Artists: Al Williamson (Penciller) , Frank Frazetta (Inker)
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Artwork Details
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DescriptionI have always loved anything connected to literary legend, Ray Bradbury. The guy is like Ray Harryhausen or Forrest J. Ackerman, Bradbury has contributed more to the world of sci-fi and horror than we will ever know. Plenty of artists have adapted Bradbury's stories throughout the years, but nobody does it better than Mr. "sci-fi" himself, Al Williamson. Williamson went on to become the premiere artist of sci-fi and even drew the star wars strip for a couple of years. Dave Stevens worked under Williamson for a while on a few projects. Al Williamson has always been on my top five "want list", but I could never find the right piece at the right price. This is where my number one artist of all time comes into play, Frank Frazetta. Ever since my 2005 trip to the Frazetta Museum (RIP) in East Stroudsburg, PA, I have been haunted by those beautiful pen & ink pages that graced the walls. Even though I scored a nude doodle from '53, it was always in the back of my mind, "How can I ever afford a honest to goodness Frazetta page?" Well let's just say this is another fine example of "it never hurts to ask". This page has it all and then some. Let me tell you, this page is HUGE! There wasn't a standard page size back in those days so artists usually used larger layouts as this one measures at 15 by 20. All the glorious subtleties and even Williamson's unerased pencils can be found throughout the page. Legend has it, Williamson was scared to go near ink at this early point in his career so there may be more Frazetta here than meets the eye. I'm guessing all the faces were drawn by Frazetta as it is his style. The background shots with the mountains and tribe members show this wasn't a period when Frazetta was cutting corners, everything is inked in his lush, beautiful rendering. I've actually been told by an extremely close source to Frazetta that pages like these may contain more than 80% of Frank's work.I cannot express how happy I am with this trade and I can finally say, "I have reached my number one goal." I have to keep reminding myself this page is over "60" years old!!! Released on MAY 1, 1951 by Toby Press. This scan doesn't do this page any justice, the detail is fantastic. You can begin to see Frazetta's style take shape in the top panel side profiles as well as the beautiful fine line work of Bananza (middle and last panel). Those gorgeous, feathery brush strokes have Frank written all over them;) John Wayne Adventure Comics # 8 was the last issue in the series that Williamson and Frazetta worked on together and you can really see a huge difference stylewise compared to some of the earlier installments. This is by far - the most precious piece in my collection...well, this and CREATURE COMFORT by BUDD. A lot of "new" artists come and go, but trust me, in 500 years people will still be discussing FRAZETTA! There will never be another Frank Frazetta, period! According to an interview with Frank Frazetta published in "The Art of Al Williamson" (1983), Frazetta states "...I think the first stuff we did together was the JOHN WAYNE stuff." How cool is that? LIFE IS SHORT, GRAB THAT FRAZETTA! Excerpt from Rarebit.org: ------------------------------------------------- "Not only did he continue working for Standard’s humor and adventure titles, D.S. Publishing offered him a seven page story in OUTLAW # 9. This was the first of many western stories Frazetta would eventually do. The publishing company Magazine Entertainment contacted Frank to help on their A-1 line of books. The popularity of TRAIL COLT, Frazetta’s first work for A-1, quickly led to the production of another A-1 western title, THE DURANGO KID. This book introduced Dan Brand “The White Indian” and Tipi his Indian sidekick. It continued well into 1952 with sixteen issues. This particular run of stories best illustrates the growing development of Frazetta’s early drawing style. By early 1950 Frank was doing stuff for such companies as D.C.’s ADVENTURE COMICS, Toby Press’ JOHN WAYNE ADVENTURE (with Al Williamson), and E.C.’s sci-fi title WEIRD FANTASY (also with Williamson). By 1951 the anthropomorphic work had completely disappeared from his schedule. Still, his production output in 1951 easily matched that of 1950 because he continued to supply art for some of the industry’s leading publications. Taken from Frazetta Girls’s website: “ Among his other early assignments was the story, “Why They Call Them Mavericks” for Western Fighters #11, one of many westerns Frank would illustrate over the years, but significant because it was the first time he collaborated with a very young Al Williamson, with whom he would do some of his best and most fondly-remembered comic book stories, particularly for EC Comics from 1952-1953. Frazetta and Williamson would go on to draw around 90 pages of material for John Wayne Adventure Comics and Billy the Kid for Toby Press.” Social/Sharing |
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Roger K.
Member Since 2005
Forum Moderator
Posted on 3/9/2011
Congrats, Robbie! I hated to let it go, but I love that it's gone to somebody who really appreciates it. I think you're right in that most of the faces are Frank (especially Bonanza's). I see him experimenting and having some fun here with his inking--some of it works better than others--but it's really a pleasure to look it over and try and imagine his thought process as he worked the page.
Anthony F
Member Since 2004
Posted on 3/9/2011
Look at the Duke! By Frazetta and Williamson, wow - what a glorious over-sized page, with gen-u-wine Frazetta inking! Huge congratulations to you Robbie!
The Comic Coffin™
Member Since 2007
Posted on 3/11/2011
You have a really fine early Williamson/Frazetta page here. I love the inking on this. Congrats on obtaining such a nice example.
Robbie Cook
Member Since 2006
Posted on 3/12/2011
Thank you, gentlemen, for all of your wonderful comments. Posting my collection on this site has been one of the best things I've ever done. This week has been certainly one to remember! I think my knees are still shaking ; ) My wife says I've been like a kid in a candy store. This is by far, the best piece in my collection and I am extremely BLESSED! You guys rock!
Jim Warden
Member Since 2003
Posted on 11/4/2012
Congratulations on a terrific page by two true masters!
artless artmore
Member Since 2013
Posted on 5/15/2014
What a great example of Frazetta and Williamson's collaborations! Wayne's likeness is perfectly captured in the bottom panels and the brushwork is masterful throughout
gPrez ***
Member Since 2021
Posted on 12/11/2022
Robbie, agree! such a nice page! This story is my second favorite of Frank and Al's run (next to "Panther Man.") His Western stuff is so underrated!
Your info on the background is awesome, thanks for taking the time to provide the detail!
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