Artist: David Wright (All)
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Artwork Details
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DescriptionIt does not get much better than the sequence of 109-115 from the Lance Hallam story line.Jeff Singh set a hook in me at a gathering of comic OA collectors at a post-C2E2 dinner at Club Lago here in Chicago about 4-5 years ago. While enjoying a great meal, Jeff produced a portfolio of samples from his collection. In typical Jeff fashion, it was a broad array of comic, illustration and strip art. Anyway, while flipping through his collection, he pulled out the 425th strip from the Carol Day storyline, Problem Child. I was stunned. I had seen the piece when he posted it in his CAF gallery – and thought it was beautiful at the time. But, there was no way to appreciate Wright’s skill and craft without seeing the piece in person – the attention to every detail, the delicacy of his every line, his ability to create mood and evoke emotion in such a small space. I left dinner with two objectives – first, to get myself up the learning curve of who David Wright and his creation, Carol Day, were, and two, to find myself an example as beautiful as the one I had just held in my hands. The main challenge for me was to understand exactly what I wanted within the context of a broad body of work covering a good chunk of an artist’s life. With over 3,300 strips, among which approximately 2,800 had made their way to the United States, what were the stories, time periods, characters, etc. that I should focus on? It was not until I had gotten through a reading of most of the strips, gotten an understanding of most of the general progression of stories and plot lines and perused almost every strip posted on CAF that I went on the offensive. And that led me to a very nice guy who I had never met before – notwithstanding significant time in his CAF gallery – Mark Howland. I won’t bore you with the details, but I had become intensely focused on the sequence of strips he had in his collection from the Lance Hallam storyline, strips #109-115. To me, they were evocative of what I had seen and felt holding the #425 in my hands earlier with Jeff. Each panel had a level of skill and craft that seemed to tell it’s own individual story. The end result? I purchased the whole sequence from him. It was shortly after completing the deal that I inquired as to how much he knew about the history of the art itself. Namely, how did the art from a British strip make its way here in what appeared to be such volume? For the answer to such questions, Mark told me there were three people I really needed to talk to – fantasy artist Doug Beekman and two collector-dealers, Thomas Ward & Roger Clark. And talk with them I did. They were so gracious with their time & memory that I would pen an amateur article on the strips journey from the UK to the USA. Anyone interested in reading and learning more can reach me via CAF and I will send you a copy. But, I’m grateful for their collective tenacity and determination in bringing the strips here. Along the way I kept discovering great examples of Wright’s work…all of which you now see in my CAF gallery. Hope you enjoy them! Social/Sharing |
About the Owner
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Terry Doyle
Member Since 2004
Posted on 1/12/2016
Love those rain panels. Reminds me of . . . me of . . . of all the lousy rain we get over here!
Alex Johnson
Member Since 2006
Forum Moderator
Posted on 1/12/2016
Carol's expression in the 3rd panel is wonderful. Of course, Wright's handling of rain is just beautiful.
Jeff Singh
Member Since 2004
Posted on 1/12/2016
Gorgeous. I like the handling of the rain too but the lighting in the panel is challenging the beautiful portrait of Carol in the last panel for highlight of this great strip. All 3 panels are dramatic in lighting, composition and execution. Great storytelling in this sequence.
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