masterful use of negative space for the trees, the cape, and the headstones, is what really makes the piece for me. And I love the “fishbowl” contour of the background. The cape and the trees envelop the character in an elegant embrace. Focusing on that central figure, I love the perfect balance of perspective and proximity. The ground level camera angle is just low enough to allow the moonlight to create all those wonderful shadows. At the same time, it’s not such a tight shot that it requires a compromise in how the main subject is arranged in the scene. Those aspects, combined with a dramatic and space efficient pose, allows for the main character to be displayed in full WITHOUT sacrificing any of the image space for the elaborate background. I don’t see anything on this piece that looks like a cheat or a shortcut. It’s the full and complete execution of a very dramatic presentation. I imagine the artist was quite pleased when he looked at the finished work. It’s a stunning achievement. I stumbled upon this piece during one of my routine late night art checks before turning in. And I’m so glad I didn’t skip it that night, as I sometimes do when I can’t keep my eyes open (I’m an old guy, whadda’ya want?). I saw it, thought about it for a couple of seconds, put it in my cart and sent the purchase request. Then went to bed. My invoice was waiting the next day. Could not have gone any easier. Well actually, hold on. It took 16 days for what was supposed to be a 3-day shipment to arrive. Supposedly because of severe winter weather in the northeast. From now on maybe I should wait until spring or summer to buy art from the east coast. LOL! My thanks to Anthony and the gang in the Art Room (hey Rich). And thank you for stopping by to take peek. Social/Sharing |
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Comments on this Artwork
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Abraham Martinez 
Member Since 2014
Posted on 3/7/2025
Not familiar with the artist, but I really like how this came out. Great blend of light and dark in the peice with a great perspective shot.
E DLS
Member Since 2005
Posted on 3/10/2025
Abraham Martinez wrote:
Not familiar with the artist, but I really like how this came out. Great blend of light and dark in the peice with a great perspective shot.
Thanks Abraham! I wasn't familiar with him either until I stumbled upon this piece. He does have a website where he sells his OA. And if you do a CAF search, you get quite a few results. Not everything looks like this piece, but he does wonderful work.
Michael Kenyon
Member Since 2008
Posted on 3/7/2025
That's Moon Knight. So many try, so many fail. Not Manuel Garcia.Wonderful vibes on this one.
Marcus Wai
Member Since 2005
Posted on 3/7/2025
Really great how Manuel Garcia uses the negative space for Moon Knight to become one with the trees, the headstones, and the crescent moon. This design in sharp linework, represents the crisp night air in the winter. Anthony has great shipping. The art arrived safe and dry. National Oceanic and Atmospheric Administration is about to get slashed and so will FEMA, so weather disasters are a thing of the past if they aren't reported any more.
E DLS
Member Since 2005
Posted on 3/7/2025
Marcus Wai wrote:
Really great how Manuel Garcia uses the negative space for Moon Knight to become one with the trees, the headstones, and the crescent moon. This design in sharp linework, represents the crisp night air in the winter. Anthony has great shipping. The art arrived safe and dry. National Oceanic and Atmospheric Administration is about to get slashed and so will FEMA, so weather disasters are a thing of the past if they aren't reported any more.
This piece took 16 days to get here (for Priority 3-day shipping). The piece I bought after this one took 24 days to get here. Yes, safe and dry is great. But I'm sure it would be just as safe and dry if it actually got here in 3 (or even 4-5) days.
F M
Member Since 2005
Posted on 3/8/2025
The best composition bit for me is the reverse crescents (cape vs moon).
E DLS
Member Since 2005
1 - Posted on 3/8/2025
F M wrote:
The best composition bit for me is the reverse crescents (cape vs moon).
That's interesting. I actually went back and forth on that bit. I kept looking at it and looking at it wondering why he put it there and why he drew it the way he drew it? At first I thought maybe it was a symbolic logo of sorts (MOON Knight, I get it). Then I stepped back and tried to visualize that area all in black, just sky. Did the artist perhaps think it needed more b&w balance? Then I asked myself, what if he had made it smaller to relay a sense of distance while adding to the depth of field. Making it as large as he did, he then needed the crescent shape to accommodate the character's head. Ultimately for me, it went against the grain. The entire image curves one way. Having that single element curve in contrast made me thnk of a car driving in the wrong direction on a one-way street. But I get your Yin & Yang angle. And it's totally a valid consideration.
