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Chris K. UNITED STATES
Member Since August 2008
753 Artworks | Watched by 224

Moebius - The Long Tomorrow, chapter 1, page 8 (May 1976)

Location: LONG TOMORROW, THE
Artists: Moebius  (All) ,  Jean Giraud (All)

3167  Views  -  32  Comments  -  32  Likes

Artwork Details
Location: LONG TOMORROW, THE
Title: Moebius - The Long Tomorrow, chapter 1, page 8 (May 1976)*
Artist:  Moebius  (All) ,  Jean Giraud (All)
Media Type: Pen and Ink
Art Type: Interior Page
For Sale Status: NFS
Views: 3167
Likes on CAF: 32
Favorited on CAF: 2
Comments: 32
Added to Site: 3/17/2022

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Description
This one falls into the category of ‘never thought it was going to happen’. I’ve been an admirer of Moebius for a long time and, in the ordinary course of collecting, have had some opportunities to add an example in the past – but nothing like this.

I’m no Moebius expert, but certainly know enough about him to know how important the story, ‘The Long Tomorrow’, was given its influence on other science fiction stories and films. And, given its film noir and hardboiled crime fiction storytelling style, its also considered a significant influence on cyberpunk. Along those lines, pioneering cyberpunk author William Gibson had this to say about the story:

"So it's entirely fair to say, and I've said it before, that the way Neuromancer-the-novel 'looks' was influenced in large part by some of the artwork I saw in Metal Hurlant. I assume that this must also be true of John Carpenter's Escape from New York, Ridley Scott's Blade Runner, and all other artifacts of the style sometimes dubbed 'cyberpunk'. Those French guys, they got their end in early."

‘The Long Tomorrow’ was originally serialized in two segments in the French magazine Metal Hurlant in 1976 and later by the American magazine Heavy Metal in Vol. 1 No. 4 and Vol. 1 No. 5, which were published in July 1977 and August 1977, respectively. The story was written by Dan O’Bannon (the screenwriter of the science fiction film, Alien) and drawn in color by Moebius.

Metal Hurlant (literal translation = ‘Howling Metal’) was a French comics anthology of science fiction and horror stories. It was created in December 1974 by comics artists Jean Giraud (a.k.a., Moebius) and Phillippe Druillet along with writer Jean-Pierre Dionnet and financial director Bernard Farkas. Humanoides Associes was their publishing name/house.

The story is noted for its influential visual design, which inspired the designs of feature films such as Alien (1979), Blade Runner (1982), Tron (1982) & The Abyss (1989).

In his introduction to the French hardcover graphic story collection The Long Tomorrow, Moebius wrote:

“I drew The Long Tomorrow in 1975, while I worked with Alexandro Jodorowsky on a film adaption of Dune. Originally Douglas Trumbull was to do the special effects, but that was not to be so Jodorowsky hired Dan O’Bannon to replace him. Dan came to Paris. Bearded, dressed in a wild style, the typical Californian post-hippie. His real work would begin at the time of shooting, on the models, on the hardware props. As we were still in the stage of preparations and concepts, there was almost nothing to do and he was bored stiff. To kill time, he drew. Dan is best known as a script writer but is an excellent cartoonist. If he had wished, he could have been a professional graphic artist. One day, he showed me what he was drawing. It was the story board of ‘The Long Tomorrow’. A classic police story, but situated in the future. I was enthusiastic. When Europeans try this kind of parody, it is never entirely satisfactory, the French are too French, the Italians are too Italian…so, under my nose was a pastiche that was more original than the originals. A believer in parody, Dan continued that tradition. As the story was very strong, I immediately asked if he would allow me to play around graphically, with complete freedom, without conventional pyrotechnics, to refocus on the floating point of view. Pete Club’s costume, for example, was almost ridiculous, far from the traditional raincoat of Bogart. It was the same for most of the visual elements. I scrupulously followed Dan’s story. One day I wish we could publish our two versions side by side. As the strip has pleased everyone, I asked Dan about a sequel, but it did not get his attention, so was simply an adventure I never designed.”

Moebius passed away in Paris on March 10, 2012, at the age of 73.





