Artist: Lou Erickson (Penciller)
3 Comments - 111 Views - 0 Like
Artwork Details
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DescriptionMedium: Pen and InkArt Type: Sketch Card (Published Art) Publication: The Atlanta Journal, July 18, 1968, Page 26 Status: Published Art Artist: Lou Erickson (Penciller) Artwork Details This original published editorial cartoon by Lou Erickson appeared in The Atlanta Journal on July 18, 1968 (p. 26). Created during a period of intense political and social upheaval, the cartoon captures Erickson’s sharp wit and Georgia-bred satire. The summer of 1968 saw the aftermath of Robert F. Kennedy’s assassination, heated debates on gun control, widespread fears of global catastrophe, and ideological rifts deepened by the Vietnam War. Anti-communist sentiment remained strong while racial injustice, protests, and distrust of government leadership defined the American mood. Events like the Tet Offensive had eroded confidence in authority, leaving many disillusioned. Erickson’s cartoon reflects this chaos—an allegorical critique of a society spinning out of control, drawn with his characteristic humor and edge. Notes: Includes period editorial marks and caption cues typical of newsroom production. A historically important example of Erickson’s voice during one of America’s most turbulent years. Full publication reference verified via Atlanta Journal archives. Social/Sharing |
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Marcus Wai
Member Since 2005
Posted on 9/3/2025
The talking points of today's propaganda machine go this far back? I guess it's comfort food for the elderly to get the same messages over and over again.
Alan E
Member Since 2025
1 - Posted on 9/3/2025
Marcus Wai wrote:
The talking points of today's propaganda machine go this far back? I guess it's comfort food for the elderly to get the same messages over and over again.
Yep... I also think the title was a reference to It’s a Mad, Mad, Mad, Mad World hit theaters in late 1963
Alan E
Member Since 2025
1 - Posted on 9/3/2025
Alan E wrote:
Yep... I also think the title was a reference to It’s a Mad, Mad, Mad, Mad World hit theaters in late 1963
Erickson’s “Mad, Mad World” cartoon from July 1968 is clearly playing off the movie title It’s a Mad, Mad, Mad, Mad World. By then, the phrase was shorthand for chaos, and Erickson uses it to capture the mess of ’68 — Vietnam, protests, assassinations, political distrust.
What’s interesting is how this overlaps with the mood the John Birch Society was stirring up at the time. They painted everything as proof the country was collapsing under communist plots. Erickson’s cartoon reflects that sense of disorder too, but he turns it into satire — showing how crazy the whole atmosphere had gotten instead of buying into the paranoia.
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