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E DLS UNITED STATES
Member Since March 2005
780 Artworks | Watched by 301

Superyor Komiks Magasin # ? (1969-70), Tales From The Bible, page 3 by Nestor Redondo

Location: The Philippines in Comics
Artists: Nestor Redondo (Penciller) ,  Nestor Redondo (Inker)

162  Views  -  14  Comments  -  11  Likes

Additional Images

Panel 3 detail
Artwork Details
Location: The Philippines in Comics
Title: Superyor Komiks Magasin # ? (1969-70), Tales From The Bible, page 3 by Nestor Redondo*
Artist:  Nestor Redondo (Penciller) ,  Nestor Redondo (Inker)
Media Type: Pen and Ink
Art Type: Interior Page
For Sale Status: NFS
Views: 162
Likes on CAF: 11
Comments: 14
Added to Site: 4/20/2026

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Description

It’s not a Byrne X-Men page.  It’s not a Neal Adams Batman page.  It’s not a BWS Conan page.  And it’s not a Wrightson Swamp Thing page.  But I could argue that there’s just as much beauty and artistic excellence displayed on this page as you would find on any of those cited examples.  This is what Nestor Redondo brought to the table.  This is why, more than 30 years after his passing, collectors and fans are still in awe of his amazing artistry and skill.  And this is why I paid good money for a page that doesn’t feature a single comic book character and that I can’t even read.

Since I’m more than content with the splash I already have in this gallery, I honestly wasn’t looking to add another Redondo example to my Philippine artist collection.  But this one popped up and I fell in love with it immediately.  In hindsight, I probably should have posted this on Easter Sunday, but it got bumped by my Arthur Adams Birthday post.  I suppose I could have done a double posting, but I didn’t want either one to be overshadowed by the other.  So here it is, albeit two weeks late.

This is my second Redondo page from a Philippine published comic.  As of now, I don’t have anything from his American comics work.  But at the same time, both of my pages combined probably cost less than what I might pay for an example from even his lesser US comics work.  And honestly, the only difference between that and this is the language on the page.

Speaking of which.  As you can see, the dialog is fairly dense on this page.  As such, there are probably more word balloons here than there is actual artwork.  But I’d rather spend my time admiring and appreciating what’s ON the page than what could have been.  Sure there could be more actual drawing.  But look at what’s there.  The artwork on these four panels is stunning.  That third panel alone is so exquisitely rendered that it almost brings tears to my eyes (see Additional Images).  The textured layering of folds and wrinkles on his robe, those hands clasped desperately in prayer, the furrowed brow, and that single tear.  If there were three panels of word balloons and just that one panel, I probably still might have gone for this.

At some point, I’d love to get something from his American comics work.  But when you consider that I could buy a dozen of these Philippine pages for the price of the last Swamp Thing page that sold at auction (two dozen for the last Swamp Thing cover), I think the math is too compelling to ignore.  Especially when you look at the quality of the art on this page.  We’ll see what the future holds as I continue to curate my Filipino Artists gallery.  Fingers crossed I can keep finding affordable quality examples that I can continue to share with all of you.  In the meantime, thanks for coming along on this journey. 

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Comments on this Artwork

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Peter Sullivan Member Since 2006
Posted On 4/20/2026

It is true. You do not need to be able to read it. All you need is to understand the language of art and your whole gallery shows your appreciation of art. You have a good eye.

E DLS Member Since 2005
Posted On 4/20/2026

Peter Sullivan wrote:
" It is true. You do not need to be able to read it. All you need is to understand the language of art and your whole gallery shows your appreciation of art. You have a good eye. "

Thank you my friend.  I'd like to think I've learned a thing or two from the 40 plus years that I've been doing this.  Otherwise, it's been a huge waste of time and money.  Ha!

Jim Warden Member Since 2003
Posted On 4/20/2026

Congratulations on a beautifully rendered page; every panel is terrific, but that third panel is a real show-stopper; thank you for highlighting it!

