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Brian Coppola UNITED STATES
Member Since March 2009
3455 Artworks | Watched by 75

1944.07.30 “The Girl in Navy Blue” by Frederick (Fred) Otto Seibel

Location: WW2 Era
Artist: Fred Seibel (All)

19  Views  -  3  Comments  -  0  Likes

Artwork Details
Location: WW2 Era
Title: 1944.07.30 “The Girl in Navy Blue” by Frederick (Fred) Otto Seibel*
Artist:  Fred Seibel (All)
Media Type: Pen and Ink
Art Type: Illustration
For Sale Status: NFS
Views: 19
Likes on CAF: 0
Comments: 3
Added to Site: 6/28/2026

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Description

1944.07.30 “The Girl in Navy Blue”
by Frederick (Fred) Otto Seibel (1886 – 1969)
23 x 15 in., ink on paper
Coppola Collection

Frederick Seibel began his career as a cartoonist in 1916 for the Knickerbocker Press in Albany, New York. He moved to Virginia in 1926 to become an editorial cartoonist for the Richmond Times-Dispatch and worked there for over 30 years. Over the course of his career, he did several shows at Metropolitan Museum Of New York, Art Institute of Chicago and Virginia Museum of Fine Arts. Seibel died in 1968 after completing nearly 16,000 cartoons. His most famous cartoon was "Retreat from Moscow," (5 November 1936) depicting presidential candidate Alfred E. Smith as Napoleon after FDR's landslide victory in 1936.

The WAVES were established July 30, 1942. This cartoon appears just days before their second anniversary. The manpower problem was not combat troops alone. It was clerks, technicians, radio operators, intelligence workers, logistics staff, and so on. Every WAVES recruit freed a man for combat. This cartoon reflects a mature stage of women’s wartime propaganda for WW2. 

And the appeal does not come from Uncle Sam, a military officer, or the WAVES woman herself; it comes from the public.

The "Joe Certa" to whom this was dedicated could be a WW2 soldier (I see at least 2 with this name) or perhaps the Certa who would go on to create The Martian Man-Hunter for DC Comics. 

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Member Since: March 2009
Last Login: July 2026
Country: UNITED STATES
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Will K Member Since 2006
Posted On 6/28/2026

A great reminder that women have somehow played a role in every war effort. Also cool to see that the artist passed this piece to Joe Certa. 

Brian Coppola Member Since 2009
Posted On 6/28/2026

Will K wrote:
" A great reminder that women have somehow played a role in every war effort. Also cool to see that the artist passed this piece to Joe Certa.  "

Interesting idea. I came across 2 WW2 soldiers with the name and wondered if they were NOT the recipients because artists so readily included rank in their dedications. 

This would be, by internet reckoning, a couple of years before THAT Joe Certa started his professional career. 

Little is known about the life of Joe Certa, co-creator and longest serving artist of the Martian Manhunter. Certa was born in 1919, educated through the Art Students League, and entered the field in 1946 through Funnies Inc. As part of the comic strip packaging service, Certa's first published work was on titles for Lev Gleason, including the infamous Crime Does Not Pay and Crime and Punishment. For Novelty Press, Certa worked on the strips Bull's-Eye Bill, Target and the Targeteers, The Cadet and Dick Cole, The Wonder Boy. For other publishers, Certa produced work on True Comics, Picture News and more.

The comic book series for which Certa initially made his name were Captain Marvel Jr. (1947-1953,) Joe Palooka (1950-1959,) and The Durango Kid (1950-1952.) 

Certa began his long association with National/DC in 1949 on The Adventures of Alan Ladd, continuing with Captain Compass, Casebook Mystery, Gang Busters, Robotman, and The Phantom Stranger. 

In 1955, Joe Certa began his thirteen year run on DC's Manhunter from Mars, co-creating John Jones/J'onn J'onzz and his entire supporting cast, including Zook, Diane Meade, and Captain Harding. With the exception of Professor Hugo, Certa co-created every noteworthy Martian Manhunter villain of the Silver Age, including Mr. V, Marco Xavier, Vulture and the Diabolu Idol-Head.
 

Will K Member Since 2006
Posted On 6/28/2026

I'd like to think it's "that" Joe Certa.