Ruben DaCollector UNITED STATES
Member Since April 2008
519 Artworks | Watched by 169

Q&A with Ruben DaCollector

Which piece in your gallery is your favorite and why?

I don't have a favourite anything, much less comic art piece. However, my Tom Grummett & Mike Perkins art is what I enjoy the most.

Please tell us a little about yourself.

I'm currently somewhere on the wrong side of 50, married, and have a 15 year old daughter. I've always been interested in the art of comics illustration, and my interests are strongest in mainstream Marvel and DC universe characters and stories. Over the years, as the values of comic art have skyrocketed and have made me feel that the art is no longer worth the money it takes to buy it, I've simply moved on to collecting art from artists, titles and eras that I still love and are still relatively "worth the money it takes to buy it". That is probably the greatest benefit I've gotten out of having such broad interests in characters, artists and titles, as it's the primary reason I've been able to avoid being "priced out" of the market as many collectors have been over the past 15+ years. As soon as whatever I'm collecting at any given moment reaches price values which I no longer find "worth it", I simply move on to something else.

How long have you been collecting comic art and what prompted you to start?

I bought my first piece of original art on 1991, the cover to PMIF #124 by Pollard/Layton, but I've been regularly collecting and dealing comic art since 1997. Like most people in the hobby, the primary thing that prompted me to start collecting and dealing was the advent of the world wide web, which showed me that there was a viable market in which to get involved.

How do you display/store your collection at home?

I keep everything in portfolios, mostly hand held presentation style, such as Itoya and HFP, but also some in carry case style. I do have dozens of pieces of art custom framed and hanging around the house as well, but those are all original painted covers from vintage paperback novels from the 1950's & 1960's, which I also collect and display in a separate CAF gallery listed under "Art, Rubén DaCollector's Paperback".

What are your top five most wanted original pages or commissions?

I don't have a top 5 list, but am always looking for covers & splashes drawn by Tom Grummett, especially from his New Titans, Superboy and Superman runs. Tom is an artist whose style I found to be something of a hybrid between Byrne and Pérez when he first burst onto the scene and his storytelling, figure work and overall draftsmanship are impeccable. So, if anyone out there has any of the work I'm looking for and don't want to risk the downside risk of auctions, please get in touch because I'm a buyer! I'm also happy to trade, if that's your preference. Happy Collecting to Everyone!

Grail

Added to Site: 4/27/2021 Owner : Owner: Ruben DaCollectorPaid Member
HULK #272 COVER- The Holy Grail!
THE. HOLY. GRAIL.

In 1982, I discovered my first comic shop, "EXCALIBUR". I walked in and literally just stood there, jaw agape, and when my eyes finally focused, I was staring at the new comics rack, directly at the cover of Incredible Hulk #272 which I quickly purchased and ran home to read. I first flipped through it, wanting to take in all the mesmerizing imagery, and I vividly remember the sheer TERROR depicted on Banner's face (Page 9, last panel) as he turns around while exploring an empty cabin in the woods and is confronted by the sheer savagery of the Wendigo standing behind him! I could literally FEEL the terror Banner was feeling in that panel at that moment, and I immediately wanted to know the name of the artist. That was the first time I went to the credits to specifically find out the name of the artist who drew the art, in the very first comic I ever bought myself and I've been a fan of our pal Sal ever since.

Inside this story, there is a brief flashback to Wendigo's previous appearance in X-Men #139 & #140. I was suddenly in love with Wolverine and the X-Men as well as Sasquatch and Alpha Flight. The fateful day I stepped foot into "Excalibur" was also the start of a lifelong love affair with the fine art of storytelling with pictures. Although I couldn't have known it back then, I was well on my way towards reaching that day 8 years into the future when I'd purchase my first piece of original comic book art, which would shape a large part of who I'd become for the rest of my life.

Fast forward to April 27th, 2001. By that point I had already known for the 4 years I'd been actively collecting and dealing comic art, that THE HOLY GRAIL for me would be the original cover art to HULK #272. Suffice it to say, that was the day I went to my bank and purchased the Money Order that I then sent to Spencer Beck, who was instrumental in connecting me with Al Milgrom, the artist of this, my HOLY GRAIL. So if you're still reading this and keeping track of the timeline, yes, today is officially the 20th Anniversary of the day I became the owner of this piece, THE HOLY GRAIL of comic book art. For me, this has always been THE ONE. I've never shared this piece publicly, and only at most a handful of art collectors have ever known I own this piece. So, why have I kept it a secret for 2 decades, and why am I sharing it publicly now? There's no single answer to that two part question. But I can tell you that even 20 years ago, the bad habit by collectors of truncating the term "THE HOLY GRAIL" down to simply "grail" and thereby rendering it meaningless and just another word synonymous with "cool" or "great", had already begun in earnest. To me, it's very clear. There is either one single piece of art that you clearly know means more to you to own, far and above ANY other piece you could acquire, or there isn't. If there is a piece like that for you, then it is your HOLY GRAIL. Anything else is just another cool or great piece to own. So I guess a part of the reason I kept this acquisition exclusively to myself, is because I already saw people around me diminishing the meaning of what a HOLY GRAIL is supposed to be, and since that was completely antithetical to what the term HOLY GRAIL means, I didn't want to give anyone the opportunity to "taint" this piece by diminishing its importance TO ME, by casually referring to it as just another "grail". So by keeping it to myself all these years, I've been able to maximize the enjoyment that the piece represents to me. To be clear though, I had always intended to share it in public eventually, I just didn't pick a date for that to happen. I considered finally posting it to my gallery several times over the years, but each time I did, I would get a negative vibe that told me to continue keeping it to myself. Last year, I once again thought about posting it here. But that's when I realized that on this day in 2021, it would be the 20th Anniversary of my having acquired it, so I told myself I'd keep it private for one final year before finally sharing it with other Hulk fans on this anniversary.

Oh, and for those of you who have in the past asked me or wondered why or how I could possibly trade away or sell so many of the great pieces I've owned over the last 2+ decades? I likely gave you a reasonable sounding answer to that question. But the truth is, if you have a HOLY GRAIL in this wonderful comic art hobby and you're fortunate enough to one day acquire it, it really isn't too difficult to part with other pieces. Because after all, if you already own THE HOLY GRAIL, then everything else is, well, just another grail.

NOTE: For those of you interested in owning this, you missed your chance at a measly $5,000,000. Given that the Hulk is at LEAST 100 times more valuable as IP, important and popular around the world, the Milgrom Black Cat Cover that sold for $1,020,000 has now raised the value of this piece to $100,000,000. Bank Transfers only, no PayPal.

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