I agree with everything you wrote about Nestor Redondo in your description and he is another one of those artists that many comic artists I know respect highly.  One example that is burned in my memory is how happy Mike Zeck was with the Nestor Redondo inks over his pencils on the comic Solarman # 1.  Mike very rarely kept any of his own artwork, but he did keep a Solarman page soley because of Nestor's lush finishes over Mike's layouts.  If you've not seen it, you can check out the spalsh page from that issue in my CAF; that is currently the only example of Nestor Redondo artwork in my collection, but I am certainly looking to add something that he penciled and inked. 

Congratulations again on a wonderful page!  

Rick W Member Since 2017
Posted On 4/20/2026

Sweet Redondo example! The images say all that is needed!

Kavi H Member Since 2018
Posted On 4/20/2026

Fourpanel perfection from the pen of Redondo! Each panel feels like its own splash even though they are 1/4 the size. Price to art quality ratio can't be debated on examples like this and with the way superhero art prices have been lately I think I'd be inclined to do exactly the same (and I just may!) in looking for an example (I've bid and lost by a mile on his Swamp Thing stuff). Amazing illustrating on full display, congrats!

E DLS Member Since 2005
1    
Posted On 4/20/2026

Kavi H wrote:
" Fourpanel perfection from the pen of Redondo! Each panel feels like its own splash even though they are 1/4 the size. Price to art quality ratio can't be debated on examples like this and with the way superhero art prices have been lately I think I'd be inclined to do exactly the same (and I just may!) in looking for an example (I've bid and lost by a mile on his Swamp Thing stuff). Amazing illustrating on full display, congrats! "

And that's the question, right?  What do you want and what are you paying for?  If you want a nice Redondo example, are you paying for Redondo art or are you paying for Swamp Thing?  Anyway, thanks for the nice comment buddy.

artless artmore Member Since 2013
Posted On 4/20/2026

Great lines in this piece!  

Marcus Wai Member Since 2005
Posted On 4/20/2026

These are more rare as there are plenty with condition issues from humidity.  Well preserved means this piece meant something more to Redondo.

E DLS Member Since 2005
Posted On 4/21/2026

Marcus Wai wrote:
" These are more rare as there are plenty with condition issues from humidity.  Well preserved means this piece meant something more to Redondo. "

Wow, I never even considered that aspect of it.  Granted that even with American comic art, these things were never originally thought of as collectibles or investments.  Just production material, and certainly nothing that needed to be preserved.  And I imagine that was even more so the case with anything produced in the Philippines.  And it’s not just the storage and preservation issue, but how many of these artists who began working in American publications relocated here and what (if anything) they brought with them.  Or did all this material stay in country only to be shipped stateside much later, after the fact.  When the secondary market for original comic art began to take shape.  As far as what these stories meant to him.  Superyor Komiks Magasin was produced by Nestor and his brothers for Nestor Redondo Publications, so yes, I would imagine they might have meant more to him personally. 

Paul Roach Member Since 2014
1    
Posted On 4/21/2026

Marcus Wai wrote:
" These are more rare as there are plenty with condition issues from humidity.  Well preserved means this piece meant something more to Redondo. "

True. And the paper quality itself was very variable for Filipino art. Some of it looks to have all manner of weird fibres in it, and some looks like wallpaper. This paper looks decent quality - another sign perhaps of what the work meant to Redondo.

E DLS Member Since 2005
Posted On 4/21/2026

Paul Roach wrote:
" True. And the paper quality itself was very variable for Filipino art. Some of it looks to have all manner of weird fibres in it, and some looks like wallpaper. This paper looks decent quality - another sign perhaps of what the work meant to Redondo. "

Another great point.  Wow, you and Marcus are making some very interesting observations.  After reading your comment, I had to pull the page out again and study the paper.  Definitely not bristol.  It's thinner and has sort of a slight sheen to it.  But it is in really good shape.  In contrast (and to your point) my Redondo splash page, which is only about a year older than this page, is in pretty bad shape.  I should point out again that these bible stories were produced by Redondo's own publishing company.  So that probably comes into play as well.

Paul Roach Member Since 2014
Posted On 4/21/2026

No question that Redondo was up there with the greats. The faces and folds of clothing here are wonderful.

F M Member Since 2005
Posted On 4/22/2026

Great Redondo page with all the folds and curls you'd expect from him

Ian Saint Member Since 2021
Posted On 4/23/2026

Beautiful artwork indeed. A great addition to the collection. 

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