That's Spidey in all his garish Pop-Art glory. Nice image!

Amazing expressions, and clever use of black areas - clearly confident of how the image would display in production. The composition of the opening panel is just superb. Great page!

Lovely metal effects on the helmet, and the upward glace of the left eye, barely visible, adds appropriately to the sense of mystery of this strange GA character. Nice commission!

It all looks so bright and innocent - until you spot the severed head. That's great fun, with those classic logos and gorgeous colours and poses. Nice piece!

Another great acquisition for the Cheekyjoe collection.

Great story of the cotton ball and inks. (I think my brother has used that technique in some of his work.) A proud and confident pose and great line work. Nice commission!

Nice angle to place Wolverine below Sauron. The lighting is interesting, as the foreground is kept simple black and white - and stark - to contrast agains the grey shadow effects behind. Lovely commission.

Great artistic pairing. Brilliant Colan compositions and storytelling, with amazing faces - all finished with Palmer's sumptuous inks. Great page!

Amazing brushwork, and great effects for the distance mist. Great commission!

Yes, I see the 'ballet' aspect. It's certainly a choreographed fight, and the poses are very fluid. Interesting lighting as well. Nice page!

Great twisted body pose in the opening panel, and wonderful brushwork on the beautiful face in the first panel of the second page. Totti's anatomy is excellent.

I love the slick lines on the smouldering time capsule. That craft is really finished.

Lovely brushwork, and great effects for the clouds. The tight viewing angle in the first panel is very effective and cinematic. Nice page!

Fun sketch! All bets are off for the winner in this contest. Never underestimate an aardvark.

Reads to me as though you're an eloquent storyteller, and that was a sad and bittersweet tale with a happy ending of the art ending up in the right home. Barry does an extraordinary job with the downwards low curve of Ben's mouth, and in that mood you might be happier that he doesn't open it to speak! Nice illo.

A fantastically bestial look, and a lumbering pose. The shading and texture on Hulk's fists is superb.

Great job! Wanda expression is perfect, and so beautifully inked.

Wild and cosmic! The left hand is really great, and there is so much movement here from just a few strokes of the pen. Nice sketch.

Just a few strokes of shading really give form and surface to the face. Very skillful.

Very rich colours, with great highlights on the costumes. Nice commission.

Lovely, detailed piece, with a nice variety of textures for the metal and cloth. Great, sinister pose.

Great, dynamic poses and action from Sal. Nice page!

Great cliffhanger scene.

Brilliantly executed. The Fred knee sguiggles make them look like knee chakras in that pose - the source of Strange's energy.

The wobbly scenery is perfect, and does make it feel a little like a '30s cartoon. Fantastic.

Great fun! I think the 'forgets to buy shampoo' panel is the real winner, here. Excellent.

I've never taken the stat off to look. Perhaps the head was just too small. But after Rick's suggestion, I'm not sure I dare touch it!

:-) Well, I guess it could be psychomagnotheric slime, reacting to Ben's emotions. Or the parasite from Slither. No.. wait... you don't mean... Venom, do you? The stat may already have killed?

A lovely job - especially on Flash's face! Nice pick-up.

Ha ha! Yes, not a great destination there, Peter. "To Acapulco (to Acapulco). That's where they'll find us. In sunny blue waters. Where the sand is warm and friendly.".

Thanks, Michael! I'm glad you explained the confectionary reference, as this Brit wasn't quite there until the last sentence. And I agree - they really were great together.

Classic pose and inscrutable face.Nice sketch!

Dynamic, and really sums up Cyclops from the time. But I agree about the boots. Nice sketch!

A great job, and a wonderful recreation addition to your collection, Toni!

Agreed - dynamic is right! Wild scene, beautifully rendered.

Fantastic image. Grim, dynamic and beautifully rendered.

Great panel design, and a well choreographed fight. Nice page!

The King! Just the angle of the boat, some lovely water effects and the movement in Kamandi's hair is enough to create a real sense of excitement. I only have to see an image like this to want to turn the page. Fabulous.

Superb! Aparo evidently loved doing that run, and put in his best work. The range of techiques, the playfulness with the panel in the top tier, the fantastic poses - it is all perfect. Like you, I was shocked when I read these stories as a child. I have been trying to get a page for many years, with no success - so congrats for getting this!

Some lovely techniques on display. The expression is perfect, and the level of detail on the face is amazing. The loose brushwork on the clothing is very different, but so effective. The restricted colour palette works so well here. Great image!

Stoic! It's as if he is saying "Come on, try to get past me". Which would work well, as long as Thor isn't facing off against the Destroyer or Magog. Ao has portrayed the hammer as one that really couldn't be lifted by anyone else. Lovely background depiction as well, and great colours.

Nice, dynamic Baikie image. A fun piece.

Great colours, perfect for reproduction in that comic. The vehicles are absolutely wild in design and the pace is high tempo. Nice page.

Dense, rich colours, a perfect pose and a great image.

I love the language used - everyone is always a 'jasper', and in the time it takes to say 'slap leather' you'd be shot. A classic Marvel western sequence, and the squaring-off scene is great fun.

Lovely story. Those are the events that make collecting so exciting - the memory of one, and the dream of another. I'm sure you would raise a gambling analogy at that juncture. But many congratulations for this one. There must be a proverb: May all your auctions remain 'sensible'.

Nice description of his craft. Yes, form emerging from a mass of lines, almost like a sculptor deciding on the form as stone is cut away and texture emerges.

Great choice of a Fred sketch!

'Classic Staton lines' indeed. Fluid movement and great storytelling, and those wonderful McLaughlin inks too. Nice pick-up!

Well, that's a beautiful pick-up! Gorgeous lines, and even the looser parts like the hands convey so much form. Fabulous.