About The Owner

Member Since: August 2008
Last Login: July 2026
Country: UNITED STATES
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Comments on this Artwork

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Fisch  Benz Member Since 2019
3    
Posted On 3/17/2022

Wow! Not just Moebius, but soooo much Moebius art! That 3rd panel is such a classic background in his style that I think this could be your one Moebius piece and you could be totally satisfied that you have a great example of his work. I'm jealous! Congrats!!!!

Davide G. Member Since 2009
2    
Posted On 3/17/2022

To quote fellow CAF member Timothy Finney: Sockamagee! :) 

Timothy Finney Member Since 2006
2    
Posted On 3/25/2022

Davide G. wrote:
"  To quote fellow CAF member Timothy Finney: Sockamagee! :) 
 "

It's a brilliant page. There must be a word that could sum up my feelings about it. Maybe... I don't know... Baller!

Dino Mauricio Member Since 2009
1    
Posted On 3/17/2022

Brilliant Moebius page, congrats Chris!

George H Member Since 2009
1    
Posted On 3/17/2022

Also very jealous of this one. So much to love in every panel! 

Chris Snorek Member Since 2009
1    
Posted On 3/17/2022

Really a perfect example. As you so eloquently wrote; the influence of this art and this story cannot be overstated.

Rob  Pistella Member Since 2005
Forum Moderator
1    
Posted On 3/17/2022

Major piece Chris. The third panel defines Blade Runner. This wonderful page is a sublime and beautiful work. 

DC's Showcase Member Since 2006
1    
Posted On 3/17/2022

Impeccable pickup: classic yet quirky, influential yet effortlessly so, and above all rare as a 4-leaf clover (only 16 pages or so to this 2-part story if I recall). Way to rock St. Paddy's Day! 

Chris K. Member Since 2008
1    
Posted On 3/17/2022

DC's Showcase wrote:
"  Impeccable pickup: classic yet quirky, influential yet effortlessly so, and above all rare as a 4-leaf clover (only 16 pages or so to this 2-part story if I recall). Way to rock St. Paddy's Day! 
 "

Rare as a four-leaf clover, indeed! Thanks, as always, for the counsel!

Felix  Lu Member Since 2005
1    
Posted On 3/17/2022

Damn, that's so beautiful. Perfection!

Tyler T Member Since 2020
1    
Posted On 3/17/2022

Congratulations on a truly fantastic page! I think it is so cool that this page is from around the time that he was working on Dune. The words historical significance come to mind.

Ruben DaCollector Member Since 2008
1    
Posted On 3/17/2022

Well I guess I have more confidence in your collecting ability than you do, Chris, because I always expected to see a Moebius page in it eventually. Really! A magnificent example it is, too. Congratulations!

Canada  Jones Member Since 2017
1    
Posted On 3/17/2022

This is an EPIC piece!!! Congratulations on landing this one!!

E DLS Member Since 2005
4    
Posted On 3/17/2022

An excellent write up for a very special page.  Like many of us, I discovered Moebius in the pages of Heavy Metal magazine.  I just remember thinking how I had never seen anything like him before.  Not that I followed the European art scene very closely, the accessability was too prohibitive for a young comic reader who didn't know where to find it.  Of course that all changed when I started going to conventions and found most of his books there.  He was kind man, very soft spoken.  And as nice as he was talented.  I was lucky enough to have a couple of memorable interactions with  him.

I think the year was 1986.  The Donnelly's had organized what, at the time, I thought was just a small local convention.  In looking back now, I realize how truly amibitious it was.  The guest list included Moebius, P. Craig Russell, Art Adams, Mike Mignola, Tom Yeates, Steve Purcell, and a few others I can't even remember.  Halfway through the last day, Steve's then girlfriend asked me if I had my car.  I told her yes and she said we needed to take some people to SFO (which was only a few minutes from San Mateo where we were).  When I pulled up to the front of the hotel, I was surprised to see her there with Moebius and his wife.  I can't remember much, as I was in a daze for most of that short drive, but for some reason I remember most of the conversation revolved around sushi.  LOL!  I have one of the world's greatest artists in the back seat of my Chevy Cavalier, and what do we talk about?  Raw fish, of course!

