Being, like most collectors in the hobby, one who pursued his passion of collecting original comic artwork on a fairly strict budget, I had decided virtually from the outset (many years ago) to collect panel pages instead of covers. I have no regrets because I was able – even during period of saner prices earlier on – to collect over a wider spectrum than I would have if I had confined myself to collecting only (or even mainly) covers. And all this notwithstanding the fact that, with the astronomical rise in prices especially over recent years, the prices of significant original cover artwork have shot through the stratosphere. Indeed, so have the corresponding prices of panel pages: hence my absence of general regrets.
However, one specific regret I did have was not availing myself of the saner prices of yesteryear in order to obtain a cover by the King of Comics, Jack Kirby – in particular, of that most famous superhero team which (in collaboration with Stan Lee) resonated strongly with me as a child. I am, of course, referring to the Fantastic Four. Indeed, until the present piece, I did have but one cover by the King – from the first issue of Silver Star during his stint with Pacific Comics. But alas, none from the Fantastic Four – until now.
When this cover came up for auction recently, I wasn’t sure, even then, that I would be able to obtain it. What might have reduced the ultimate price would have been the fact that it was not a cover from the mainstream series itself. Rather, it was a cover for the reprint of Fantastic Four #36, which introduced the infamous counterparts of the Fantastic Four – the Frightful Four (which, incidentally, also introduced Medusa whom we later find out is a member of the royal family of the Inhumans).
However, there were at least a couple of factors that weighed favorably in my at least trying for this cover. The first is that my very second Fantastic Four issue related to the Frightful Four (albeit not their first appearance). The second – already mentioned – is that this particular cover, although by the King, was not from the mainstream series. Nevertheless, given the stratospheric prices nowadays, coupled with the traditionally high prices for covers, I was not very hopeful.
However, as the old saying goes, “You don’t know unless you try.” And so I tried, putting in the highest bid that I was able to afford. To my pleasant surprise, I was successful. And so I have my first – and only – Fantastic Four cover by the great Jack Kirby. This was also drawn in 1970 – more than half a century ago (and when the King was still in his artistic prime). Needless to say, I am really pleased.
Quality wise, although the inking is by John Verpoorten and not Joe Sinnott, this is still a splendid cover. Verpoorten was himself a great inker (and production manager to boot). Unfortunately, he died tragically young at the age of 37. I should add that, although I don’t entirely dislike Colletta’s inking, only his inking on Thor somehow seemed fine to me and so it was a good thing that he did not get to ink this particular cover.
Turning to the cover itself, the image is quite different from that in Fantastic Four #36. Whereas in that issue, the Frightful Four are seen preparing to launch their attack against the Fantastic Four, they are – in this particular cover – actually engaging with them: and then some. All in all, a well designed as well as drawn cover. And also signed by Kirby himself. Whilst the lower right corner image of the Human Torch is a paste-up, it is all original artwork.
A tremendous cover and achievement! I was keeping a close eye on this piece when it was up for auction. So dynamic and in my opinion more interesting than many of the flagship title covers he drew. Well done!
" A tremendous cover and achievement! I was keeping a close eye on this piece when it was up for auction. So dynamic and in my opinion more interesting than many of the flagship title covers he drew. Well done!
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Many thanks, Amir, for your very kind words - and all the more appreciated coming from someone who really knows how to pick covers!
More Marvel Mayhem than the original cover. The King puts the FF in bigger danger than just a group breaking into the Baxter building. Having it smoothed out by Sinnott inks when it wasn't there for the original woudn't have made sense anyways.
" More Marvel Mayhem than the original cover. The King puts the FF in bigger danger than just a group breaking into the Baxter building. Having it smoothed out by Sinnott inks when it wasn't there for the original woudn't have made sense anyways.
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Many thanks, Marcus. So well put as always. As I mentioned, I was, respectfully, just glad it wasn't Vinnie Colletta inks!
Being a fairly strict cover and splash collector, I would put Kirby at (or near) the top of a very, very, short list of artists I would be willing to make panel page exceptions for. I love that, as a panel page guy, you sort of broke the rule in reverse and went after this magnificent cover. I have no doubt it cost you a pretty penny. I also have zero doubt that you had even the slightest bit of doubt and/or regret about your decision. Congrats on your fabulous prize!
