Absolutely fantastic cover! There's so much going on there. McMahon always knew how to grab attention.

Incredible page! It's just so bold. The wild lettering accentuates how crowded Grundy appears in the page, barely capable of being contained within the borders. Fantastic design, wonderfully executed.

Great Sal storytelling, paired with crisp, clever inks from Palmer. Goofy is right, but the sequence really works and draws the reader in.

The King! A great sequence. The joy on Johnny's face is contrasted brilliantly with the strain on Ben's. Does nobody ever learn not to try to break the Surfer's board? Fabulous.

A nice page in the story of Korvac. The pairing of Sal and Klaus was always a joy, and this page is really dynamic.

Sal's inks on Barry Smith were always fantastic. That's a brilliant sequence, with such pleasing linework. Lovely page!

Fantastic, action-packed page! Lovely work from Sal, with beautifully glossy, slick inks from Joe. 

Great title splash! Loads of action. It's the sort of opener that really makes you want to read the whole story. A superb job from Sal.

The King! A classic bit of Marvel history. Hard not to be excited at seeing the Surfer fly off in the opening panel...

Nice page. Thats a great example of Sal's work at that time. Lovely storytelling.

A brillinat page! Great work from Sal, in conveying danger at every turn. Action packed and exciting.

The King! Yes, panel three is a delight, and gave Kirby plenty of space to let his imagination run wild. Great creativity and lovely, polished inks. Nice page.

The King! The four panel layouts that Kirby was so fond of at that time really give him the space to produce truly epic vignettes. The grandeur and pomp of Asgard is really on display here. Everett's polished inks add to the joy of this fabulous page.

The King! Kirby always had a great sense of fun. So nice to see those pencils.  Nice page!

The King! Classic. Nice early page.

The King! Yes, the first and last panels are incredible. Placing Klaw in shadow in the second panel, and then crowding the figures into the third, conveys a sense of the menace of the nefarious villain.

The King! What a great example of Kirby's collage and assembly of materials. A truly dynamic cover.

The King! The last panel is so clever, and vertiginous. Kirby was a master of space and viewpoint.

The King! Wow, what an incredible page from the early days of Marvel!  Kirby masterfully related the story through depicting the most menacing eyes in comic book history. Magnificent!

The King! A glorious page. I love the angle for the third panel, showinig Infinity Man dragging himself off the ground. Such a shame the run was ended.

The King! 'Wonder' is right. His love of archaeology and ancient civilisations really comes  out. There is an epic scale to this page. Congrats!

The King! A wonderful piece of Marvel history, the figures are so dynamic - theatrically so - lending the page an epic sense of drama. Fabulous!

The King! Nice comedy page. I love the crowded second panel, with the sideways glance from Flipper Dipper, checking for trouble. 

The King! Glorious art, and such a clever sequence. There is a great sense of menace and urgency conveyed. A real page turner.

The King! A historic page, and a great sequence.

The King! Great final page. The figure of Kang is superb.

Peter, that's terrible. But I like it.

The King! Stunning page! Nice, crisp inks from Colletta. The central panel is superb, as is the close-up in the next panel. Glorious. Congrats!

The King! The top panel, crowded with machinery, is a treat. Great to get a signature on there too.

Nice story page, with a trademark Sal 3 character panel sequence in the top tier. Great storyline with fantastic dialogue here.

Wow, major congrats Kirk, you deserve it. That really is a stunning cover. It brings to me back how excited I was to pick up that comic at the time, while on a seaside holiday. I can practically smell the sea. The combination of Kane and Romita is superb, as you say. It really is dynamic, and sums up everything Marvel was about in the '70s. Fabulous!

Nice page with a classic character. The second panel is great, and so characteristic of Herb in that period.

Wow, this page has it all. To have a page with the Headmen and Nebulon on is a real treat. That was a superb issue, from the best run of all time. Big congrats!

Nice page. It was great to see Gentleman Jim return to ink Sal on the Defenders. It was a typically odd storyline, befitting the title, and the spectacle of the superheroes arguing with a member of the public was a delight.

Nice recreation! Rubinstein captures a lot of Palmer's linework, particularly the figure in the foreground. That's a lovely piece to own.

That's an amazing page! It is so rare to get a page with Man-thing in so many panels, and it is rare to find that in a Ploog page. So this is a rare, rare thing, man. Superb.

That was a superb issue. Sal's pencils often suited Filipino inks, like with Steve Gan in Skull the Slayer. The raw savagery of the Hulk really comes across, and the explosive third panel is exceptional. Fabulous page.

The King! Gorgeous lines. Everett was incredible on Kirby. Nice page.

Lovely sketch from a wonderful artist. Fabulously rich lines.

Nice commission! That's a lot of fun, and a really dynamic piece.

Amazing! Joe's inks were always so good on Sal's fabulous pencils. Great page!

Lovely story page. Bereet's wistful, other worldly gaze in the final panel is excellent.

Wild action from Andru. The fourth panel is fantastic, but Andru's depiction of Spider-Man's super flexible body, heading feet-first through the window, is a real treat. So dynamic. Nice page!

Great commision! So evocative of the original encounter. I love the use of white on Man-thing's face to convey the glistening of the wet bog.

A classic cover, so early in the history of US comics. It is incredible that it survived. Thanks for sharing it.

Fantastic cover! Fabulously rich, clean lines from Oksner. It has everything that was great about that series.

Fabulous image, Joe. Great to see Spikes Harvey Rotten and the Gronk sneak in there as well. Oh, my poor heartses.

Stunning Sutton artwork! The fluid shadows in the opening panel are fabulous, but the gruesome fight scene in the centre of the page steals the show. It looks like Morbius' right foot is punching right through the assailant's body. Lovely horror page by a real master.

Great page! The shot of Namor in the third panel brings out his imperious and rageful nature, and the contract of triumphant Llyra in he next panel is fantastic.

Joe's inks are always a delight on Sal's wondeful pencils. Great cliffhanger page!