Ruben DaCollector
Member Since 2008
Posted on 3/8/2025
This piece really pullsed me in with its clever use of negative space and perspective. Those trees, the cape, and the headstones all working together to frame the character in such an elegant, almost haunting way. The “fishbowl” effect in the background adds even more depth, making it feel like you’re peering into another world. What’s especially impressive is how everything feels so intentional. No wasted space, no shortcuts, just a beautifully thought out balance of lighting, layout, and figurework. The low angle perspective is spot on, giving Moon Knight that larger than life presence while still making room for all the intricate details around him. It’s the kind of piece that rewards you the longer you look at it, which is exactly what makes great comic art so special. Definitely a stunning achievement and a great way to start off your collecting year with a bang, Eric!
E DLS
Member Since 2005
1 - Posted on 3/8/2025
Ruben DaCollector wrote:
This piece really pullsed me in with its clever use of negative space and perspective. Those trees, the cape, and the headstones all working together to frame the character in such an elegant, almost haunting way. The “fishbowl” effect in the background adds even more depth, making it feel like you’re peering into another world. What’s especially impressive is how everything feels so intentional. No wasted space, no shortcuts, just a beautifully thought out balance of lighting, layout, and figurework. The low angle perspective is spot on, giving Moon Knight that larger than life presence while still making room for all the intricate details around him. It’s the kind of piece that rewards you the longer you look at it, which is exactly what makes great comic art so special. Definitely a stunning achievement and a great way to start off your collecting year with a bang, Eric!
Thanks Ruben! I'm glad you picked up on everything I was trying to get across in my description. For me, it really was an appreciation for the work. Not just in execution, but in consideration as well - the THOUGHT he put into it. I think it's impossible to look at something like this and NOT appreciate those things. Especially from such an unexpected source. I mean, it's not like I started 2025 thinking, you know I really need to get myself a Manuel Garcia piece. But even though the artist's name recogition is not commensurate to the skill level, quality work can be enjoyed regardless of the signature.
Ruben DaCollector
Member Since 2008
Posted on 3/8/2025
E DLS wrote:
Thanks Ruben! I'm glad you picked up on everything I was trying to get across in my description. For me, it really was an appreciation for the work. Not just in execution, but in consideration as well - the THOUGHT he put into it. I think it's impossible to look at something like this and NOT appreciate those things. Especially from such an unexpected source. I mean, it's not like I started 2025 thinking, you know I really need to get myself a Manuel Garcia piece. But even though the artist's name recogition is not commensurate to the skill level, quality work can be enjoyed regardless of the signature.
Oh, now you've touched upon something I've been trying to teach people since I first started out in the hobby, Eric. I'm so glad you wrote that last sentence in your comment. I recently offered up a Batman piece from my collection and it is, for a Batman fan and collector, a stunning, top tier piece, regardless of the name value of the penciller. I've copied and pasted it here for you, but have changed some of the words and names so you can see how it fits Manuel Garcia perfectly....
"What truly makes this piece so remarkable is how it represents the very best of underappreciated talent. While big name artists often command the spotlight, the synergy of the dynamic upshot andthe wonderfully balanced, high contrast inking, demonstrates that quality artistry can outshine fame. Every line and shadow brims with emotion, detail, and classic Moon Knight atmosphere, underscoring the fact that sometimes the finest pages come from those who aren’t household names. If you value “the best of the best” for its sheer visual impact and storytelling prowess, rather than just the marquee status of the creators, this is exactly the kind of piece that belongs in a serious Moon Knight collection. It’s a sublime piece of Moon Knight artwork. Bold, iconic, and evocative of everything that makes the character's legend so enduring."
E DLS
Member Since 2005
1 - Posted on 3/8/2025
Ruben DaCollector wrote:
Oh, now you've touched upon something I've been trying to teach people since I first started out in the hobby, Eric. I'm so glad you wrote that last sentence in your comment. I recently offered up a Batman piece from my collection and it is, for a Batman fan and collector, a stunning, top tier piece, regardless of the name value of the penciller. I've copied and pasted it here for you, but have changed some of the words and names so you can see how it fits Manuel Garcia perfectly....
"What truly makes this piece so remarkable is how it represents the very best of underappreciated talent. While big name artists often command the spotlight, the synergy of the dynamic upshot andthe wonderfully balanced, high contrast inking, demonstrates that quality artistry can outshine fame. Every line and shadow brims with emotion, detail, and classic Moon Knight atmosphere, underscoring the fact that sometimes the finest pages come from those who aren’t household names. If you value “the best of the best” for its sheer visual impact and storytelling prowess, rather than just the marquee status of the creators, this is exactly the kind of piece that belongs in a serious Moon Knight collection. It’s a sublime piece of Moon Knight artwork. Bold, iconic, and evocative of everything that makes the character's legend so enduring."