" Being a fairly strict cover and splash collector, I would put Kirby at (or near) the top of a very, very, short list of artists I would be willing to make panel page exceptions for. I love that, as a panel page guy, you sort of broke the rule in reverse and went after this magnificent cover. I have no doubt it cost you a pretty penny. I also have zero doubt that you had even the slightest bit of doubt and/or regret about your decision. Congrats on your fabulous prize!
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Many thanks, Eric. And many thanks for putting this in such great perspective. BTW, you are the quintessential example of a collector whose pursuit of covers and splashes is without peer.
" INCREDIBLE cover! Mad props CAB! Wow! Another jewel in your incredible art collection! And agreed on Colletta. He loved Thor which is why those pages are so great!
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Many thanks, Nick. The incredible mix of nostalgia and joy is what this cover epitomizes for me and is the very core of why we all love this hobby. And thank you so much, once again, for contributing to it in your own inimitable way.
Oh man!!! That's a kind of chery on top of your stupendous Jack Kirby collection! What an amazing scene! Superb inteaction scene among many characters. Medusa's hair catching Reed's arm is a delight! Pure Marvel Magic!
" Oh man!!! That's a kind of chery on top of your stupendous Jack Kirby collection! What an amazing scene! Superb inteaction scene among many characters. Medusa's hair catching Reed's arm is a delight! Pure Marvel Magic!
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Many thanks, Tony. Yes, as mentioned, this particular rendition of the cover is so much more dynamic and action packed than the original cover in FF #36 - almost like a one-minute later cover!
" Just a fabulous scene! Love how all the action is choreographed!
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Many thanks, Duke. Yes, I was wondering why Kirby didn't do this cover instead of the more sedate one in the original in FF #36 - this cover is so very much more dynamic and, as you say, choreographed.
" Great pick-up! An amazing cover with all the right elements. Congrats!
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Many thanks, Steve. Yes, the action on this is so much more dynamic and even though it takes place within a small compass, it doesn't appear cluttered at all.
Sincerest congratulations on winning this cover, CAB! While there was a time when these secondary titles offered covers at massive discounts to their counterparts in the regular title, the growth of the hobby has made even the reprint series covers become highly appreciated by collectors. That this one features a dynamic layout with the scene shot from an aerial view up above and looking down at all the action, just adds to the dramatic effect and excitement of having both super teams fighting and intertwined with one another. Verpoorten did indeed do a very commendable job with the inks. A superb cover acquisition overall!
" Sincerest congratulations on winning this cover, CAB! While there was a time when these secondary titles offered covers at massive discounts to their counterparts in the regular title, the growth of the hobby has made even the reprint series covers become highly appreciated by collectors. That this one features a dynamic layout with the scene shot from an aerial view up above and looking down at all the action, just adds to the dramatic effect and excitement of having both super teams fighting and intertwined with one another. Verpoorten did indeed do a very commendable job with the inks. A superb cover acquisition overall!
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Many thanks, Rubén. As always, your comments are so perceptive on so many levels. And I love the very apt description of the battle scene as embodied within the word "intertwined" - it has so many nuances and meanings.
Action packed cover, very Kirbyesque! Excellent choice for a King cover. And agreed about Verpoorten. I liked him a lot on Sal Buscema and John Romita, but he does a great job here. Congrats!
" Action packed cover, very Kirbyesque! Excellent choice for a King cover. And agreed about Verpoorten. I liked him a lot on Sal Buscema and John Romita, but he does a great job here. Congrats!
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Many thanks, Carlo. Yes, Verpoorten left us too early. He was a very accomplished inker indeed.
This is a smorgasbord of characters that make this a classic composition full of action and emotion. Congrats! This period of Kirby's art is too me his best.
" This is a smorgasbord of characters that make this a classic composition full of action and emotion. Congrats! This period of Kirby's art is too me his best.
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Many thanks, Ilia. Yes, there is so much going on and yet, there is a method to the seeming chaos and madness. Only the King could do it!