Chris K. Member Since 2008
1    
Posted On 3/17/2022

E DLS wrote:
"  An excellent write up for a very special page.  Like many of us, I discovered Moebius in the pages of Heavy Metal magazine.  I just remember thinking how I had never seen anything like him before.  Not that I followed the European art scene very closely, the accessability was too prohibitive for a young comic reader who didn't know where to find it.  Of course that all changed when I started going to conventions and found most of his books there.  He was kind man, very soft spoken.  And as nice as he was talented.  I was lucky enough to have a couple of memorable interactions with  him.
I think the year was 1986.  The Donnelly's had organized what, at the time, I thought was just a small local convention.  In looking back now, I realize how truly amibitious it was.  The guest list included Moebius, P. Craig Russell, Art Adams, Mike Mignola, Tom Yeates, Steve Purcell, and a few others I can't even remember.  Halfway through the last day, Steve's then girlfriend asked me if I had my car.  I told her yes and she said we needed to take some people to SFO (which was only a few minutes from San Mateo where we were).  When I pulled up to the front of the hotel, I was surprised to see her there with Moebius and his wife.  I can't remember much, as I was in a daze for most of that short drive, but for some reason I remember most of the conversation revolved around sushi.  LOL!  I have one of the world's greatest artists in the back seat of my Chevy Cavalier, and what do we talk about?  Raw fish, of course!
 "

That is a heck of a story, Eric! Way more interesting than my write-up by a factor of two, at least.

Marcus Wai Member Since 2005
1    
Posted On 3/17/2022

A chase scene that takes us through Moebius' imagination and creativity.  It is fast paced, but it makes us want to linger on each panel to consider the amount of world building it is able to accomplish.   

David  Mandel Member Since 2004
1    
Posted On 3/17/2022

Stunned.  Stunning.  

Stephen F Member Since 2005
1    
Posted On 3/17/2022

Just might be the finest Moebius piece that I have seen in a loooooong time.   Congratulations.   It found the perfect collection in which to reside.

 

Jason K Member Since 2018
1    
Posted On 3/17/2022

Beauty! Incredible sequence in first 4 panels. The changes in perspective are amazing. What a piece!

Duke  Fleed Member Since 2013
1    
Posted On 3/17/2022

Sweet page. Love the flying car and all the little men. Has all the hallmarks you would want in a Moebius page from one of his most famous tomes. Congrats!

1    
Posted On 3/17/2022

Wow!  Beautiul Chris!

artless artmore Member Since 2013
1    
Posted On 3/18/2022

Wonderful page!  Really enjoyed reading your writeup as well.  So many creative people were influenced by this story

Oystein Sorensen Member Since 2005
1    
Posted On 3/18/2022

Absolutely fabulous and the envy of every serious Moebius fan!

Aaron N. Member Since 2009
1    
Posted On 3/18/2022

Oooh.... wow

Bill J Member Since 2009
1    
Posted On 3/24/2022

Sacré bleu! That's one heck of a Moebius page, Chris! And it's from The Long Tomorrow, no less! My sincerest congratulations!

Michael Kenyon Member Since 2008
1    
Posted On 4/2/2022

This one is mind bending....you've described it better than I could. It's breathtaking to "feel" this one. Moebius had vision into the future...maybe only Kubrik in films comapres in my experiences with visionaires.Just leaps and bounds ahead of everyone else. 

J. Sid Member Since 2004
1    
Posted On 7/15/2022

Perfect example of Moebius' ability to draw 'depth' in every panel he composed.

Peter Roe Member Since 2009
1    
Posted On 1/10/2023

I now see the influence on Blade Runner. Congratulations. I also enjoyed the description you wrote, which was nicely done.

Giacomo Iori Member Since 2007
1    
Posted On 11/26/2023

Grail!

Suat Tong Ng Member Since 2009
1    
Posted On 12/29/2023

One of the cornerstone stories in Moebius' oeuvre. A real rarity. 

Al Simpleton Member Since 2013
1    
Posted On 2/4/2024

A beautiful peak period Moebius page! 

Chris Dorr Member Since 2023
1    
Posted On 4/10/2024

I have what I believe is a serigraph of this page that was a limited print run of 80 and signed by Moebius but have not bee able to track down any information about it at all. I've seen a couple other limited similar signed prints from TLT but no concrete info. I'd love to find out more as I have to sell it for an estate I'm working with. Here's a link to a full page pic: https://i.imgur.com/ipZCB90.jpeg

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