Artwork Details
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DescriptionPrismacolor pencils on brown Canson pastel paper, 10"x13".Jackson's characterization of Aragorn was a big problem for me, the notions that he became Strider the ranger to avoid his destiny as king, and that he felt any guilt or inadequacy because of his ancestor Isildur's succumbing to the lure of the Ring. Basically Jackson took a Christ figure--Aragorn as the prophesied healer-king, humble in his person, but in no way conflicted about his identity or his mission in life--and interpreted him as a very conflicted James Dean/Clint Eastwood anti-hero type, presumably to make him comprehensible to a modern, secular audience. Given all that, Viggo's acting was very good, though I liked him better as Lucifer in THE PROPHECY. Social/Sharing |
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Blaze (Ghost Rider/Spirits Of Vengeance) #3 page 19 Marvel 1993 He |
Marie Severin and Jon D'Agostino Muppet Babies #23 |
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JOHN ROMITA JR. UNCANNY X-MEN #200 COVER (1985, "THE TRIAL OF MAGNETO!" ICONIC IMAGE OF THE 'NEW LOOK' MAGNETO IN CHAINS AND THE X-MEN IN BATTLE ON THIS MILESTONE COVER) |
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Dave Cockrum - X-Men #150 Cover |
SUPERMAN: SECRET ORIGIN #2 VARIANT COMIC BOOK COVER ORIGINAL ART BY GARY FRANK. |
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