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Dampyr #69 (2006) pages 79-80: The unbroken thread

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Artwork Details
Location: Dampyr #069-70 (2006) ‘Condor’
Title: Dampyr #69 (2006) pages 79-80: The unbroken thread
Artist:  Maurizio Dotti (All)
Media Type: Pen and Ink
Art Type: Interior Page
For Sale Status: NFS
Views: 35
Likes on CAF: 5
Comments: 3
Added to Site: 2/4/2026

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Description

Who is trying to kill Guerrero the reporter, and how is it all connected to the 1973 Chilean coup?

(Guerrero) “But who? I don't know anything. Maybe Alan Rogers?’

(Baldwyn) “He died too, but from cancer, about fifteen years ago. We know the identity of the one who freed you. It was Patricio Sandri.”

“The policeman? He was with me at La Moneda, that September 11th.” (The day of the coup, as depicted at the beginning of this issue.)

(Harlan) “Sandri was playing both sides of the fence, a game that worked for him until yesterday, when the Condor's killers found him.” (Erwin Rogers assassinated Sandri earlier in this issue, before he could talk to Kurjak.)

“The Condor?”

“Do you really not know anything about him, Guerrero?”

“I know as much about Operation Condor as everyone else, nothing more.”

(Tesla) “Both you and the mysterious killer are tied to him. He is the only unbroken thread that connects everyone to those events. Yet you say you know nothing.”

“He sounds sincere. It could be that both we and the Condor have been hunting the wrong man.”

(Harlan) “Perhaps we're wrong, Baldwyn. But not the Condor. Ernesto Guerrero knows something he doesn't realize, and we have to make sure he remembers what it is.”

--------------------------------

While that conversation continues in the back of an RV, Kurjak and Teresa Lopez sit in the cab during the drive:

(Teresa) “We're almost at Vina del Mar.” (“Vineyard of the Sea,” a coastal city 76 miles from Santiago)

(Kurjak) “Getting jumpy, Detective Perez?”

“Get used to calling me Teresa, dear Emil.”

“Oh, right. We have to seem like a couple on a pleasure trip, with our happy little family back in the camper.”

“If we hit a carabinero roadblock, the pretense wouldn't last a single minute, of course. But Baldwyn was right when he said they wouldn't expose themselves like that. If someone is keeping an eye on us, they're doing it discreetly.”

“More than discreetly, I'd say. I don't get the impression that anyone is following us.”

“Your impression is irrelevant, Emil. Only firm facts matter.”

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Member Since: January 2018
Last Login: April 2026
Country: UNITED STATES
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Marcus Wai Member Since 2005
1    
Posted On 2/4/2026

Real dense writing with lots of word balloons.  It looks like the golden age book inb that way, but with a more seriously charged tone with the pressing tone of the political drama.    

Paul Roach Member Since 2014
1    
Posted On 2/4/2026

Yes, lots of story exposition, but Dotti keeps the reader's interest with shifting viewing angles and great expressions. The look of shock in the second panel is a good example, and the the leaning figure in the lower left is another. He's putting a lot of thought into all of these compositions - it's all quite cinematic.

Kavi H Member Since 2018
1    
Posted On 2/4/2026

I usually focus on the darker and broodier elements of things when I look at these pages but instantly when I looked at these to me I thought wow that's a damn nice tree (palm tree?) in that first panel of page 80!