This looks great. The flowing lines make this a very dynamic piece. How did you come by this art?

Amazing work. Very beautiful...and haunting at the same time. What is incomprehensible is that Artem created this art while living in the war zone. Can you share a link that allows to get in touch with Artem?

Looking at the color and how it matches purfectly to the color on the printed cover, and thinking about the printing processes used for the Baxter books back in the 1980s, I think this is actually THE painted color for the cover used for the "blueline" method. I think all you are missing is the acetate sheet in black and white overlay. Does the paint look/feel like wtercolor?

Given the Scottish bonnet and the eclectic clothing style, it sure looks like a piece of artwork intended for Iron Wolf, but the dragon in the background doesn't really fit into what Chaykin set up for the world of Galaktika...but who knows what he had planed for future chapters? One thing for sure about Chaykin, he always had a lot of surprises. In any case, great composition and real nice structure to the figures. Congratulations.

The storytelling is great. The bottom two panels are amazingly simple and amazingly innovative. I love how space trvel is depicted at the bottom.

Apart from Gil Kane, I think this whole story also shows a very strong Alex Toth influence. The design, the spotting of the solid blacks. Just beautiful!

Wonderful page, love the last panel with Doctor Stange meditating. Would have been a wonderful graphic novel...what a shame it never materialized!

A wonderful page that is a great example of an excellent series. I loved this book, because of a fresh take on superheroes, but also because of Willingham's artwork. His drawing has always been very unique, and early on had a cool Michael Golden vibe that was very appealing. Great example of storytelling in the bottom 3 panels. I also really like how he spotted the black areas, creating strong compositions and solid figures.

Excellent work! Makes me want to read the book!

Recently I bought and read Tom Sutton's reprint collection "Tom Sutton's Creepy Things" and fell in love with his imaginative artwork and wild storytelling. Before that, I was only familiar with Sutton through his fill-in Doctor Strange issues, and I never realized how prolific he was. This page reminds me of the mind bending layouts that Alex Nino did for DC horror books. Love all the attention to detail in the inking!

Always appreciated Barreto's artwork and simply loved his run on The Shadow for DC. This is a great example of his excellent storytelling skills and shows his versitility at drawing everything from wonderful face expressions to horses. Great pick-up!

Beautifully rendered!

The artwork is great and it is wonderful to see Batman as drawn by Guice. Your research really contributed to making this piece stand out and I loved reading the back story of this artwork. I first encountered Guice's work on Megaton #1 back in 1981 and it was pretty clear that he was going to go on to became an awesome comic's creator. Congratulations!

This was my very first exposure to Keith Giffen's art and I LOVED IT. It was unique and graphic and totally different from anything else that Marvel was printing. Looking at it now, 40 years later, it is s till unique and powerful and has not dated at all. If I saw a splash page like that today, I would totally buy the book to see what the story is about. Great composition that shows Girren as the master storyteller that he is.

Nice recreation of a classic cover (and a rare example of Steve Ditko doing sword and sorcery). It looks like a very beautiful and faithful recreation of f the original, which was definitely done with color in mind (color would add more depth by making the shadows darker). It would be interesting to see another take on this cover, done as a straight-up black and white piece, maybe making the shadows solid black (thus making Stalker almost coming forward out of the darkness). 

I just read the omnibus collection of Byrne's Generations and what a fun series it turned out to be! The story was fun and imaginative and the art was excellent. This was one of the pages that stood out ifor me n the first storyarc. The storytelling is solid and Byrne manages to draw A LOT of detail, without making it look busy. Love his take on Alfred. Great action pose, it really feels like Robin is flying through the air. Congrats.

Great storytelling throughout the page. Love the bottom half with open border panel and 2 inserts. Great flow and some awesome shots of Batman. It is also real fun to see Risso use inkwash and white paint. Great pick-up!

Fun page with great cartooning! DeCarlo makes it all look so effortless...a sign of an accomplished artist. The Disco Outfit is my favorite!

I was not familiar with the artist until just now, but this is an outstanding page. The drawing style reminds me a little bit of Bill Willingham, a little bit of John Byrne...but it is unique in itself. The artist did a great job drawing "perid" costumes. Excellent page with some nice storytelling!

