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Joshua Wolverine MacAlistaire convention drawing

Artist: William Messner-Loebs (All)

4 Comments  -   190 Views  -   3 Likes


Joshua Wolverine MacAlistaire convention drawing Comic Art
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William Messner-Loebs at UKCAC ’98

 

   

Artwork Details

Title: Joshua Wolverine MacAlistaire convention drawing
Artist: William Messner-Loebs (All)
Media Type: Pen and Ink
Art Type: Convention Sketch
For Sale Status: NFS
Views: 190
Likes on CAF:
Comments: 4
Added to Site: 2/19/2024
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Description

A Short-ish Personal History on the Availability of “Journey – The Adventures of Joshua ‘Wolverine’ MacAlistaire” Original Art

I first started to buy, read and enjoy Cerebus with issue 44 – the first of a run of landscape-format issues – and although I had missed over 40 issues of narrative continuity I was willing to join the dots. They say that men, generally speaking, are more visually oriented than women and so are quite willing to make allowances when something (or someone) is “real purty”, and 100% Dave Sim artwork was very pleasing to look at. I mention that I was a devoted reader of Cerebus around that time because that meant that I saw the two part/eight page Journey preview that appeared as backups in issues 48 and 49 of Cerebus. At the time I did not think them especially better or noticeably worse than any of the other stories that Cerebus would showcase at the end of the book. I probably would not have picked up the first two issues of the regular title if they had not been ecstatically reviewed in the fan press at the time. They were okay but not good enough for me to go beyond the second issue. To put my cards on the table I was not too keen on the art. The reigning comic kings at the time were Byrne, Miller, Pérez and Sienkiewicz, and William Messner-Loebs’ artwork was nothing like those; it was too cartoony for something naturalistic, and too naturalistic for something cartoony. It was only after Fantagraphics picked up the reins of publishing the book with number 15 that I decided to give it another go. That Fantagraphics was publishing the title was for me a mark of quality, as it had passed the rigourous critical scrutiny of publishers Gary Groth and Kim Thompson, who were notoriously hard taskmasters. Even though I had missed 12 issues of narrative buildup there was a synopsis of previous events as well as a character guide on the first interior page of the new Fantagraphics title. For some reason I now “got” the comic and the heavily-worked artwork grew on me such that I picked up all the back issues that I missed out on. People of a certain age who were alive during the summer of 1985 will remember it as the summer of Live Aid, and even though I remember it as that I remember it also as the summer I binge-read Journey and that was as enjoyable if not more so but in a different way from Live Aid. I was a fan and I even subscribed to the comic directly from the publisher as the surface copy would sometimes arrive just as quickly as an airmail copy. Sadly the title came to an end two issues into a projected six-issue miniseries which kicked off when the original title came to an end with issue 27, but at least the storyline which started in the first issue (Josh has been hired to deliver a mysterious package) was satisfyingly wrapped up in the 27 issues of the main title.

Fast forward to 1998 and it is announced that William Messner-Loebs is to be a guest at that year’s United Kingdom Comic Art Convention. I look forward to meeting him in person. If you have not seen WML in any of those YouTube videos you may be wondering what he is like. There is a temptation to think that a comic creator’s signature creator-owned character is a stand-in for the creator – Daniel Clowes is Enid Coleslaw, Matt Wagner is Kevin Matchstick – and so it is with Bill Messner-Loebs and Josh MacAlistaire. Both are men-mountains, facially hirsute, warm, sociable, generous, carry their knowledge lightly, resilient, and could lay me out with a single punch. I am not sure how proficient Josh is with a blue pencil and ink pen but Bill was generous enough to produce for me two drawings (one on each day of the weekend) of my two favourite characters from the series. Notice the breaking of the fourth wall in the Wolverine drawing as the ink on the signature smudges from the rain drenching Josh. It would never have occurred to me to enquire about the purchase of original art and even if it had I probably would not have had the nerve as it was implying that the writing/drawing gigs he was getting had to be supplemented by selling what I thought would be his crown jewels. So I thought these two con sketches would be the closest I ever got to Journey original art.

[continued in the following post]

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Simon Ma ( 2 )
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Joined: April 2013
Last Login: September 2025
Country: UNITED KINGDOM
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Comments on this Artwork

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Shelton  Bryant 
Member Since 2005

Posted on 2/20/2024

Luv the Immediate Fluidity of the Line Work!!..............congrats!!

Simon Ma 
Member Since 2013

Posted on 3/8/2024

Shelton Bryant wrote:

Luv the Immediate Fluidity of the Line Work!!..............congrats!!

“Fluidity” – I get it, good one! Thank you for your kind words.

Mark V 
Member Since 2021

Posted on 2/20/2024

Thanks for posting your treasure trove of Messner-Loebs Journey art, Simon. I've always appreciated how terrific and unusual this series was. How many other comic series before or after explored early American history like Journey? If there are more I'd certainly love to read them.

Simon Ma 
Member Since 2013

Posted on 3/8/2024

Mark V wrote:

Thanks for posting your treasure trove of Messner-Loebs Journey art, Simon. I've always appreciated how terrific and unusual this series was. How many other comic series before or after explored early American history like Journey? If there are more I'd certainly love to read them.

You are most welcome. Thank you for your appreciation. I suppose the paucity of comics having a similar subject matter can be attributed to the commercial failure of Journey. I vaguely recall Jaxon’s fact-based western comics were set in a similar era but I think they were more nihilistic with not much light relief, and more like what I hear the westerns of Cormac McCarthy are like, not that I have ever read any of his novels.

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