Artists: Frank Hampson (All) , Don Harley (All)
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Artwork Details
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DescriptionA quick note on attribution for this cover given the collaborative nature of the artists that comprised the Hampson studio. The first panel is by Frank Hampson, with all art underneath by Don Harley.A further note - surviving (intact) pages of original art from this storyline are thin on the ground as much of the Rogue Planet story art was cut-apart (cannibalized) and re-formatted/re-sized for a later 1960's reprint when Eagle magazine had changed in size. This example also has hand-lettering in the opening panel - which is another rarity and seldom seen. This all may sound like I know what I am talking about, but this information comes from Dan Dare expert Terry Doyle. A huge ‘thank you’ to Terry Doyle for introducing me to the world of Dan Dare. Now for a little history. Frank Hampson lived from 1918 – 1985. From the ages of 32 to 44, he created, together with a team of professionally trained artists, 1,000 pages of Dan Dare: Pilot of the Future and another strip, The Road of Courage. As a teenager, he was introduced by an uncle to the U.S. phenomenon of the ‘funny papers’ (his early influences include Chester Gould’s Dick Tracy, Milton Caniff’s Terry & the Pirates and Alex Raymond’s Flash Gordon. His love of the funny papers notwithstanding, early on Hampson thought of himself as a fashion illustrator, leaving for London in 1949 to break into fashion magazines and advertising. But, he found his artistic voice with strip art & the creation of Dan Dare. As he would put it - ‘the inter-relation between picture and word seems delightful and natural to me.’ It must have – he left in 1949 with the intent of breaking into fashion illustration…and the first Dan Dare would appear in April of 1950. Hampson was a man of strong principles and a work ethic second to none. As an artist, he drove the effort to distinguish the strip from competitors of the day whose work was largely characterized by panels of the same size, black & white art on cheap paper and stories that lacked depth and character. He would present changing frame sizes, perspective and dynamic use of light, shade & coloring in every page of Dan Dare his studio produced. Hampson would set his stories in the 1990’s and mostly on the planets of our solar system – all at a time when the space probes of the 1960’s that would prove all other worlds were lifeless had yet to be launched. So, even though Hampson had a fairly decent command of cosmology, he was not burdened nor limited by what we know of our solar system today. Rather, he could send his protagonist out to explore worlds as he envisioned them. He started them in a fully visualized 21st century Earth – and then shot them across space. As important as the character was, so was the setting. It’s late 1949 when Hampson was developing the concept – and England had obviously just come off a brutal war. Dan Dare is set in the future where war no longer exists, leaders are men of character and human beings are stretching their wings technologically and exploring other planets. It took the view of the reader forward and focused on what we could become, not what we had been. It’s no accident that, against the backdrop of readers still living on food rations after the second world war, the first story found the Earth in the middle of a food crisis, with the launch of a desperate mission to reach Venus and salvation. Like all great storytellers, Hampson had a keen sense of the times within which he wrote. He knew what his readers wanted – and he gave it to them. In coming years, the influence that the strip had on its targeted audience became very clear – in the world of comics, young English men exposed to the strip as youngsters would grow into modern comic art greats (creators such as Dave Gibbons, Brian Bolland, John Byrne, Bryan Talbot, Chris Claremont, David Lloyd and Garry Leach) and all consider him influential on their work. And the strips impact on young Brits was not just confined to artists and comics. In the world of music, Dan Dare was written into songs by artists such David Bowie, Elton John and Pink Floyd founder, Syd Barrett. And in what has to be the most obvious of inspirations, Stephen Hawking, theoretical physicist, cosmologist and Director of Research at the Center for Theoretical Cosmology within the University of Cambridge (and who was ~ 8 ½ when the first issue was released), when asked how Dan Dare had influenced him, answered ‘Why am I in cosmology?’ Wow. Social/Sharing |
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Marcus Wai
Member Since 2005
1 - Posted on 2/27/2025
From the ship design to the tense drama, every panel took an extraordinary amount of skill to have the imaginative fantasy shown as if they were realistic situations of adventure.
Aaron N.
Member Since 2009
2 - Posted on 2/27/2025
Fantastic stuff! These originals are so meticulously finished--the only US corollary I can think of is, (gulp)...Little Annie Fanny...
Peter Sullivan
Member Since 2006
2 - Posted on 3/3/2025
Aaron N. wrote:
Fantastic stuff! These originals are so meticulously finished--the only US corollary I can think of is, (gulp)...Little Annie Fanny...
There is less Fanny action in Dan Dare, though there is a Peabody on view occasionally. I have just made a witty comment that only someone who read the stories can appreciate.
Peter Sullivan
Member Since 2006
1 - Posted on 3/3/2025
One panel Hampson and some wonderful Harley. Not bad.
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