Damn! If I hadn't spent so much time working on my description, I'd swap it out with yours! LOL!
Ruben DaCollector
Member Since 2008
Posted on 3/8/2025
E DLS wrote:
Damn! If I hadn't spent so much time working on my description, I'd swap it out with yours! LOL!
I've always tried to get other collectors to see what's there, beyond just the fact that a piece looks "cool". It's tough, because most collectors don't seem to care or want to learn more about art and why a piece looks as good as it does. Most really ARE just happy enough to own pieces because they "look cool". But I've never stopped trying, regardless, so I was really elated to see and read your description, Eric. Trust me, it's a FANTASTIC description.
Paul P Spiderversity
Member Since 2011
Posted on 3/8/2025
Ruben DaCollector wrote:
This piece really pullsed me in with its clever use of negative space and perspective. Those trees, the cape, and the headstones all working together to frame the character in such an elegant, almost haunting way. The “fishbowl” effect in the background adds even more depth, making it feel like you’re peering into another world. What’s especially impressive is how everything feels so intentional. No wasted space, no shortcuts, just a beautifully thought out balance of lighting, layout, and figurework. The low angle perspective is spot on, giving Moon Knight that larger than life presence while still making room for all the intricate details around him. It’s the kind of piece that rewards you the longer you look at it, which is exactly what makes great comic art so special. Definitely a stunning achievement and a great way to start off your collecting year with a bang, Eric!
Dang it! Word for word, this is exactly what I was going to say! You stole my comment, Ruben! Haha jk. But yeah, this cover is a master class in artistry, isn't it. I am totally mesmerized by it. It's everything you'd ever want in a Moon Knight cover ... except it's missing Spider-Man. Every cover should have Spidey on it. But still, even so !! ... it's all kinds of awesome. Congrats!
E DLS
Member Since 2005
Posted on 3/8/2025
Paul P Spiderversity wrote:
Dang it! Word for word, this is exactly what I was going to say! You stole my comment, Ruben! Haha jk. But yeah, this cover is a master class in artistry, isn't it. I am totally mesmerized by it. It's everything you'd ever want in a Moon Knight cover ... except it's missing Spider-Man. Every cover should have Spidey on it. But still, even so !! ... it's all kinds of awesome. Congrats!
Not a cover. Yet. Where's a Marvel editor when you need one? LOL
Kavi H
Member Since 2018
Posted on 3/8/2025
awesome Moon Knight piece, great use of the negative white space for both the figure and many of the background elements. here's to late night art searches!
E DLS
Member Since 2005
1 - Posted on 3/8/2025
Kavi H wrote:
awesome Moon Knight piece, great use of the negative white space for both the figure and many of the background elements. here's to late night art searches!
Haha! Silly, I know. But it's probably more habit than ritual. Or maybe it's just paranoia. That feeling of making sure I didn't miss anything before going to bed. When you think about it, it's probably the worst time to do it. It's late, you're tired and sleepy. As opposed to the morning when you're sharp, rested, and refreshed. It also explains why I miss everyone's art drops. Haha! Then again, maybe I just like to believe that cyberspace is a little less crowded at night. Like having the world wide web all to myself. LOL
Toni S
Member Since 2019
Posted on 3/9/2025
Amazing image under the Moon!!! Huge congrats! Thart's a beautiful one!
Chris K.
Member Since 2008
Posted on 3/10/2025
A thing of beauty! There are so many things about the layout of this piece that I like...it just flows.
Bill J
Member Since 2009
Posted on 3/13/2025
Jaw-dropping piece by Manuel Garcia. I love this starkness of the white versus black imagery here. Moon Kiight almost glows in the moonlight. I love the way Garcia uses spot blacks on the shadows to delineate Moon Knight's body. Spot blacks also define the folds of his mask and the shape of his cape. Interesting that Garcia uses blacks for shadows on the figure, but elements in the background that should in shadow--the trees, the gravestones--are silhouetted in stark white. And the moon that encrcles Moon Knight's head looks like a halo in a Renaissance painting. But it all works to create a phenomenally cool drawing! Serious congrats on a great pick-up!
Dave W
Member Since 2006
Posted on 3/14/2025
Wonderful piece by Manuel - he is doing some great commissions lately!
Lenny Messina
Member Since 2008
Posted on 3/21/2025
This is an Absolutely Incredible piece of art..!!
Ken Martin
Member Since 2005
Posted on 4/8/2025
I really love Manuel Garcia's work and this is a perfect example of why.
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