Fabulous. I remember how excited I was reading that as a child, genuinely unsure as to whether Dan would survive. The swirling, cosmic explosion is mesmerizing.

A brilliantly violent scene from Massimo. Characters never lasted long on the pages he drew - another few spaceships gone. Great action, and wonderful detail. The brushwork technique he shows on the planet is extraordinary.

Fantastic alien form! Nobody was going to win those Galactic Groats while Massimo was on the scene.

Stunning! That's a really early 2000AD page, showing that Belardinelli really did arrive with a bang. The detail is amazing, and the acid jets were right up his street, allowing him to show off his technique on organic alien forms. Amazing!

Great scene from Massimo! Lovely artwork.

Great battle scene, with a lovely sense of perspective.

Nice action page! The depiction of Batgirl in the opening panel really shows the movement Sekowsky achieved in his pages, and the lovely, crisp inks of Greene.

Great perspective on the opening panel, crowding the faces around and putting the reader in the position of the corpse/dreamer, looking up. Nice trick in a horror tale.

Nice page! The strange panel border shapes add to the main character's disorientation. The apparition's hair spilling out of the border is very nice, and so typical of Morrow's playfulness with page layouts.

Stunning page! A truly demonic Dracula, and the command to 'slay, slay, slay' adding to the fabulous drama.

There's a really playful use of space in this fabulous Nino page. The faces in the last panel initially seem to be a crowd, in perspective, but morph into another stroytelling panel, seemingly with faces in a backdrop and a podium (?). Nino's storytelling always makes for intriguing, graphically pleasing panel designs.

There is just so much to admire here, and lots of characteristic Nino features - the techno-organic shapes, the extraordinary use of different perspectives within a strange but persuasive space. A really intriguing page.

Great page! Pulsating action, and some great Thor poses. Congrats!

Really nice sketch. That's a lot of fun. It certainly is a Not Brand Echh style sketch, and really reminds us how much fun Colan could have with the Marvel characters.

Great page, and another great reminder of just how great that artistic partnership was. The angle for the second panel is fantastic, and really adds to the jarring sense of DD being off-balance.

Great action - and Hellcat too! Fun page!

Nice Colan cover! Interesting to see his style on a '60s war story, with lovely, fluid lines to indicate the legs of the 'chef', and the throwing arm nicely curved to accentuate the movement.

Great character sketches, in some places conveying so much with just a few loose lines. It is always so exciting to get a page and then find out that the artist has left some extra treasures on the back.

Great sequence, with interesting, loose inking from Janson that makes the style very light and fluid. Buscema's panel arrangements are still evident, especially in the fourth panel with Toht firing at Indy.

Wonderfully explosive action from Marie. There isn't the space left for more pounding sound effects! Great page! 

That's a great cover! It is always interesting to see Lopez Espi's take on Marvel characters. In particular, Sue Storm is drawn in a Spanish tradition, more like his romance work on UK titles in the '60s/'70s. A very striking image.

Lovely Mooney action page!

Glorious Gibbons artwork. He really caputured Tom Baker, and the faces on this page are superb.

Fabulous work from Dillon. That chin! Stoic DRedd, and some great werewolf action. Nice page!

Nice story page, and wonderful art from Sal and Ernie.

A stunning first panel, with all the characters lined up. Killraven pages are hard to find, and this one is superb - congrats!

A fabulous opening page - so dynamic!

A wonderful opening panel with a great use of space. Giordano was fabulous on both the Buscema brothers and it was a real shame that he didn't ink them more often. The faces of the kids are superb.

Stunning page! The entrance of the Grandmaster, in all his regal glory, to the Marvel Univere is truly epic.

Lovely page, with the fabulously villainous Sandman in pulsating action. 

Lovely page, and ad you note - a great set of characters. So much thought has gone into the poses and expressions to tell the story and keep the action moving.

As you say, well worth the wait. That's fantastic.

A brilliant page from a much loved title. It was great to see the two Captains together, and the dynamic poses in this action packed page are just stunning.

Brilliant closing splash - what a cliffhanger! Chan's inks are great on Sal, fabulous rich lines. Congrats!

Nice page with a great sense of mystery. That was a nice period of Sal's run on the Hulk, and a welcome return for the Bi-Beast.

Wow, that's incredible! Sal and Jim made a fantastic team, and this has all the dynamism you'd expect from Sal, and beautiful inks from Jim. Stunning.

Great splash! The haunting eyes of the defeated Black Knight in the foreground instantly convey that something cataclysmic has occurred. Brilliant drama from Sal.

Lovely splash - a real page turner and a great hook for pulling the reader in. Great page!

Great theatre - a lovely sense of space. And how fantastic to get a full roll call of the Avengers gathered together. Great DPS!

A lovely action sequence, with all the dynamism you expect from Sal. Great storytelling.

Great cover! Sal captures all the righteous outrage of Namor. The body casually flung from the tank emphasises Subby's disregard for human life. Congrats!

Great story. The opening panel draws the reader in, but it's the final panel that's really clever. The background scene is in light, but the foreground, with Man-thing and the altered cast of characters, is in shadow. It really makes it look like the characters are waiting in the wings, about to enter the stage and take part in the play. A nice sense of drama from Ploog.

Fabulous page. It's easy to see why Ploog was in demand for storyboard work. Each panel is beatifully framed. Richard Rory's face is a treat. Actually getting a Man-thing appearance on the page is a nice bonus.

Nice page! Green's inks are lovely here, and the moody image of Strange, with his head bandaged, is excellent.

Brilliant drama! Annihilus always has a real air of menace. The opening panel, with the Thing being clobbered right out of the page, is a real treat. Fabulous artwork.

Yes, that's a powerful intro. Lovely page.

Brilliant angle. I loved that issue - and it really sparked renewed interest in the pre-hero issues. Abel's inks are superb.

Classic story, great page! I love the way the Thing's right fist seems to swing right out of the second panel, just as his left one wallops the Executioner. 

Lovely page! The second panel has everything you want in an FF page - the team swinging into action against a classic foe.

Fabulous - a thing of real beauty! A page with the Frightful Four on is always going to be special, but the opening panel is just so full of movement and drama that this page really shines.