I have contacted Trevor Von Eeden a few years ago via his Facebook page and during our exchange asked him about this particular story. At the time he couldn't remember anything about the story or come it came to be on veluum :(

I am always on a look out for David Willaims' artwork. Not only does he have a wonderful style that combines something very cartoony with something very realistic, but he also has a great sense of humor that adds life to everyone of his illustrations. He is also a natural storyteller and all of his sequential work has great flow. Congratulations on a great cover of the Dymanic Duo and a historic piece of comic book community in the Bay Area (miss Oakland WonderCons)!

A great page from a great storyline! Love the composition. I also really liked the inking in this issue, even though I usually prefer to see artists ink themselves, in this case it was a perfect art team for this book. Congratulations!

Great action page by Apthorp. I think because he didn't do too many comics, he doesn't get enough recognition for his clean, almost Russ Manning/Andrew Loomis, style. I always thought his storytelling and artwork on the Batman stories were spot on. Congratulations on a very nice page! 

Great pose, very dynamic.

That signature, looks a lot like Damion Scott (a circle with what appears to be an "H" or an "A").

The first time I saw this story, "Reunion", I was blown away. I have never heard of Phil Hale before this, and I remember thinking: :This artist paints in the same style that Whrightson inks!". The drawing is amazing and the paint application is intricate. Goodwin helped making the story interesting to read, but the art is the "star" here. That is just a wonderful piece of comic book art.

Great storytelling and wonderful rendering throughout the page. Looking at this page, is like looking at a sheet of music, every tier of panels picks up the rhythm .

Congratulations on a great addition to your collection. I remember when the portfolio came out and just how blown away I was by the cover. I plunked my $10 down and brought the portfolio home. I was shocked when I opened the envelope and discovered that the plates inside were done in a different style (less rendering, more contrast). At first I was very disappointed, but as time went on, and I kept looking at the art, I kept appreciating the individual plates more and more. Now, it is one of my favorite Michael Golden gems and this particular plate (along with The Ancient One) is my favorite piece in the portfolio. How big is the original art?

You got both the writer and the artist to collaborate on a sketch. That is a very cool idea, I am surprised more people haven't thought of doing that!

What a great page! Panels 2-7 are fantastic (and that panel 6 is THE shot of Batman!). Congratulations.

Great sketch, with a nice thoughtout placements of blacks. This would look awesome inked!

A great cover. Wonderful composition and detail. I also loved the color on the printed version. Very eye catching! Congratulations!

Ofcourse I respect the info given to you by Golden's rep, but something doesn't seem right to me. There are some very "Michael Golden" elements on this page that jump out at me (such as the composition of panel 2 and the rendering of faces in panel 2 and panel 3, as well as the writing on the top of the page that looks very much like the style of lettering that Golden uses to identify his other artwork). There are some faces and folds in the bottom panel that sort-of/kind-of match Golden's style as well...it might be that Rick M. matched Golden's style perfectly (but if he could do that, I am surprised he hasn't made a career out of it!), or it might be that he was working off Mr. Golden's loose layouts. Either way, it is a cool page!

Great composition with a lot of movement and  an amazing amount of detail for a preliminary drawings (just look at all those wrinkles on the sleeves, only Wrightson could have done that!). I remember buying that comics book, just for the cover!

What a great 5 page sequence! Wonderful storytelling throughout and awesome rendering as only Paul Smith can do. This is a great spin on the OA collecting, congrants on coming up with that idea and seeing it through.

Great page that really shows why Giffen was a breath of fresh air when he started doing comics. Loved the last 3 Claw books (inked by Celardo and Layton), thought they were great sword and sorcery issues.

Fantastic page from a great issue. Real nice storytelling throughout!

Wow, wonderful storytelling AND rendering. Love all the hand lettered sound effects. Great page!

Great page!

Excellent composition! I have always been a fan of Luke and this piece perfectly shows why!

Very nice! Love the rendering and storytelling!

Great to see more Leif Jones' work on the site! I have always thought his work is very innovative and just perfectly executed. He has done a good number of illustrations for Role Playing Games, but it is too bad he hasn't done as many comics. He always came up with great layouts, making his storytelling fun and exciting. Congratulations on the addition to your collection!

Why are there 3 different head pieces? Different facial expressions?

Can't wait to see what you are going to do on 2026-09-20! :) Health and Happiness!

I loved that issue of Kull with short stories by a lot of talented artists. The Guice story really stuck in my mind as being one of the best. This is great page. Just love how "brutish" the king looks in panel 3.