2140 Results ( 1 through 50 shown)
This is such a cool piece. That first panel is dynamite. You are so lucky to have it. A robot armed with pepper spray. The King at his best!!
So true. I know Vince was a master of getting things done on time, but the figures would have lost a lot of their weight and fullness without Joe.
I found it. This is the cinematic principle Nasser was following:
"Don't cross the line" refers to the 180-Degree Rule, a fundamental filmmaking principle for maintaining spatial consistency. It dictates that an imaginary axis exists between two characters (or subjects) in a scene, and the camera must remain on one side of this line to keep their relative positions and eyelines consistent.
Key Aspects of the 180-Degree Rule:
To maintain continuity, all cameras should stay within the 180-degree arc on one side of this axis.
I know. It's confusing at first, then you realize it follows the position of Batman's body from the panel above. The weight's stay on the same side of the page, and his motion flows up as it would with the viewer remaining on the same side of the action. Very cinematic.
I remember this book. I loved it. Always a BIG Nasser fan. I have to admit, it was likely because I was a big Adams' fan as well. I loved everyone who drew in that style. It was just so amazing. Anyway, the character was 8 years away from being created, but it strikes me that Batman's face in panel two looks a lot like The Tick!
Sinnott, to me, was always the best inker for The Thing. He was the best at delineating the planes of his rockiness, and creating depth and form with his shading.
PS - This is a great drawing, by the way. She reminds me of Annabella Lwin from Bow Wow Wow. That is a good thing...
I knew Storm's powers included flashing, but I didn't realize it was this type of flashing!
I have to admit, Ulik does seem out of control. This is one of the more powerful Thor pages I've seen.
Congrats on getting this baby!
Super Fly Freddie!
It's no more degrading than what the mechanic wanted in payment. This does answer my childhood questions about how the gang could afford to wander around the country with no obvious means of employment.
These Battlestar Galactica Marvel covers just jumped out and smacked you right in the face! How cool is this freakin' cover. Congratulations, my friend. Congratulations.
What a page from what a book! Think about this, Golden Heavyweight Joe Kubert drew the cover for Golden Age Heavyweight Jack Kirby doing the interiors.
My favorite panel is #5. The birds!!
Oh, no, Steve. I was being facetious. There's enough action is this cover for three books!
History shows us he was the master of "Your shoe's untied!" - BANG! Of course, that could be apocryphal.
Either way, this is a great image! I love the colors.
I really do feel Tom Palmer had the best feel for Gene's intent. This is a terrific example.
"... Wesley's hat in panel three seems wedged down pretty far."
That's what comes from buying off the rack.
I love this art. Fine, clean lines and wonderful graphic choices. The first panel is classic.
You should have seen Jack's original cover concept before they asked him to "Tone it down a bit."
It's always great to see someone get a piece like this from their childhood. Congratulations!
How Dick ever lived to become Nightwing is beyond me. On the next page, he'd be tied to some devilishly clever device waiting for an hourglass to run down...
Uber-Classic Byrne Batman page. Love the smiles!
Heroes on the half-shell!! This is very special indeed. Congratulations.
"
How’s youse gonna hurt Piledriver, huh?" Man! I love Marvel dialog from that era. They were so hep with that street jive-talk!
Totally on board with the analysis of John's artwork maturing in this series. This page is a beautiful example. Congratulations!!
What I would have given to have that central panel blown up to wall-sized banner for my dorm room. I would have been the envy of the campus back in 1983.
The whole page is awesome, but it is MOST awesome!
Great to see this. Scripts are what I have been collecting the last few years. I've been wanting to post some, as I consider them a true art form, and now you have given me the courage to do so! Over the weekend I will put some up.
Congrats on getting this one. Some great signatures on there!
I always wondered what guys like Paul Newman did for extra money while they waited for their movie careers to take off!
I love the red gutters-in-the-gutters graphic device. Gold Key did some really cool stuff. This is a great page from a classic series! Congratulations.
I can't think of a better way to cushion the blow of running into Power Girl. My favorite part is actually the trashmen in the first panel. Cool page.
Beautiful page, cleverly signed by Mr. Vosburg.
HaHa! The Continuity covers all put me off. I'm really glad now!
The only books I bought were Ms Mystic 1 and 2 and Skateman #1.
This is a cool picture. I wasn't aware of the conflict until now, so I looked it up. Woof! Neal accused Mike of crying at his door, harassing his family and said he’d never let him near 'he and his again.'
Again, Woof!
It certainly was Vampirella #49. It was the last story in the magazine, and I found a full PDF upload of it on archive.org! It is a great piece of work. Congratulations on owning it!
If I had a million dollars to spare, you'd have a decision to make. This is just beautiful. I can't read to text at the bottom of each page. What does it say?
Pieces like this are the nuts and bolts of the business. I love it.
I look at every Drew Struzan piece. His comps are even terrific. Really cool backstory about how the movie changed.
Classic Morrow cover that pulled a comic book across the divide into pulp territory!
Awesome commission, and reminds me of this classic clip. Feel free to skip to the 3:40 mark: Robin in Peril #39
The first two 'real' books in my collection were Phantom Stranger vol 2 #1 and Mister Miracle #1. You couldn't really pick two more polar opposite books. Kirby Gigantism and The Phantom Stranger Mystic. I loved them both, but the coolness of the Phantom Stranger really hooked me. That giant molten hand coming out of, whatever that was, and the ghostly green figure behind the Yellow Claw-ish character kept me staring at that cover for hours. The way Gerry has The Phantom 'fade in' in the first panel is so perfect. That was what it was all about. You're lucky to have grabbed these Talaoc gems.
Ditto, Dan. I, too, would never be able to make the trip, so I truly appreciate you sharing this wonderful experience. Ray was a veritable giant / pioneer in the world of movie animation. I really would love to have seen what The Giant Claw might have been, had he not turned it down.
This is fantastic. Gerry's amazing detail makes me tingle all over. I owned a lot of the old Tales of the Unexpected / The Unexpected books. I'll never forget The Night I Watched Myself Die, in the first The Unexpected book. They were great!
Geof sure has a 'flare' for Dazzler. She's stunning.
I'll bet you had your eye out for this one for a while! At least somebody did.
Your Virgil Finlay collection is beautiful.
